Terrain miné

Well, as the IMdB reviews show, not everyone is a fan of this film. It's true that the philosophising and Eskimo mystique in the mid-section of the film do slow it down. It is also true that the closing environmental speech may be a tad heavy-handed. Yet I find it refreshing to see a large-budget action movie that actually tries to be about something. To his credit, Seagal's films have generally struck an anti-Establishment tone, in contrast to the complacent Republicanism of Schwarzenegger. Of course, having said all this, the tactics of Seagal's hero Forrest Taft, in blowing up large quantities of Alaska, are not perhaps what Greenpeace would recommend! As to the qualities of the film, there are some strong, savage action scenes, a stylish if over-the-top villain in Michael Caine, and wonderful photography. After all those "Die Hard"/"Under Siege" efforts, with characters running around claustrophobic buildings in semi-darkness, the panoramic views of Alaska make a nice change. Another good score by Basil Poledouris.

Continuing my plan to watch every Steven Seagal movie in order I come to

On Deadly Ground (1994)

Following on from Under Siege, Seagal was at the height of his popularity and had the pick of projects. He made a deal with Warner Bros, if they financed this movie, he would make a more commercial movie for them, namely Under Siege 2.

I actually didn't hate this movie. It's preachy, silly and more than a tad ridiculous, but it was a perfectly fine action flick. It's a bit of a love letter to Seagal's own ego, as everyone constantly talks about how great he is, it happened that often it became a joke with me and me son.

Michael Cain (with a bad dye job) is in full pantomime villain mode, John C McGinley is always great and Billy Bob Thornton has a small role too.

It actually felt considerably longer than it's 100 minute run time.

When Danish actor Sven-Ole Thorsen (frequent Arnold co star) met Seagal on the set, Seagal asked Thorsen to kick him, to show what Thorsen was capable of. Thorsen hesitantly kicked Seagal, who caught his leg and threw him to the ground. Seagal asked Thorsen to kick him again, giving it his best shot. Thorsen kicked Seagal as fast and hard as he could, and Seagal fell to the ground. When shooting a scene together a day later, Seagal hit Thorsen in the throat, leaving Thorsen unconscious for three or four seconds. Seagal decided that Thorsen's character had died, and his remaining scenes were cut from this movie.

Seagal filmed almost forty minutes of footage for the environmental message at the end of this movie, and planned to use it all in the final cut. After pressure from Warner Brothers, and a disastrous preview screening, he cut it to eleven minutes, after more pressure, Seagal are edited the final scene down to about seven minutes.

On Deadly Ground opened at number 1 at the domestic Box Office (his 6th in a row) and grossed $38 million (on a $50 million budget) to end 1994 as the 37th highest grossing movie of the year. This was the first time a Seagal movie did not recoup its budget at the domestic box office. It was also the first time a Van Damme movie (Timecop) outgrossed a Seagal one.

I'm certainly not an authority when it comes to the filmography of Steven Seagal. In fact, I don't think I've seen a single film of his made after the year 2000. And yet, me thinks it's safe to state that Seagal's best period was between 1992 and 1996, thanks to the really good "Under Siege" movies and "Executive Decision". During this brief period, Seagal apparently also was confident enough to make his directorial debut! I enjoyed "On Deadly Ground", but for all the wrong reasons. The film is nothing but a mediocre action vehicle, but Seagal takes it much too seriously. The plot is beyond preposterous, the environmental messages are shoved down our throats, and the characters are pure stereotypes and caricatures. Michael Caine is terrible as the mean and greedy oil tycoon, and John C. McGinley is even worse as his bodyguard/goon. Joan Chen is utterly redundant as the native love-interest, Shari Shattuck is pitiable as the supposedly heartless female businesswoman, and R. Lee Ermey depicts his umpteenth hard-shouting platoon leader role. Worst of all, though, Seagal grabs every possible opportunity to let literally ALL the other characters repeat how fantastic he - Forrest Taft - is. "Damn, this guy is good", "We are not dealing with a student here, we're dealing with the Professor", blah blah blah. How full of yourself are you, when you are the director who makes actors say these sorts of lines, about a characters that you depict yourself; - ha.

At the height of his fame Seagal was allowed to direct this monstrosity about evil Texas oil Aegis company polluting Alaska. With no prior experience in directing Steve stampeded his way into this movie with as much subtlety as a brick in the face. Originally called 'Spirit Warrior' and hoping to cast loads of English baddies (among them Anthony Hopkins and Jeremy Irons) the film is a horrid example of far too much creative control given to one man too blinkered by his own agenda to bother giving us anything resembling decent storytelling.

There is nothing significant or exceptional about Seagal's direction. Nor is the action very well done. It's cut too lazily and not shot for maximum viewing clarity. But what reeks about the story is that some big oil magnate called Michael Jennings (a completely hammy Michael Caine) wants to build a really shoddy oil rig in Alaska made out of dodgy parts because the rights to the land are about to revert back to the Eskimos after 30 years of non-use. So why wait 30 years to build the bloody thing?

Seagal plays Forrest Taft, an oil rig fireman who suddenly develops a conscience and is promptly eliminated from the payroll by way of being blown up. Only he is rescue by the Eskimos and, this is where the film just goes insane, goes on a spiritual journey in which he wrestles bears and turns into eagles and stuff. I mean, what the hell is all that about??? Don't even get me started on the scene where he makes a fully-grown hard-ass redneck cry in a bar full of similar stereotypes when the philosophy touches his soul. Then he gets his old self back together and sets about righting all the wrongs of Aegis Oil and saving the environment by littering it with dead bad guys.

Jennings hires a bunch of mercenaries (including R. Lee Ermey and Billy Bob Thornton) to take out Taft but of course they all prove to be useless since Taft is revealed to be an ex-CIA Agent (oh dear God..)Nothing much really happens apart from shooting and dying and Seagal beating up nameless extras. We've seen all of this before and it's no different this time round.

I do appreciate his environmentally friendly attitude but it could have made it a little less obvious and campy. Seagal's tacked on speech at the end originally ran for 30 minutes (Jeezuz sufferin') but Warner finally stepped in and said a big no-no.

We could have had an Oliver Stone or Insider amount of paranoia and conspiracy but this just ends up as the worst of Seagal's Hollywood movies.

Steven Seagal is now an employee of Aegis Oil where he is some sort of hired muscle and a former member of the CIA (his exact job seems unclear). After stumbling upon a sinister plot from his boss (played by an angry Michael Caine), he is marked for death by his employer and nearly killed. But after being revived by a tribe of Eskimos (including Joan Chen, who is actually Chinese) he returns to fight the oil company and give long speeches about the environment.

The formula here is the same as "Hard to Kill" -- Seagal finds a powerful man doing evil, is left for dead, healed by some spiritual stuff and returns to fight with a new love interest. So if you're looking for something new from Seagal, you're looking in the wrong place. The only new thing here is his directing and increased monologues.

This film's strength is in its co-stars. Joan Chen ("Twin Peaks"), Michael Caine, John C. McGinley, Bart the Bear, R. Lee Ermey and Billy Bob Thornton. An incredible line-up. Unfortunately, as good as they all are (especially McGinley, as the feminine assassin) they are stuck in a poorly written film with re-hashed plot and action sequences that are old and revolve around characters who yell "ow, my balls" a lot. I also think the emphasis on the Eskimo spirits was too intense. I appreciate what Seagal was trying to do by promoting the native people and their culture, but it was boring and took away heavily from the flow of the film.

Of the Seagal films I've seen, this was by far the least enjoyable. I found it a bit of a challenge to finish. See "Hard to Kill" or "Under Siege" if you like some Seagal action... this one is a bit of a bland flavor. Only for Seagal completists.