Un homme presque parfait

As he got older, Newman's talent displayed itself more and more easily. In this film, it's as if he puts on the role like a comfortable set of old clothes that fits him perfectly. His acting doesn't show - by which I mean, he becomes the character rather than acting it out in an obvious way. When you insert that smooth display into a well-written story that includes several other, excellent performances, you get a top-notch result. None of the directing or acting is lacking, nor does it ever feel forced or overdone. There's humor as well as sadness, small victories along with disappointments, and touching sentiment along with strength and honor. All in all, it's slice of life theatre done very well.

Newman is acting just perfectly in this small town movie in his role as a 60 years old man who has not achieved much in his life, but begins to realize this when his son, whom he hasn't seen since he left his family, shows up with his kids, Newman's grandsons. The complicated (or maybe not so complicated) married life of Willis and Griffith add to the plot. Some quite witty scenes and lines make you laugh heartily, although the film's general tone is more on the serious side.

Newman uses a lifetime of acting experience to give a burnished, affecting portrayal of Sully, a dysfunctional father and husband who is basically well-intentioned but has never been able to connect with anyone or live up to his responsibilities. His family arrives back in town and he begins the long-delayed process of reconnecting with his son and grandsons.

Like "Mr. & Mrs. Bridge" of a few years back, this is a low-key, slice-of-life drama, a type of film that can be deadly dull in the wrong hands but which in this case, under director Robert Benton's guidance, and aided by a fabulous script and wonderful cast, is totally engrossing.

The script is spare and lean and all the more effective for that. It never goes for heavy emotional effects, but makes its points in a powerfully understated way. The many moments of humor stand out in high relief. Excellent acting all around (this was one of Jessica Tandy's last films; also in the cast are Bruce Willis, a better actor than he is generally given credit for, and Melanie Griffith). The feeling of life in a down-at-the-heels northeast U.S. town in midwinter is superbly brought across; the movie has a real 'lived-in' atmosphere.

A definite A+.

In my eyes quite possibly one of the most perfect movies ever made with a stellar cast acting as you would expect them to when you want them to and acting completely out of character when you'd least expect it and enjoy it most. Look for a brilliant Melanie Griffith, a brilliant Bruce Willis, a fantastic ensemble all around, and at the centre the wonderful Jessica Tandy and the immortal Paul Newman in the role of his life. There is a point to this movie, painted in such subtle brush strokes that you just have to exclude all else and - what can I say - enjoy it, and let it warm your heart.

I can feel this movie deep inside. It is a reflection of the type of characters I have known and it relates well to real life situations that every working stiff goes through. Newman easily fits the character of Sully. Haven't most people seen these characters in any town anywhere in this country. The production is well performed by all and has good locations. There is just enough humor in it so that it balances the harder things in life. A chance to laugh at frailties and unsung heroes. I get the feeling that I am right there with these guys and would like to cry in my beer with them. It is worth watching over and over and it could almost become a seasonal classic. I have given this movie to friends as a gift and recommend it highly.