Le veilleur de nuit

Miramax made a huge mistake keeping this film from distribution in order to make an American version. Though I can only imagine how much more horrible the situation would have been if Nattevagten would have been dubbed in English!

This is a thriller that has it all: tense atmosphere guaranteed to give you the creeps, characters with believable quirks (though I doubt a prostitute would actually try to bury her face in a guy's lap in a crowded restaurant), and twists that were not actually expected or used as a weak plot point (Malice was a film that tried to throw the audience off and just wasted our time).

Martin (Nikolaj Waldau) takes on a night watchman job at a morgue to help pay for his law education, doesn't fully appreciate his relationship with his girlfriend (Sofie Graaboel) thanks in part to his jerky friend (Kim Bodnia) who keeps pulling Martin into silly bets. The loser has to get married, a rather interesting comment on the worth of relationships (something I believe the doomed moths trapped in a light fixture represent, along with other obvious meanings). Once at work, immediately things take on an eerie bent with Martin staring at himself in a glass window and out into the dark halls, his apprehension at having to use a key that's on the other end of a room full of corpses (that's one question I had, would they REALLY put that key there? Oh well, it DID make it more creepy!), and a body that tends to move around.

Turns out much of this is because of part of a bet gone basically wrong, but figuring out the complexities of the name switch pot point and the prostitute's connection to the killer makes for fun sorting! The climax tends to fall into some minor cliche with the heros being hogtied (with the time it took to do that the killer could have easily killed them), but the snappy pace keeps you from picking it apart as you are watching.

I was also impressed by the fact that not the entire cast was made up of youthful characters, and even reversed the sex appeal factor by not having a usual love scene--this time you basically get to see a rather naked Martin instead of the typical "let's try to find a way to get some breasts in here and there" scheme.

I was very impressed that Anchor Bay has released Nightwatch/Nattevagten in Danish with English subtitles, giving the film the respect it deserves. For those who gripe that subtitles are annoying, all I can say to you is that you are either lazy or need to brush up on your reading skills. I find that if I am absorbed in a good film I don't even realize I'm reading subtitles, it just works naturally. I was still engrossed in this film and was affected by its scary nature. It is quite astounding how superior and effective this film is when compared to 1998's remake, which director Ole Bornedal must have done with some hesitance.

At the time of writing these comments I haven't heard the DVD's audio commentary by Ole Bornedal (and I hear it's a rather honest commentary from him too), so I don't know if this matter is dealt with, but I noticed at one point the subtitles for Martin say "If this were a movie it would be called 'The Nightguard'...." So, then why is the English title Nightwatch?

Anyway, this is one thriller that succeeds practically on every level and people need to seek this one out! With all the processed Hollywood drek being pumped out every week in theatres and video, you owe it to yourself to go out and look for something NOT on the top hits list. Most likely this original Danish filming of Nightwatch won't easily be found as a rental, but I can assure you it's worth the purchase!

When you hear a foreign film is being remade for American audiences, see that foreign version first! It's amazing how many Americanized versions have fallen flat and yet Hollywood still chucks 'em out. So, while you can, for instance, see the foreign version of Insomnia before the American one surfaces....

I haven't watched any other film by Bornedal(including the American remake, which I understand is inferior to this), but he certainly nailed this one. From start to finish, this establishes and maintains an atmosphere and crafts a tension so thick, you *can't* cut it with a knife, you'd need a razor-blade. The editing and cinematography, with only a handful of exceptions, are inspired, using light and darkness immensely well, and utterly terrifying the audience. This is marvelously well-shot. The plot is excellent, and the twist is unexpected and has a relatively subtle, yet nicely effective reveal. Granted, when you think it all through, you do have to accept one or two details that strain credulity. Still, this is exciting and creepy whenever it attempts to be, and the relatable story and credible, well-developed, human characters are the driving force of the movie. Inbetween the sequences of suspense - to keep it from overstimulating the audience - there is humor, and every joke and gag are funny, none fall flat or try too hard. The acting is impeccable, every performance is spot-on. While there are jump-scares, most of the build-up pays off, big time. The music is excellent, and contains a good bit of rock, as well as a cue that they must have composed with Psycho in mind. There is a lot of disturbing content, some sexuality(including in dialog), brief nudity and a little bloody violence in this. The DVD comes with a well-done half-hour long behind-the-scenes featurette that covers the majority of the areas of production, and the theatrical trailer. I recommend this to every fan of horror. 8/10

Nattevagten (1994) (aka Nightwatch) is a stylish thriller/horror from Denmark. I just finished watching it and I was blown away. It's the most edge-of-your-seat thriller I've seen since A Tale of Two Sisters. This guy, Ole Bornedal, plots like a devil! The way he sets everything up is masterful. The script is so tight, practically every element that's established is later on used. Reminded me of early Coen brothers scripts. It also provides the viewer with sufficient food for thought, what with its underlying themes about the connection between sex and death, man's self-destructive tendencies versus his instincts for survival and self-preservation, and more.

There are a lot of creepy sequences, and one or two boo moments. The soundtrack is excellent. There's one unforgettable scene where something hideous happens to the sounds of this cheery, boppin' Danish song that seems to repeat the same verse over and over again. The result is very disturbing.

The style contains a lot of Hitchcockian characteristics, and the movie is done so well that it would have made Hitchcock proud. Everything is pulled off perfectly, and not once do we hear the gears of the plot grinding.

Considering how little known this movie is, I was very pleasantly surprised. I highly recommend it.

P.S. The main actor has a striking resemblance to Ewan McGregor, who reprised the role in the American remake three years later.

Martin, a law student, works as a night watchman in the morgue of a hospital. The morgue is a scary setting. When gruesome incidents occur there again and again, Martin gets involved in a bloody criminal case about a brutally murdering serial killer who has it in for pretty young women. Horror, crime, thriller and, not to be guessed from the description so far, humour as well. With his debut film, Danish director Ole Bornedal succeeded in creating a gripping, atmospherically dense thriller with many shocker elements. The viewer can place himself exactly in the eerie world around the protogonist and is constantly led on false trails. Besides holding your breath a few times, the work impresses with a strong pinch of black humour. There is also nothing to complain about in terms of acting, especially Kim Bodnia can put herself in the limelight brilliantly, as always. Perhaps the visuals of the film are not quite "glossy", but you can see from the remake 3 years later that this is not the decisive essence of a good scary thriller. Definitely a small genre pearl.

You know how you often get extremely disappointed when you re-watch movies that petrified you as a kid and almost single-handedly were responsible for the development of your future phobias? Well, the Danish horror/suspense masterpiece "Nattevagten" is the symbolic exception that confirms the rule. More than a decade after its initially shocking & nightmarish impact, the film still is as unsettling as when it first came out. I saw this film shortly after its release in 1994, but most of the time my eyes & ears were covered by the sheets of my bed. In my defense, I was only 12 years old and the film is truly creepy! Although I now admit that the basic story and screenplay aren't entirely flawless, the atmosphere of "Nattevagten" is still indescribably tense and haunting. In order to make some extra money to finance his studies, 24-year-old Martin takes on a new job as the night watchman in the hospital's morgue. At the same time, however, the city is plagued by a maniacal serial killer who scalps his prostitute victims and drives the local police inspector Wörmer insane. Pretty soon the gruesomely deformed corpses end up in Martin's mortuary and he makes himself a suspect because of a series of strange betting games with his best friend Jens. Ole Bornedal's script isn't always 100% plausible and convincing, but at least it dares to feature some hugely controversial undertones (like necrophilia, religious blasphemy and under-aged prostitutes) and it patiently takes enough time to properly introduce the main characters and make them amiable. Some sequences are truly portentous and genuinely make the hairs on your arms & neck stand up straight, like when Martin hesitantly has to check out who set off the morgue's emergency alarm. There are several highlights of brilliant suspense in "Nattevagten", as well as prime examples of brilliant acting, beautiful art-direction and a truly peculiar sense of (pitch black) humor. There isn't that much gore or bloodshed in the film, but the few visceral moments are quite disturbing and in-your-face confronting. Great film, highly recommended to fans of superior horror cinema as well as the more established art-house fanatics. Also, Danish seems like a fascinating language to learn!