Y a-t-il un flic pour sauver Hollywood ?
Titre original : Naked Gun 33 1/3: The Final Insult
- 1994
- Tous publics
- 1h 23min
Le lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui pré... Tout lireLe lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui prévoit un attentat à la cérémonie des Oscars.Le lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui prévoit un attentat à la cérémonie des Oscars.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
K.L. Segal
- Purse Woman
- (as Karen Segal)
Résumé
Reviewers say 'Naked Gun 33 1/3: The Final Insult' offers Leslie Nielsen's signature deadpan humor and slapstick comedy, though many find it relies too much on recycled jokes. The parodies and star-studded climax are praised, but the change in director is noted to affect the tone. Despite mixed opinions, the film's self-awareness and cameos provide enough laughs, though it's often seen as the weakest in the trilogy.
Avis à la une
This is a pretty funny spoof with a unstopped string of gags which holds up almost to the final. Again Frank Drebin(Nielsen) return from retirement to help Police Squad(George Kennedy, O. J. Simpson). Drevin is back this time to save the Oscar Academy from a plot hatched by a nasty villain. The dumber law officer from Inspector Clouseau goes undercover a penitentiary where is a top terrorist named Rocco(Fred Ward). He along with his mother(Kathleen Freeman) and girlfriend(Anna Nicole Smith) are planning bomb the Academy Award ceremony . Meanwhile, his wife Jane(Priscilla Presley) is desperate for pregnant and leaves him.
This amusing picture is plenty of slapdash and slapstick, displaying lots of laughs and silly gags. This third part with the deadpan, botcher Drebin, has been planned by ZAZ, : Jim Abrahams, Jerry and David Zucker. They're known satirists with successful work and longtime collaborators and made their own comedy troupe, the Kentucky Fried theater. The parody is hilarious, continuous and absurd , though sometimes is gross-out, but some moments here and there also is intelligent and bold. However lacks the freshness of its predecessors, two prequels titled ¨From the filed of Police Squad¨ and ¨The smell of fear¨. As always, the usual cinematographic references , being an entertaining to find them out, as the parody includes: ¨The untouchables(Brian De Palma)¨ and ¨The great escape(John Sturges)¨and prison films. Habitual cameos and long invited actors, such as, James Earl Jones, R.Lee Ermey, Rachel Welch,Morgan Fairchild, Mariel Hemingway, Pia Zadora, Elliot Gould, among them. The film is professionally directed by Peter Segal. The motion picture will like to Leslie Nielsen enthusiastic and lunatic humor buffs.
This amusing picture is plenty of slapdash and slapstick, displaying lots of laughs and silly gags. This third part with the deadpan, botcher Drebin, has been planned by ZAZ, : Jim Abrahams, Jerry and David Zucker. They're known satirists with successful work and longtime collaborators and made their own comedy troupe, the Kentucky Fried theater. The parody is hilarious, continuous and absurd , though sometimes is gross-out, but some moments here and there also is intelligent and bold. However lacks the freshness of its predecessors, two prequels titled ¨From the filed of Police Squad¨ and ¨The smell of fear¨. As always, the usual cinematographic references , being an entertaining to find them out, as the parody includes: ¨The untouchables(Brian De Palma)¨ and ¨The great escape(John Sturges)¨and prison films. Habitual cameos and long invited actors, such as, James Earl Jones, R.Lee Ermey, Rachel Welch,Morgan Fairchild, Mariel Hemingway, Pia Zadora, Elliot Gould, among them. The film is professionally directed by Peter Segal. The motion picture will like to Leslie Nielsen enthusiastic and lunatic humor buffs.
I have to say that this is one of the greatest comedy trilogies I have ever seen. Leslie Neilson has never stopped with the laughter and his fearless performance as Frank. Presilla does a fantastic job and her Thelma and Louise with Ellen Green was just memorable and fun to watch. OJ Simpson, the "downfall" I like to call it, because three months later came the murder trials.
Anna Nicole Smith was actually amusing in this film, I loved the crying game parody. There are a lot of great spoofs and jokes in the film. I think anyone who needs a good laugh or loves the Naked Gun movies should watch 33 1/3, it's just guaranteed of a good time.
8/10
Anna Nicole Smith was actually amusing in this film, I loved the crying game parody. There are a lot of great spoofs and jokes in the film. I think anyone who needs a good laugh or loves the Naked Gun movies should watch 33 1/3, it's just guaranteed of a good time.
8/10
So, here we are then, with the third part of the very silly 'Naked Gun' series. For some reason, David Zucker isn't in the director's chair this time; and his replacement is the man who would go on to direct the 2004 disappointment '50 First Dates' a decade later; Peter Segal. This doesn't matter, though, because Zucker still shares a writing credit, and the series always belonged to Leslie Nielson anyway. Still, this third part isn't as good as the first two, by quite a margin. The story is less expansive this round, and the film is also a lot shorter (probably a comment on the fact that the writers were running out of ideas...), but it still has it's moments that are really funny. As usual, quite a few of the jokes don't work, but there's usually one that does just around the corner after a failed one. One sequence in particular involving Frank Drebin in a dance number is one such moment.
The thin plot is mostly a parody on the crime classic 'White Heat', and it involves Frank Drebin going undercover in jail and eventually having to try and thwart an act of terrorism. Naturally, this is just a springboard for lots and lots of gags, but that's no bad thing. Leslie Nielson approaches the role with the usual gusto, and does well with it again. Leslie Nielson's comedy works because he looks so ridiculous, and he can just stand around doing nothing and make you laugh. The Naked Gun series is a good waste of time if all you want is a laugh and this second sequel delivers on that front too, although not in quite as good a way as the first two did. Still, there's a lot worse comedies around.
The thin plot is mostly a parody on the crime classic 'White Heat', and it involves Frank Drebin going undercover in jail and eventually having to try and thwart an act of terrorism. Naturally, this is just a springboard for lots and lots of gags, but that's no bad thing. Leslie Nielson approaches the role with the usual gusto, and does well with it again. Leslie Nielson's comedy works because he looks so ridiculous, and he can just stand around doing nothing and make you laugh. The Naked Gun series is a good waste of time if all you want is a laugh and this second sequel delivers on that front too, although not in quite as good a way as the first two did. Still, there's a lot worse comedies around.
I thought this one was almost as good as the first film and a bit better than the second one. I liked the whole infiltration of the prison plot and the retirement aspect of the film more than all the politics of the second film. However, Leslie plays Drebin in a bit more of a goofy fashion this go around. There are also other things in this film that were not really in the first two installments like the scenes that parodied other movies. Scenes like these were not in the first two movies, from what I remember anyway, but there are a couple of them in this one. Such as the opening which parodies "The Untouchables" and a "Thelma and Louise" one as well. However, the film has a nice conclusion at the academy awards which makes fun of Hollywood's biggest night in grand fashion. The plot has Frank retired, but he is coaxed out of retirement to break into a prison and find out a sinister plot. The villain this time is Fred Ward and he is good as is his gang. There are some surprises here and there too. I just thought this one was a bit more humorous than two, but not quite on par with the first one. Close, but not quite.
Retirement has not been good for Frank Drebin. His marriage is on the rocks and he feels emasculated as he no longer has the power of the law or the ability to shot bad guys. When he is offered the chance to help out with some undercover work, Frank jumps at the chance even though Jane storms out. When the info Frank finds points to imprisoned bomb expert Rocco Dillon he agrees to go into the jail and infiltrate his gang in order to find out his plan.
Despite the fact that the second part was a little bit of a dip from part 1, Debin was brought back for a final insult and managed to produce a very enjoyable conclusion to the series. Opening with one of the best moments from all three films (a hilarious expansion of The Untouchable train station scene) the film keeps up a very consistent tone that has plenty of big laughs as well as lots of little things that will keep you chuckling. Its not that the film has no misses (it does) but they are covered by the sheer weight of hits that it includes. The plot is fairly simple but is well done to include a few basic set ups the prison, the break out and the Oscars; each part is very funny if you're in the mood for it and, hey, even if you're not it is pretty infectious.
The writing is good it is easy to forget how hard it is to write a good spoof, but recent attempts have shown had easy it is to misjudge the film and just be silly rather than funny. Another big part of the film working is yet another great performance from Leslie Neilsen, who makes it all look so easy! Ward is a great addition to the cast and is much better than the bad guy from the second film Ward plays it gruff and straight, making it all the funnier. Presley is so-so, with her character kind of shoe-horned into the film to her detriment, but she does have some good moments. Freeman is good value and Smith, well, Smith has a good body and that's about it but fair play to her for sending herself up like that, it's not like she needed the money after all.
Overall, this is a very enjoyable film as long as you are in the mood. Even if you aren't roaring with laughter you'll still be chuckling along. The material is hardly the height of wit or intelligence and some viewers may find it to be all a bit broad but fans of the genre will love it and get plenty of laughs from the material and the mostly good performances.
Despite the fact that the second part was a little bit of a dip from part 1, Debin was brought back for a final insult and managed to produce a very enjoyable conclusion to the series. Opening with one of the best moments from all three films (a hilarious expansion of The Untouchable train station scene) the film keeps up a very consistent tone that has plenty of big laughs as well as lots of little things that will keep you chuckling. Its not that the film has no misses (it does) but they are covered by the sheer weight of hits that it includes. The plot is fairly simple but is well done to include a few basic set ups the prison, the break out and the Oscars; each part is very funny if you're in the mood for it and, hey, even if you're not it is pretty infectious.
The writing is good it is easy to forget how hard it is to write a good spoof, but recent attempts have shown had easy it is to misjudge the film and just be silly rather than funny. Another big part of the film working is yet another great performance from Leslie Neilsen, who makes it all look so easy! Ward is a great addition to the cast and is much better than the bad guy from the second film Ward plays it gruff and straight, making it all the funnier. Presley is so-so, with her character kind of shoe-horned into the film to her detriment, but she does have some good moments. Freeman is good value and Smith, well, Smith has a good body and that's about it but fair play to her for sending herself up like that, it's not like she needed the money after all.
Overall, this is a very enjoyable film as long as you are in the mood. Even if you aren't roaring with laughter you'll still be chuckling along. The material is hardly the height of wit or intelligence and some viewers may find it to be all a bit broad but fans of the genre will love it and get plenty of laughs from the material and the mostly good performances.
Le saviez-vous
- AnecdotesReal biker gangs were hired in order to get the look of real prisoners for the prison fight scene. It was unknown at the time, but there were four rival gangs in the scene. However, no incidents occurred.
- GaffesWhen Frank arrives home for his "special evening," there's an old portrait hanging next to the front door. A few minutes later when Jane leaves, it's a similar, but different, portrait. The use of items being substituted, moved, and placed incongruously is one of the trademark touches used by the Zucker, Abrahams, Zucker team in all their comedies. It is intentionally done, not a goof.
- Citations
Frank Drebin: Like a midget at a urinal, I was going to have to stay on my toes.
- Crédits fousIn the middle of the credits: DON'T LEAVE YET
- Versions alternativesA number of scenes were deleted (later added) for network TV viewing. Some of the scenes are:
- An extended scene of Drebin and Norberg discussing a TV soap opera when Norberg and Ed come to visit.
- An extra scene at the Karlson Clinic where after Drebin's encounter with the dominatrix, he is shown afterwards in a wheelchair being pushed to the desk by a male nurse (Michael Boatman) who asks him to fill out the visitor forms. When Drebin is writing down his name, he sees Tanya receive a phone call and tries to get near her to listen in. When the male nurse returns, Drebin hides on a gurney covering himself with a sheet and the male nurse inadvertently wheels the gurney into an O.R. which says "penile implants."
- The scenes of Drebin's arrival undercover at the prison show additional prisoners in cells, including a real lion, and a mime in a cell with no bars and mimicking holding onto the imaginary bars.
- The scene in the cell with Rocco Dillon and Tyrone where Drebin introduces himself as Nick "The Slasher" McGerk, Junior, II saying that he's killed the previous McGerks and more dialogue of him insulting Rocco.
- During Drebin's encounter with the big hairy convict in the shower, the hairy convict comments how pretty Drebin is, and Drebin rubs the hairy convict's back with soap as a token of appreciation.
- Drebin and Rocco's escape tunnel digging is longer, featuring them disposing of the dirt in various jars in the mess hall, as well as feeding it to a long line of convicts during meal times.
- A scene with Drebin talking with the prison chaplain (Eric Christmas) about his life of crime.
- An extra scene of the getaway. After Drebin and Rocco accidentally come up under a funeral, they dig more and Drebin sticks his head up on a football field, with the football ready for a free kick right on top of his head.
- Bandes originalesHip to Be Square
by Bill Gibson, Sean Hopper & Huey Lewis
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy of EMI Records USA, A Divsion of ERG
Under license from CEMA Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- ¿Y dónde está el policía? 33 1/3: El insulto final
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 132 598 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 216 531 $US
- 20 mars 1994
- Montant brut mondial
- 51 132 598 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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