Steve Martin dirige une ligne téléphonique contre le suicide. En essayant de sauver des vies, il découvre que l'amour est peut-être juste sous son nez.Steve Martin dirige une ligne téléphonique contre le suicide. En essayant de sauver des vies, il découvre que l'amour est peut-être juste sous son nez.Steve Martin dirige une ligne téléphonique contre le suicide. En essayant de sauver des vies, il découvre que l'amour est peut-être juste sous son nez.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
As it was nearing Christmas at the time I saw this movie was available for free, I decided I'd go for it. Now, with movies, if one is a classic, then most people have seen it. Stuff like "Planes, Trains and Automobiles", people know and love. I'll see the stuff that people regard as classic, if I haven't already, but I love doing the deep dives, and seeing what most people haven't.
Now clearly if this movie were really good, more people would talk about it, and by other reviews on here, some do really like it. Here's what I think:
Nora Epron was a good director. Not everything she directed was great ("Bewitched", yeesh.) I think what stands out in her films is the characters. That's what we remember the most. She'll get a great cast, and make some good films, but not every film made by every great director works.
The tone of this movie is a little off. It's not really that funny. Don't get me wrong, there's a lot of silly stuff that's supposed to be funny, and the comedic acting from Martin was good effort, but the thing is, he can't save a picture with so many other characters. The movie doesn't really have focus. It jumps between characters, and some we may not really want to know. Some are just barely more than one note, too.
So without really funny scenes, or character development, it's really just chaos. There's a version of this movie that would work, but I think it has to go further in one direction or the other, tonally.
If you're looking for something a little outside of normal Christmas fare, and can keep expectations low, it might be worth a try, but for some people, it'll be like nails on a chalkboard. 5/10.
Steve Martin has a great time with the role, as does Rita Wilson as Catherine O'Shaughnessy, Phil's co-worker. You'll really like the elevator scene. Great support from Madeline Kahn, Robert Klein, Juliette Lewis, Anthony LaPaglia, Rob Reiner, Adam Sandler, and Liev Schreiber make this movie truly one Christmas treat. Jon Stewart and Parker Posey also appear.
It's just... brilliant. It's completely nonsensicle and pointless and brilliant, much like a dream I might have when on too much cold medicine. Much like the dreams that I find most delightful...
It's one of those movies I find myself quoting all the time just to hear the lines again. Everyone thinks I'm nuts when I quote it because of course no one has ever heard of it. I've taken to making the little "plop" noise that Steve Martin does when he gets too flustered... when I get too flustered. Madeline Kahn is my hero. I relate too well to Mrs. Munchnik, sanity surrounded by chaos only to find that deep down, she too is a nut. If I were stuck on an elevator, I would have acted just as she had, making up little raps... It's the simple stuff... simple stupid stuff. That's what makes this film so brilliantly refreshing. It's so dumb! Take Adam Sandler, for instance. There was no reason for this character whatsoever. It was entirely random and uncalled for. It was almost as if he happened to be walking by and they called him over and said "Hey, Adam! Wanna be in a movie?"... the only thing he did was show off his mad ukulele skills. And he made me laugh... he was there for the sole purpose of being funny, no strings attached. It was so refreshing. As was this whole movie. Like a good dream! To me it is proof that when you have fun making it (which it appears impossible that they did not), you have fun watching it. At least I do... I'm gonna watch it tonight and appreciate it's wonderfulness.
Other scenes had too many people running and shouting. Some people seem to find that funny. I don't. Perhaps it reminds me too much of childhood.
Basically a story of a crisis-phone answering service manned by folks with neuroses and other generalized problems. Interwoven are stories of other problem folks. It all seems to work out in a mad-cap way, and although this isn't the funniest movie, it is still very enjoyable, and worth the rent.
Lonely people at Christmas...and the ones they intend to help...all mixed in like cashews, peanuts, filberts...you get it!
Enjoy.
Le saviez-vous
- AnecdotesLiev Schreiber's theatrical film debut. His first credited role was in Coulisses d'un meurtre (1994), which premiered on television the day before this movie opened in theaters.
- GaffesFelix slips the suspender onto his left arm once, then again when the shot changes, when he puts the Santa suit back on in the bathroom.
- Citations
[on the phone]
Philip: Just remember that in every pothole there is hope. Well, you see, pothole is spelled P-O-T-H-O-L-E. So if you take the P, and add it to the H, the O, and the E, and rearrange the letters... or contrariwise, you remove the O, T, and the L, you get "hope". So, just remember, in every pothole there is hope!
- Crédits fousThe circular icons from Felix's mural appear throughout the end credits.
- Bandes originalesWhite Christmas
Written by Irving Berlin
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Special Products
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 821 850 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 307 850 $US
- 26 déc. 1994
- Montant brut mondial
- 6 821 850 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1