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Ajouter une intrigue dans votre langueObsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.Obsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.Obsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.
Hideo Higashikokubaru
- Doctor Testing Drugs
- (as Sonomanma Higashi)
Avis à la une
One of the stupidest, most bizarre, and straight up perverted movies I've seen in a long time, but it was friggin' funny as hell. If you can handle 'stupid funny' then this movie is definitely enjoyable. Loosely organized around the fact that this perverted guy wants to score badly.... so he goes off and tries many different means to accomplish this task. The end degenerates into a big of a Godzilla parody, but still funny. be sure to stick around for the end of the credits too.
This Takeshi Kitano movie is all over the map and suffers because of it. He tells a "full-out" comedy that tries to cram everything and the kitchen sink re: other Japanese movies. It starts out with Asao looking for sex and doing every weird thing in the world to try to get it but failing; And ends with him becoming the Flyman. There are funny moments when he is mistaken for a hitman and when he auditions as an actor; but many other moments are tedious. Nowhere as good as Kids Return( 9/10) or Fireworks. Overall, a 5 out of 10.
It sometimes comes as a surprise to people when they learn that Takeshi Kitano is best known in Japan as a comedian. The man with the most deadpan expression ever is mainly known for his gangster movies, and for the sometimes shocking portrayal of violence they contain. I'm surprised that people are surprised though, because even his most hardboiled gangster movies contain a strain of deadpan absurdist humour that is at least as characteristic of his films as the violence. Maybe a lot of people simply miss the humour - Americans aren't best known for their appreciation of subtle comedy after all
Watching GETTING ANY? it's hard to imagine anybody missing the fact it is a comedy though, as it is anything but subtle. Actually maybe that's not true - the humour is still often times subtle, but the movie as a whole is unmissably surreal and absurd.
The premise is simple. A not too bright loser has but one thing on his mind - getting laid. He really hasn't got much of a clue how one goes about this, though, and the movie largely concerns his increasingly stupid schemes to get some. First on the list... get a car. Should be simple enough, right? Not for this guy His plans get more and more ludicrous as the movie progresses, and lead him into some ridiculous and sometimes hilarious situations.
This is without a doubt the strangest movie Kitano has done, and it's as wild and inventive as any movie that springs to mind except maybe the odd Jeff Lau or Stephen Chiau film. The movie plays like a strung together sequence of sketches parodying numerous movies and cultural elements, rather like a Japanese Monty Python film. Like Monty Python, it's clear that there's a keen intelligence behind all the stupidity.
The movie is not without flaws, unfortunately - chief of which is that it loses focus for a long time around the half way mark. Our hero gets himself into a couple of dire situations and for some time the whole purpose of his adventure (getting some) is forgotten. It's still funny and ridiculous, but dilutes the experience somewhat and drags on a little too long. It perhaps becomes a little too absurd for its own good in the second half, coming too close to simply being random.
GETTING ANY? is a fairly lightweight contribution to Kitano's resume, but one so totally opposed to his unique style of film-making shown in films like SONATINE and HANA-BI that it simply had to be made. Kitano is far more than a one trick pony, even though it's mainly for one trick that he's known in the west. Unfortunately, GETTING ANY is probably altogether too strange to have widespread appeal in the US, and won't do much to broaden peoples' perception of him.
Watching GETTING ANY? it's hard to imagine anybody missing the fact it is a comedy though, as it is anything but subtle. Actually maybe that's not true - the humour is still often times subtle, but the movie as a whole is unmissably surreal and absurd.
The premise is simple. A not too bright loser has but one thing on his mind - getting laid. He really hasn't got much of a clue how one goes about this, though, and the movie largely concerns his increasingly stupid schemes to get some. First on the list... get a car. Should be simple enough, right? Not for this guy His plans get more and more ludicrous as the movie progresses, and lead him into some ridiculous and sometimes hilarious situations.
This is without a doubt the strangest movie Kitano has done, and it's as wild and inventive as any movie that springs to mind except maybe the odd Jeff Lau or Stephen Chiau film. The movie plays like a strung together sequence of sketches parodying numerous movies and cultural elements, rather like a Japanese Monty Python film. Like Monty Python, it's clear that there's a keen intelligence behind all the stupidity.
The movie is not without flaws, unfortunately - chief of which is that it loses focus for a long time around the half way mark. Our hero gets himself into a couple of dire situations and for some time the whole purpose of his adventure (getting some) is forgotten. It's still funny and ridiculous, but dilutes the experience somewhat and drags on a little too long. It perhaps becomes a little too absurd for its own good in the second half, coming too close to simply being random.
GETTING ANY? is a fairly lightweight contribution to Kitano's resume, but one so totally opposed to his unique style of film-making shown in films like SONATINE and HANA-BI that it simply had to be made. Kitano is far more than a one trick pony, even though it's mainly for one trick that he's known in the west. Unfortunately, GETTING ANY is probably altogether too strange to have widespread appeal in the US, and won't do much to broaden peoples' perception of him.
I don't ever recall writing a user comment for a film before, but considering some other comments here say it is garbage, I thought I would defend it. While this film CAN be considered garbage because it is so stupid and has some of the weirdest parts, you really have to watch this for what it is worth. This film is the single most funny movie I have ever seen in my life. If you can get over the fact at how slap stick and how unlikely it is, this is comic genius. There are so many references in this film also, to thinks like power rangers, road runner and coyote etc. It really is truly funny. This movie is so crazy you'll be on the floor dying of laughter, the comic timing is impeccable, the situations are insane and the outcomes are even more insane. This is the zaniest movie ever made. No it won't change your life, it wont enlighten you, but you WILL laugh.
Takeshi Kitano is worldwide known because of his violent movies such as Brother, Hana-bi, Violent Cop, etc. However in Japan is the other way around, he is mostly known by his comedy tv shows or duo-comedy shows (the two beats), where he got the name "Beat".
Minna Yatteruka! could be Kitano's masterpiece in comedy, but still very difficult to import. At least, Image has released in Hong Kong and USA the DVD of Minna Yatteruka (getting any?) with English subtitles, and we've been able to see the unknown Kitano in a hilarious movie.
First of all, I have to say that I've seen all Kitano movies, even Dolls, and this movie has nothing to do with them, it's a completely different story, has more to do with tv shows he directed like Takeshi's Castle.
So, the movie is just astonishing, it comes from the most stupid situation and developes through gag to gag. One hour and a half of cinema parody fullfiled with Japanese Manga stupidity. The rhythm of the movie is slow, very slow at some points for a comedy, but it's still a good movie. I found parodies from his other yakuza movies, Ultraman, even the gohstbusters! and I'm sure I missed a lot.
Overall Review: A very funny movie, a fresh product, but might be too weird for the general audience. So, if you are interested in the Japanese culture, in Kitano, or if you are openminded for new experiences in comedy, check for it, unless , discard it and look for American Pie.
Minna Yatteruka! could be Kitano's masterpiece in comedy, but still very difficult to import. At least, Image has released in Hong Kong and USA the DVD of Minna Yatteruka (getting any?) with English subtitles, and we've been able to see the unknown Kitano in a hilarious movie.
First of all, I have to say that I've seen all Kitano movies, even Dolls, and this movie has nothing to do with them, it's a completely different story, has more to do with tv shows he directed like Takeshi's Castle.
So, the movie is just astonishing, it comes from the most stupid situation and developes through gag to gag. One hour and a half of cinema parody fullfiled with Japanese Manga stupidity. The rhythm of the movie is slow, very slow at some points for a comedy, but it's still a good movie. I found parodies from his other yakuza movies, Ultraman, even the gohstbusters! and I'm sure I missed a lot.
Overall Review: A very funny movie, a fresh product, but might be too weird for the general audience. So, if you are interested in the Japanese culture, in Kitano, or if you are openminded for new experiences in comedy, check for it, unless , discard it and look for American Pie.
Le saviez-vous
- AnecdotesDuring Asao's brief acting career he plays the part of the blind samurai Zatôichi. Takeshi Kitano later went on to direct and star in a remake of La légende de Zatoïchi - Voyage sans repos (1963).
- Citations
Man In Car: Tell me, miss - do you know about... car sex?
- Crédits fousAfter the end credits, Asao appears again as a giant mutant grasshopper. He bounds across Tokyo, only to impale himself on the Tokyo Tower. After twitching a couple of times, the final copyright notice appears.
- Versions alternativesThe region 1 [USA/Canada] DVD version is the original director's cut edition with no omitted scenes.
- ConnexionsReferenced in Unikal'noe pozdravlenie (2014)
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