L'amour & un 45

For the genre I thought it was pretty good.

It's not so much a Tarentino ripoff, as has been suggested, as another in a long line of White Trash on the Road movies which started back with Bonnie & Clyde & Easy Rider and continues with movies like Freeway, Natural Born Killers etc.

The characters were great. They're supposed to be overdrawn and the balance between the main characters bad deeds and that piece of goodness they have that no one else in the film possess was struck just right.

Rightly so Renee Zellweger has built a career since this but I'm surprised that the Director, CM Talkington went nowhere from here and the lead Gil Bellows (who is charming here) has had little success either.

And who would have thought that Creepy would go on to direct a ton of TV shows!

Writer / director C.M. Talkington doesn't go about trying to reinvent the wheel when it comes to "lovers on the lam" cinema. He merely tells a decent, straightforward story (albeit with some pretentious narration), with the usual amount of sex and violence, as well as humour, style, and some irreverence. The main hook is that the couple at the centre of this tale are not inherently vicious, violent people; they merely resort to it when forced into a corner.

Hell, our main protagonist, "Watty" Watts (handsome Gil Bellows) is a veteran robber who regularly uses guns that AREN'T loaded, in an effort to avoid bloodshed. But he has a problem because he still associates with a fellow ex-con named Billy Mack (a memorable Rory Cochrane), an utter psychopath with an itchy trigger finger. They attempt a robbery, it goes bad, and "Watty" flees with his gal Starlene (the enchanting Renee Zellweger); Billy, a pair of loan sharks (Jeffrey Combs, Jace Alexander), and the law pursue them.

"Love and a .45" is an amusing, visceral modern crime thriller with some fun touches. It acknowledges the debt that all movies of its kind owe to the granddaddy of them all, "Bonnie and Clyde". It also seems influenced by Tarantino, but in truth this was filmed *before* "Natural Born Killers", to which people often compare this one. It wouldn't work quite as well if we didn't like the two main characters to some degree, and "Watty" and Starlene make for a pretty engaging coouple. Granted, he does get annoyed with her towards the end, since it's clear she's enjoying her status as a "celebrity", and sometimes courts trouble.

The whole cast is great in this thing; it's too bad that Bellows and Cochrane never became bigger stars (of course, we all know that Zellweger went on to bigger things). They're supported by a variety of familiar faces. Peter Fonda is a hoot, well cast as a modern hippie who now has to speak using one of those voice generators. Michael Bowen, Jack Nance, Ann Wedgeworth, Wiley Wiggins, and Charlotte Ross round out the cast. It's particularly fun to see Combs outside the horror genre and delivering a flamboyant, priceless performance.

Aided and abetted by its soundtrack, "Love and a .45" is worth a look for those movie lovers who seek out efforts like this that never quite got their due.

Seven out of 10.

Pretty good movie that has been pretty unfairly treated over the years. It has some flaws, but in general it stands out owing to outstanding performances and ingenious direction. It's been called a copy of "Natural Born Killers", but that comparison is both unfair and inaccurate. Unfair because the movie was completed *before* Natural Born Killers was released, and inaccurate because the characters are fundamentally different. Natural Born Killers was about two people who were by nature violent and evil, whereas this movie is about two who are by nature *not* violent.

Check out the movie yourself, and rather than listen to accusations that it's a rip-off of movies that actually came after it, give it a shot as what it is -- a better-than average entry in a long-standing film genre, the outlaw couple on the run. And where it's due the director gives nods to his influences. Note one item that struck me as an inside joke -- the addition of Peter Fonda, the star of one movie that truly *is* a predecessor of this one: Dirty Mary and Crazy Larry (1974).

Some lazy and uninformed Critics and Reviewers can't help themselves and immediately lash out at this Movie's similarity to others Directed by Tarantino, Rodriguez, Stone, and Lynch. Truth of the Matter is that when Films are so near in release dates it is unfair and somewhat inaccurate to claim thievery.

It is more likely and a bit Metaphysical that these Creative Folks were all tapping into that Akashic Record thing or what may be called the Hundred Monkey Theory. Whatever. This is a very good, Fun-Frolic Road Movie with White Trash Anti-Heroes and a Kick-Ass Soundtrack. More quirky characters than have a right to exist in any one Movie and some Witty Banter that makes it all quite a Rolicking Ride.

It is over the top, around the bend, down the rabbit hole and off into outer space. Nutzoid and Naughty, Dirty and Delightful, with a Cast that cries out Cult Movie. It is proudly self-conscious, Violent, and Funny enough for it to become part of the Zeitgeist that was working in its Day and can not be ignored. This one will do nothing but gain Reputation and Admiration acquiring more Fans every Year.

It was an easy thing to miss and dismiss this in the Mid-Nineties but if nothing else, the Success of Renee Zellweger will have the curious seeking this one out as a Career Starter and while she is a standout here, this Movie has more to offer and does so with layers of interest far beyond anything as shallow as Star Power. It gets its energy from a Chemical Compound and a Cultural Milieu that is forever Fascinating.

If you want to see a movie that has no reason for being.... you'll enjoy this. If you want to criticize a movie for looking like Reservoir Dogs or whatever...dont get this one. It's a very good film and the acting is great. But take it for what it is...A MOVIE! This was Rene's last Indy film before taking off with Jerry Maguire and the film is just fun. Dont dig deep in it...just enjoy it. The DP was aweful and the lighting is bad at times but that adds to the film.