Killing Zoe

A rough and sometimes sordid movie is a short way to summarize this film. It's about a no-nonsense gang of drugged-out French thieves whose bank robbery attempt backfires into a bloody mess.

For those who object, be warned there are a fair amount of subtitles in here and a lot of f-words. This was a tough gang, and the lead characters are pretty grubby, they aren't really very likable people.

I like Jean-Hughes Anglade's accent and I always like ogling Julie Delpy, although I've seen her look better. The city of Paris looked good with some nice shots in the beginning and at the end of the movie.

Anglade, as the leader of the gang, was brutal but fascinating. My only complaint was the film was too sordid in spots (drugs, language and attitude). but overall, an entertaining crime film. It gets your attention and keeps it.

Killing Zoe played in Seattle theaters for exactly one week in August of 1994 and I managed to see it twice.Everything about this movie worked for me: the writing, the cinematography,the acting, the editing and the music. From the first images rushing through the streets of Paris until the blood-soaked climax, I was mesmerized. I consider myself lucky to have seen it in theaters with a good sound system becauseI have queried friends who have seen it on video and they had a completely different opinion of the film because they had missed key lines of dialog that really go a long way towards investing Killing Zoe with a certain quintessentially 90s vibe of doomed heroin-soaked romanticism, giving it deeper levels than most people are willing to admit.

This film is a dark and profound meditation on the violent life and seemingly subsequent redemption of it's main character,E Stoltz, it is however often asked why the film titled 'Killing Zoe', J Delhi's role.

Pay close attention to the fact that her character, in the films bloody climax, has her hand slashed by a crazed French bank robber. He is then smoked by at least a dozen tactical response police officers.

At the end of the film Julie Delphi is in a car with stoltz, who mistakenly thinks Delphi has been hit or injured, she replies that the blood is not hers, and ofers to show 'Z' the sights of Paris.

Earlier in the film the leader of the French gang relates to Z the fact that he has contracted HIV (or in his words Aids) therefore there is a better than average chance that Delphi contracted the virus from him during the aforementioned bloody climax.... Hence the title Killing Zoe!

This is another good french movie,I must say that I am surprised that France make so many good movies.This movie has a simple plot about gang who is planning on robbing France national bank.You can say that the movie is devided into two parts, the first is the preparations and the wild night before the bank job.And the the second half of the movie is of the actual robbery.This movie has some scenes that you usually dont see in most movies,I am talking about brutal killing and a cool little sex scene.One reason why this movie turned out the way it did, must have been that they got Quentin Tarantino as their executive producer.And we all know the amount of violence that are in his movies. This is an entertaining movie to watch,but maybe a little brutal for some people.And look out for Jean-Hugues Anglade,he has a powerful way of acting that gets you focused,really cool actor. An other thing about this movie,is that it is not very known,so if you see it, I advice you to buy or rent it because it is quit rare.

Zed (Eric Stoltz) has only just arrived in the beautiful Paris and already he is up to no good. Having just slept with a call girl (Julie Delpy), he spends a night on the town with his dangerous friends. They all decide to rob a bank the following day. There is only one problem: Zed's call-girl, Zoe, just happens to work at the bank which is to be robbed! I believe this film comes from the same guy who wrote "Pulp Fiction", and the similarities are evident. Although the first half is a strange romance-turned-heist, the film gets increasingly violent as it carries on. This is very much the same style as "Pulp Fiction". (Both also feature Eric Stoltz.) Julie Delpy is interesting here. Although she is more or less reduced to a secondary character, it is interesting how she was something of the "it girl" as far as French women in American movies were concerned. She was not the first or the last, but it seems that at any given time there is always one French actress who is the standard for appearing in American films.