Keïta! L'héritage du griot

I saw Dani Kouyaté's "Keïta! L'héritage du griot" in an anthropology course when I entered undergrad. As we were learning about the world's different cultures, one that we focused on was that of the griots (storytellers) in Mali. Thus, the movie depicts a griot who tells a boy about his family history.

What struck me was that at the beginning, the boy receives a eurocentric education in school. Only from the griot does he learn his people's own history. Anyone wanting a fine example of African cinema would do well to see this one.

Others have already summarized the story well, so I will just say that I have seen this film twice and am always struck by the really touching and realistic friendship between the little boy and this "old man" (as many in the film call him) who is a "griot" (storyteller and musician). Even though the ending is not really sad, I inevitably find myself crying by that time, and not that many films do that to me. The rapport between the two is just so great!

The other parts of the film dealing with the past and the legend of Sundiata are also quite well-done and gripping. You really get a sense of the movement of life in this area of Africa.

Definitely worth checking out!

I do not know what movie you were watching but Keita was the most god awful movie I have ever watched. We were forced to watch this in class and it will never leave my memory. The acting was horrible, the plot was nonexistent, and non conclusive. Why would he be expelled for listening instead of studying when he could have easily done both? And why were the hunters deemed worthy of the buffalo, they were just two suck-ups who gave the "wild" lady food and drink!

The foundational opposites depicted in Keita invoke dialectic thinking, highlighting the tension between old and new lifestyles. The film's core message revolves around the Eurocentric approach to seeking knowledge in African culture, where people become estranged from their roots. This theme is universal, especially in a globalized world where the pursuit of knowledge and competition often drive individuals away from their cultural foundations.

I often find myself constrained when learning history through a predominantly Eurocentric lens, particularly when it comes to Africa's ancient past. Much of pre-colonial African history is either absent from the mainstream or presented with a Eurocentric bias that diminishes the significance of ancient African achievements. Keita offers a glimpse into the glory of one of Africa's few prominent empires-Mali-while tracing the roots of its legendary founder, Sundiata Keita.

Although the film's historical scope is somewhat limited, it does delve into the origins of Sundiata Keita, the first king of the Mali Empire. While the historical facts are largely accurate, the film's depiction of Sundiata's evolution feels less convincing, hampered by some subpar acting and modest cinematography. That said, the true strength of the movie lies in its portrayal of the oral tradition of the Griots, who are the messengers of Africa's ancient history.

The relationship between Djeliba, a Griot, and Mabo, who is connected to him through ancestral linkages, forms the heart of the film. Their chemistry is touching, with Mabo's genuine curiosity drawing viewers into the tale of his ancestors. Djeliba's nonchalant demeanor symbolizes his inner peace and deep connection to his roots. His calm, unfazed attitude toward things he doesn't fully understand is a soothing presence throughout the film, grounding the viewer in the timeless wisdom of oral tradition.

The tension between the ancient and the modern, the traditional and the contemporary, is palpable throughout the film, compelling viewers to reflect on these dynamics in their own lives. Overall, Keita offers a thought-provoking experience, blending personal and historical introspection, despite its cinematic limitations.

It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations.

The griot announces that he's on a mission and has arrived to teach young Mabo about his history. Mabo is curious and eager to learn about his past, and soon his interest in schoolwork diminishes. As a result, a disagreement arises between his parents. Mabo's mother thinks that a griot's work is no longer important. She and his teacher don't want the griot's lessons interfering with Mabo's schoolwork. On the other hand, the boy's father doesn't want to deny his son the tradition of lessons from the griot - after all, they've been an important part of his family for generations. There is a conflict between modern and traditional ideas.

Writer and director, Dani Kouyaté comes from a long line of griots in his family. His father, Sotigui Kouyaté, a real life griot, plays the griot in the movie. Perhaps, for that reason, Kouyaté is successful in transferring the art of oral storytelling to the movie screen. Through the griot and young boy, the Sundjata epic, set in early 13th century, is retold in the film. It is about a man who turned his nation (the Mande people) into the great Malian trading empire (in West Africa). It's a riveting story full of magic realism.

The lessons of Keita: The Heritage of the Griot - traditional versus modern (Western) views and the fact that our history plays an important to our lives - not only applies to the African culture, but it all cultures. "It's an old world and the future emerges from the past," the griot tells Mabo.

This is one of my all-time favorite movies - the setting, music and actors tell the story very well. I highly recommend it to one and all - young and old.