NOTE IMDb
6,8/10
1,4 k
MA NOTE
Un tueur en série terrorise Paris la nuit, mais cela n'empêche pas Daïga et Théo de se rencontrer et de tomber amoureux.Un tueur en série terrorise Paris la nuit, mais cela n'empêche pas Daïga et Théo de se rencontrer et de tomber amoureux.Un tueur en série terrorise Paris la nuit, mais cela n'empêche pas Daïga et Théo de se rencontrer et de tomber amoureux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Yekaterina Golubeva
- Daiga
- (as Katerina Golubeva)
Danièle Van Bercheycke
- Fleur
- (as Danielle van Bercheycke)
Avis à la une
I enjoyed this film that had beautiful images of the male body, and a colorful mix of characters. Although the director, Claire Denis is a straight, white, woman, the film is full of homosexuality images. These images are done artfully however, do not limit the films appeal to a wide range of people. Although a serial killer is loose in Paris, this film is not a classic thriller, in the sense that the viewer does not feel on-edge, and actually might feel comfortable with the killer as did I. I would recommend this film as a good peek at what it is like to be an outsider in Paris.
10bruxe
This film is a fictional portrayal based on the true story of Thierry Paulin, who with the help of his lover murdered twenty or so elderly women in the Montmartre area of Paris, during the eighties. He was known as the "granny killer." What I think confused the viewer who commented before me was the following: The United States has created a crime genre in which the detectives are heroes and the murderers are detestable yet mysterious. In a way, the pleasure in these films comes from watching the murderer act out our unconscious aggressions without our having to admit any identification with him. Claire Denis tried for a truer, more sociological portrait of the situation. She attempted to show the murderer's daily life and interactions with his community in a fashion that proved that, in some ways, he was no different than any other human being. There are no heroes or villains in this film, just a group of immigrants interwoven by the forces of urban life, and one of them happens to be a murderer. The film is a demystification of the "noir" genre. Since people are so used to seeing crime portrayed according to the usual formula, this film can be confusing at first glance. But the achievement of this film is monumental because it manages to draw us into the intimate life of a murderer without hyperbole and without demonizing him. It abandons the sensationalism created by the media to bring us face to face with a real situation.
Writer-Director Claire Denis is telling a pretty strange tale in her "J'ai pas sommeil." Reportedly inspired by real-life news events, the focus is on an unsavory series of murders in a large French city, and various people somehow related to these happenings. These folks do not all know one another or even, in some cases, come in contact with each other. More strangely, Denis incorporates a few people who don't seem to be related to the events at all. The film's structure is free form, and various scenes are deliberately presented in a disjunct manner. There is some interest generated in trying to figure out what's going on, and in fact, there are a couple of coldly frightening scenes of calculated murder. I found myself not being attracted to nor empathizing with any of these characters. I merely observed with some interest. The general viewer response will depend on personal preferences. All in all, I found this ultimately to be a very slightly above average film work.
I can sort of see what (co)writer - director Claire Denis was trying to do here: a serial killer "thriller" minus any of the Hollywood flash, cross-pollinated with a "slice-of-Parisian-life" type of film (there is also a bit of "Pulp Fiction" going on, not in the chronology of events which is straightforward but in the way various characters pop in and out of each others' stories; however, because both films came out at the same year (1994), it's hard to say if there was any actual influence). Unfortunately, the result is boring, meandering and interminable. The Lithuanian girl's sections are marginally more interesting than the rest, mostly because Yekaterina Golubeva is stunningly beautiful. Gotta love that totally inaccurate IMDb plot description! * out of 4.
This is a very strange film, indeed. In the plot there's something about a Latvian immigrant in Paris, a couple of homosexuals, an old lady's murderer, some African immigrants (I think they're from the Maurice Islands), a woman who is a hotel manager and protects the young Latvian, a transvestite who has his own show on a nightclub, and some other crimes and weird stuff.
But it's not a bad movie after all. Despite the confusing plot, the film has some very nice sequences, some shocking scenes and one of the most beautiful actresses I've ever seen, Ms. Katherina Golubeva, whom I'd never heard about before this film. If you have a lot of time to spend, and you're in the mood for an unusual motion picture with a gorgeous young actress, "J'Ai pas Sommeil" is a good pick.
But it's not a bad movie after all. Despite the confusing plot, the film has some very nice sequences, some shocking scenes and one of the most beautiful actresses I've ever seen, Ms. Katherina Golubeva, whom I'd never heard about before this film. If you have a lot of time to spend, and you're in the mood for an unusual motion picture with a gorgeous young actress, "J'Ai pas Sommeil" is a good pick.
Le saviez-vous
- AnecdotesToutes les informations contiennent des spoilers
- ConnexionsReferences Le costaud des Épinettes (1923)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 111 015 $US
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By what name was J'ai pas sommeil (1994) officially released in India in English?
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