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Intersection

  • 1994
  • R
  • 1h 38min
NOTE IMDb
5,4/10
9,4 k
MA NOTE
Richard Gere, Sharon Stone, and Lolita Davidovich in Intersection (1994)
Trailer for this dramatic thriller
Lire trailer1:50
1 Video
61 photos
DrameRomance

En conduisant sur une autoroute isolée, un homme est déchiré entre le choix de retrouver sa femme dont il est séparé et celui de rejoindre ses maîtresses.En conduisant sur une autoroute isolée, un homme est déchiré entre le choix de retrouver sa femme dont il est séparé et celui de rejoindre ses maîtresses.En conduisant sur une autoroute isolée, un homme est déchiré entre le choix de retrouver sa femme dont il est séparé et celui de rejoindre ses maîtresses.

  • Réalisation
    • Mark Rydell
  • Scénario
    • David Rayfiel
    • Marshall Brickman
    • Paul Guimard
  • Casting principal
    • Richard Gere
    • Sharon Stone
    • Lolita Davidovich
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    9,4 k
    MA NOTE
    • Réalisation
      • Mark Rydell
    • Scénario
      • David Rayfiel
      • Marshall Brickman
      • Paul Guimard
    • Casting principal
      • Richard Gere
      • Sharon Stone
      • Lolita Davidovich
    • 58avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Vidéos1

    Intersection
    Trailer 1:50
    Intersection

    Photos61

    Voir l'affiche
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    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
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    + 54
    Voir l'affiche

    Rôles principaux52

    Modifier
    Richard Gere
    Richard Gere
    • Vincent Eastman
    Sharon Stone
    Sharon Stone
    • Sally Eastman
    Lolita Davidovich
    Lolita Davidovich
    • Olivia Marshak
    Martin Landau
    Martin Landau
    • Neal
    David Selby
    David Selby
    • Richard Quarry
    Jennifer Morrison
    Jennifer Morrison
    • Meaghan Eastman
    • (as a different name)
    Ron White
    Ron White
    • Charlie
    Matthew Walker
    Matthew Walker
    • Surgeon
    Scott Bellis
    Scott Bellis
    • Van Driver
    Patricia Harras
    Patricia Harras
    • Van Driver's Wife
    Keegan MacIntosh
    • Van Driver's Son
    • (as Keegan Macintosh)
    A.C. Peterson
    A.C. Peterson
    • Semi-Driver
    • (as Alan C. Peterson)
    Sandra P. Grant
    • Receptionist
    Robyn Stevan
    Robyn Stevan
    • Step Magazine
    David Hurtubise
    • Step Magazine
    • (as Dave Hurtubise)
    Gary Jones
    Gary Jones
    • Step Magazine
    Gerry McAteer
    • Step Magazine
    Christine Lippa
    Christine Lippa
    • Step Magazine
    • Réalisation
      • Mark Rydell
    • Scénario
      • David Rayfiel
      • Marshall Brickman
      • Paul Guimard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs58

    5,49.4K
    1
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    5
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    7
    8
    9
    10

    Avis à la une

    DIE HARD-4

    I liked it alot !!

    This is a good movie. Although I must admit sometimes it's a bit slow. I've seen it at least twice, and both times it mediated a special feeling that moved me.

    The five main reasons why I liked this movie, are (not listed in any particular order):

    1. Richard Gere - He doesn't give a great performance, but hey ! It's Richard Gere, and I really like him.

    2. Sharon Stone - On the other hand gives a great performance. I've never seen her this good.

    3. James Newton Howards fantastic score. The music over the final scenes and the ending credits is so beautiful and emotional, that it can make me cry everytime that I listen to it. The score enhances and puts an emphasis on the developments in the movie in an extraordinary way.

    4. The script - Although it's not that tight, it's still well written, with likeable characters and a good message.

    5. The feeling that this movie mediates, through the above mentioned reason, and lots more.

    In conclusion: I recommend this film. It will probably not be the best movie you've ever seen, but well worth your time. And as I said, it has a good message.
    tigerman2001

    Never makes it across the intersection...

    I'm not quite sure what this movie's about. I'm not saying that I suspect that I missed some deep, subtle secret concealed within the narrative that only a select few will ever grasp (this, I assume, is true of the alleged comedy that I've missed in various 'comedic' films) -- rather, I'm just not entirely sure that this film delivers what it might have had it had a more coherent flow and some semblance of actually going anywhere. Not that that sentence that I just penned is a great example of those qualities, but I digress...

    The movie features fine performances from all involved, including Lolia Davidovich and Sharon Stone and the pretty-much-always excellent Richard Gere. Gere's character is convincing and real, but perhaps a tad too real because he's a pretty wishy-washy fellow and his is not the most compelling of roles. Then again, neither is anyone else's, really. The two female leads get marginally more to wrap their skills around, but the whole is way less than the sum of its parts.

    A 98-minute film, "Intersection" seems a lot longer and I found myself calculating time-elapsed and time-remaining at more than one point. Hardly a good sign. Sure, there are no Ramboesque explosions and car chases (though a high-speed driving theme is at the movie's heart) but I'm not the type of male who has to have that kind of thing to keep me engaged. A story might be nice, though. I mean, a story that hangs together. In the absence of much direction, and in the presence of multiple and confusing layers of flashback, the actors' great work is sabotaged. It just doesn't really seem to go anywhere.

    When the film finished I felt the sentiment echoed in that old Peggy Lee song..."Is that all there is?" And I don't like Peggy Lee, darn it!
    moviebuff009

    very good

    With this movie, there's only two words to say, very good. I enjoyed this movie. Both Richard Gere and Sharon Stone give excellent acting performances. The two characters I didn't like was Olivia and Richard and Sharon's daughter, Ashley. this movie was acted and directed wondefully. great idea for using Vancouver B.C. Canada. if you don't believe me, watch the end credits, and watch how an old two dollar bill is used.

    This movie, does like to jump around a lot from past to future but does a great job in doing so.

    ****/*****.
    7anibose

    Touching Movie

    A very touching Movie with excellent acting. Denotes the psychological conflict of the three characters
    8AJ4F

    I don't understand the negative reviews

    I thought this film was quite good, not slow or dull by any means. It's as solid and entertaining as most "top rated" modern films of similar genre. Maybe a bit too subtle for some people? There seems to be a problem with shortening attention spans.

    There is a well controlled air of the unknown through the whole thing. The rain-soaked scenery is compelling, the acting is realistic and the final sequence is powerfully done. You never quite know what's going to happen, which to me makes a good film.

    Did it get bad press before it was even released? I think people sometimes go in with a bias that has no explanation. Theaters themselves can spoil movies by way of unruly viewers and other distractions. Just going to the wrong place on the wrong night can give a movie a bad rep. Get a big screen TV or projector and tune all that out.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sharon Stone rang director Mark Rydell repeatedly, begging for a part in the film. Rydell automatically assumed that she was after the part of the mistress, and was quite surprised when Stone revealed that she wanted to play the frigid wife.
    • Gaffes
      The letter Vincent wrote to Olivia in his car is in different handwriting than the one shown later near the end of the film.
    • Citations

      Vincent Eastman: [while on payphone] ... I'm crazy about you. I've always been crazy about you. I'm always gonna be crazy about you. Oh by the way, this is Vincent. Vincent Eastman.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Memo to the Academy - 1994 (1994)
    • Bandes originales
      Sonata in G Minor - First Movement
      Written by Johann Sebastian Bach (as J.S. Bach)

      Performed by Irena Grafenauer, Maria Graf and David Geringas

      Courtesy of Philips Classics

      By Arrangement with PolyGram Special Markets

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    FAQ19

    • How long is Intersection?Alimenté par Alexa
    • What kind of car does Vincent Eastman drive?

    Détails

    Modifier
    • Date de sortie
      • 13 avril 1994 (France)
    • Pays d’origine
      • États-Unis
      • Canada
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Things of Life
    • Lieux de tournage
      • Museum of Anthropology, University of British Columbia, Vancouver, Colombie-Britannique, Canada(Museum)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 45 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 21 355 893 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 818 502 $US
      • 23 janv. 1994
    • Montant brut mondial
      • 21 355 893 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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