Highlander III

Just to be up-front about this - I enjoy these films. The original - Highlander - was the only one in the series which really stands the test of time (Endgame has now joined it in this), and stands head and shoulders above the others for artistic merit and originality, but still, I liked the others well enough.

I also like the much maligned Christopher Lambert. He's an odd actor to be sure - far from the Hollywood norm in appearance, style and accent, but he's nothing if not original and once you understand his understated style, you might just see that the guy has some serious talent. Read on if these statements resonate with you. Otherwise, feel free to move on without reading or rating this review.

Lambert is good, Unger is good, Van Peebles is campy as hell, alternating between absurdist humor and menacing poseur-ship.

The script is OK, certainly less grandiose and more mindless than II (and closer to the original in feeling, pace and plot), but not particularly original.

The production values are a slight step up from II, about as good as Endgame, and almost up to the original's standards.

Conor McLeod has reclaimed something of his humanity - imagining himself to be the last immortal on earth, but of course, he is wrong. Sorcerer Kane, who has stolen the magic of one of McLeod's former teachers, is hunting his head. McLeod has adopted a child and is about to fall in love again, the last thing he needs is an attack by an enemy who has no corporeal body.

The film is entirely predictable, and is nothing more than a fan film. So what? It's harmless entertainment with some very pretty scenes from Scotland and some other gorgeous landscapes, and, if you don't expect much, you might just have a good time with it.

After his wife Heather's death, Connor MacLeod (Christopher Lambert) travels to Japan to train under sorcerer Nakano (Mako). Kane (Mario Van Peebles) and his henchmen arrives to defeat Nakano. Connor escapes when the Quickening collapses the cave trapping Kane. In the present day, archaeologists led by Dr. Alexandra Johnson (Deborah Kara Unger) excavates the cave. Kane and his men finally dig themselves out. Meanwhile, Connor is living with his adopted son. Brenda Wyatt is dead. Connor has to defeat Kane and his henchmen. Dr. Johnson finds a piece of MacLeod tartan in the cave which leads her to Connor. She looks like his lover Sarah Barrington who he knew in 18th century France.

It's a big improvement over the second movie. However, it leaves one feeling deja vu. The main story elements are essentially a repeat of the original. The new bad guy does have morphing capabilities but everything else feels inferior. It's bad enough that they recycled the old script. The execution is sadly inferior.

Why every one hates this movie , is not so bad , is not the best sequel, but he have some interesting ideas, cool actors, good director, smart story, and ofcourse an EVIL character, any fan of Highlander must see this movie : HIGHLANDER III .

Christopher Lambert reprises his role as Connor McCleod who this time goes up against an evil immortal Kane(Van Peebles in a terrible performance) who is thawed out of suspended animation, of course once he defrosts, it's up to McCleod to put him (back) on ice. I admit that this is probably my favorite sequel, only because the beginning reminds me of kung fu sequel, with Mako teaching Lambert swordsmanship and kung fu, however that aside the movie is fairly uninspired but not too dull and really it makes logical sense, even in comparison with the original (The only sequel to do so.) The suspended animation thing is a lame way to bring up a new enemy but at least it doesn't explain that they are from a different planet, or completely contradict the original like the fourth. The fight sequences are decent and the production values while somewhat cheap play passably on screen, so overall it's a mediocre sequel. Nothing special but at least semi-watchable.

* * out of 4-(Fair)

In 1995, with the enormous international success of the "Highlander" TV series, producers Bill Panzer and Pete Davis once again teamed up to unleash another "Highlander" sequel upon us. This time, it's "Highlander III: The Sorcerer" or, as it was known in the U.S., "Highlander: The Final Dimension". (Don't ask me where the hell that came from) The film finds Connor MacLeod (Christopher Lambert) enjoying a peaceful life with his adopted son, deceived that he has won the Prize. However, the evil sorcerer Kane (Mario Van Peebles) has broken free from the Japanese mountain he was entombed in, and now he wants the Highlander's head.

One of the parts of the film I enjoyed the most was Christopher Lambert's portrayal of Connor. For once the character isn't a severely depressed maniac, and in fact, he's better in this film than any other. Mario Van Peebles makes a good, if not unbelievable villain, with Deborah Unger as the sexy Highlander girl.

Andy Morahan's direction is good. The script is good and very entertaining, but the film's problem is this: although it has all the right materials to make a good film, they are either wasted, put in the wrong place or dropped quickly. It makes you wonder if the franchise is cursed.

The film's score, by J. Peter Robinson, was very nice as well. Loreena McKennit's "Bonny Portmore", featured twice in the film, is a beautiful and outstanding song that has now become the theme for the series.

All in all, while "Highlander III" (Sorcerer/Final Dimension) is an entertaining film, it can't come anywhere near comparing to the original film, although it is a major improvement over "Highlander II".