NOTE IMDb
4,5/10
23 k
MA NOTE
Amené à croire qu'il a remporté le prix, Connor MacLeod se réveille d'une vie paisible lorsqu'un magicien immortel enterré vient chercher le Highlander.Amené à croire qu'il a remporté le prix, Connor MacLeod se réveille d'une vie paisible lorsqu'un magicien immortel enterré vient chercher le Highlander.Amené à croire qu'il a remporté le prix, Connor MacLeod se réveille d'une vie paisible lorsqu'un magicien immortel enterré vient chercher le Highlander.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Raoul Max Trujillo
- Warrior #1
- (as Raoul Trujillo)
Jean-Pierre Pérusse
- Warrior #2
- (as Jean-Pierre Perusse)
Zhenhu Han
- Innkeeper
- (as Zenhu Han)
Avis à la une
The other reviews say it all : you will have a good time watching this film if you don't expect something too smart or original but just wish to be entertained with some action and fantastic images.
But I wish to add that paying attention to the music is also worth the shot. From the eerie chants in the most unsettling moments to the timeless Celtic songs accompanying the grandiose shots and peaceful passages, the music is a faithful and enhancing companion to the plot.
But I wish to add that paying attention to the music is also worth the shot. From the eerie chants in the most unsettling moments to the timeless Celtic songs accompanying the grandiose shots and peaceful passages, the music is a faithful and enhancing companion to the plot.
After his wife Heather's death, Connor MacLeod (Christopher Lambert) travels to Japan to train under sorcerer Nakano (Mako). Kane (Mario Van Peebles) and his henchmen arrives to defeat Nakano. Connor escapes when the Quickening collapses the cave trapping Kane. In the present day, archaeologists led by Dr. Alexandra Johnson (Deborah Kara Unger) excavates the cave. Kane and his men finally dig themselves out. Meanwhile, Connor is living with his adopted son. Brenda Wyatt is dead. Connor has to defeat Kane and his henchmen. Dr. Johnson finds a piece of MacLeod tartan in the cave which leads her to Connor. She looks like his lover Sarah Barrington who he knew in 18th century France.
It's a big improvement over the second movie. However, it leaves one feeling deja vu. The main story elements are essentially a repeat of the original. The new bad guy does have morphing capabilities but everything else feels inferior. It's bad enough that they recycled the old script. The execution is sadly inferior.
It's a big improvement over the second movie. However, it leaves one feeling deja vu. The main story elements are essentially a repeat of the original. The new bad guy does have morphing capabilities but everything else feels inferior. It's bad enough that they recycled the old script. The execution is sadly inferior.
In 1995, with the enormous international success of the "Highlander" TV series, producers Bill Panzer and Pete Davis once again teamed up to unleash another "Highlander" sequel upon us. This time, it's "Highlander III: The Sorcerer" or, as it was known in the U.S., "Highlander: The Final Dimension". (Don't ask me where the hell that came from) The film finds Connor MacLeod (Christopher Lambert) enjoying a peaceful life with his adopted son, deceived that he has won the Prize. However, the evil sorcerer Kane (Mario Van Peebles) has broken free from the Japanese mountain he was entombed in, and now he wants the Highlander's head.
One of the parts of the film I enjoyed the most was Christopher Lambert's portrayal of Connor. For once the character isn't a severely depressed maniac, and in fact, he's better in this film than any other. Mario Van Peebles makes a good, if not unbelievable villain, with Deborah Unger as the sexy Highlander girl.
Andy Morahan's direction is good. The script is good and very entertaining, but the film's problem is this: although it has all the right materials to make a good film, they are either wasted, put in the wrong place or dropped quickly. It makes you wonder if the franchise is cursed.
The film's score, by J. Peter Robinson, was very nice as well. Loreena McKennit's "Bonny Portmore", featured twice in the film, is a beautiful and outstanding song that has now become the theme for the series.
All in all, while "Highlander III" (Sorcerer/Final Dimension) is an entertaining film, it can't come anywhere near comparing to the original film, although it is a major improvement over "Highlander II".
One of the parts of the film I enjoyed the most was Christopher Lambert's portrayal of Connor. For once the character isn't a severely depressed maniac, and in fact, he's better in this film than any other. Mario Van Peebles makes a good, if not unbelievable villain, with Deborah Unger as the sexy Highlander girl.
Andy Morahan's direction is good. The script is good and very entertaining, but the film's problem is this: although it has all the right materials to make a good film, they are either wasted, put in the wrong place or dropped quickly. It makes you wonder if the franchise is cursed.
The film's score, by J. Peter Robinson, was very nice as well. Loreena McKennit's "Bonny Portmore", featured twice in the film, is a beautiful and outstanding song that has now become the theme for the series.
All in all, while "Highlander III" (Sorcerer/Final Dimension) is an entertaining film, it can't come anywhere near comparing to the original film, although it is a major improvement over "Highlander II".
Why every one hates this movie , is not so bad , is not the best sequel, but he have some interesting ideas, cool actors, good director, smart story, and ofcourse an EVIL character, any fan of Highlander must see this movie : HIGHLANDER III .
Christopher Lambert reprises his role as Connor McCleod who this time goes up against an evil immortal Kane(Van Peebles in a terrible performance) who is thawed out of suspended animation, of course once he defrosts, it's up to McCleod to put him (back) on ice. I admit that this is probably my favorite sequel, only because the beginning reminds me of kung fu sequel, with Mako teaching Lambert swordsmanship and kung fu, however that aside the movie is fairly uninspired but not too dull and really it makes logical sense, even in comparison with the original (The only sequel to do so.) The suspended animation thing is a lame way to bring up a new enemy but at least it doesn't explain that they are from a different planet, or completely contradict the original like the fourth. The fight sequences are decent and the production values while somewhat cheap play passably on screen, so overall it's a mediocre sequel. Nothing special but at least semi-watchable.
* * out of 4-(Fair)
* * out of 4-(Fair)
Le saviez-vous
- AnecdotesDuring filming in Montreal, two local punk rockers with Mohawk hairdos were hired as extras for a scene in which they attempt to rob the newly awakened Kane in a dark alley. The two were paid a nominal fee, and thanked for their services before shooting. The scene was cut after they were seen taking drugs on the set and overheard plotting to kidnap Mario Van Peebles by driving away in the make-up RV with him in it.
- GaffesIt's at least questionable how Warrior #1 got from Japan to New York to confront MacLeod in his medieval Japan clothing and his sword still with him.
- Citations
Connor MacLeod: Where is Kane?
Warrior #1: Don't worry about him. Worry about me.
- Versions alternativesThe version released to video tape in the US has two extra scenes. The first addition is a scene early on when Kane first arrives in New York in which he picks up a prostitute. The second is the love scene between Conner and the reporter Alex, which contains more explicit footage. Both scenes are reported to be present in European theatrical prints.
- ConnexionsEdited from Highlander (1986)
- Bandes originalesSNAKE BAR BLUES
Written by J. Peter Robinson, Tom Canning and Michael Rockwell
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Highlander III: The Magician
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 303 080 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 536 435 $US
- 29 janv. 1995
- Montant brut mondial
- 12 303 080 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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