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IMDbPro

L'Idéaliste

Titre original : The Rainmaker
  • 1997
  • Tous publics
  • 2h 15min
NOTE IMDb
7,2/10
88 k
MA NOTE
POPULARITÉ
1 098
372
L'Idéaliste (1997)
Trailer
Lire trailer0:30
1 Video
62 photos
Drame juridiqueCriminalitéDrameThriller

Un jeune avocat sans expérience affronte une compagnie d'assurance malhonnête.Un jeune avocat sans expérience affronte une compagnie d'assurance malhonnête.Un jeune avocat sans expérience affronte une compagnie d'assurance malhonnête.

  • Réalisation
    • Francis Ford Coppola
  • Scénario
    • John Grisham
    • Francis Ford Coppola
    • Michael Herr
  • Casting principal
    • Matt Damon
    • Danny DeVito
    • Claire Danes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    88 k
    MA NOTE
    POPULARITÉ
    1 098
    372
    • Réalisation
      • Francis Ford Coppola
    • Scénario
      • John Grisham
      • Francis Ford Coppola
      • Michael Herr
    • Casting principal
      • Matt Damon
      • Danny DeVito
      • Claire Danes
    • 204avis d'utilisateurs
    • 93avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 10 nominations au total

    Vidéos1

    The Rainmaker
    Trailer 0:30
    The Rainmaker

    Photos62

    Voir l'affiche
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    + 54
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    Rôles principaux64

    Modifier
    Matt Damon
    Matt Damon
    • Rudy Baylor
    Danny DeVito
    Danny DeVito
    • Deck Shifflet
    Claire Danes
    Claire Danes
    • Kelly Riker
    Jon Voight
    Jon Voight
    • Leo F. Drummond
    Mary Kay Place
    Mary Kay Place
    • Dot Black
    Dean Stockwell
    Dean Stockwell
    • Judge Harvey Hale
    Teresa Wright
    Teresa Wright
    • Miss Birdie
    Virginia Madsen
    Virginia Madsen
    • Jackie Lemancyzk
    Mickey Rourke
    Mickey Rourke
    • Bruiser Stone
    Andrew Shue
    Andrew Shue
    • Cliff Riker
    Red West
    Red West
    • Buddy Black
    Johnny Whitworth
    Johnny Whitworth
    • Donny Ray Black
    Wayne Emmons
    • Prince Thomas
    Adrian Roberts
    Adrian Roberts
    • Butch
    Roy Scheider
    Roy Scheider
    • Wilfred Keeley
    Randy Travis
    Randy Travis
    • Billy Porter
    Michael Girardin
    • Everett Lufkin
    Randall King
    • Jack Underhall
    • Réalisation
      • Francis Ford Coppola
    • Scénario
      • John Grisham
      • Francis Ford Coppola
      • Michael Herr
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs204

    7,287.7K
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    Avis à la une

    8dianeevans-69590

    Rookie lawyer fights against evil insurance company

    This gentle David and Goliath style story is a delight to watch and an inspiration to viewers to work hard, be determined and maintain self belief against the odds. Matt Damon underplays his role very well. Clare Danes is less believable as a battered wife - I'd be terrified in her shoes, but she maintains a fixed slight irritation when the baseball bat starts swinging. Virginia Madsen steals the movie, making her character shine with integrity and empathy. She appears for about ten minutes, so make the most of her. Micky Rourke? Was he bored, too much trouble or couldn't learn his lines? Seems to be under-used for some reason. I could actually smell Jon Voight's cologne, so well did he play the rich top lawyer in the expensive suit.
    Philby-3

    Forget about the book, enjoy the acting

    Readers of John Grisham's book will find this film rather less of a thriller and more of a courtroom drama, albeit with a curious flat feel to it. The story is that of a legal action on behalf of a teenage boy denied coverage for an expensive bone marrow transplant by his family's medical insurer. Changes to the plotline to accommodate the story to the demands of film drama have removed the unique feature of the book – a largely successful attempt to make the details of legal civil procedure interesting. Francis Coppola is a very innovative yet conventional director (you could credit him with authorship of several current movie clichés) and his storylines develop according to convention. Thus the love affair, which is completely extraneous to the main storyline in the book, is pumped up, and the fascinating battle of wits between the lawyers played down. As in the book, Rudy is the tyro David up against the experienced Goliath, Drummond, but Rudy's inexperience is played up to the point that you wonder how he got this far. The trial judge, who in the book is extremely helpful to Rudy, is replaced in the film by a sympathetic but much more impartial figure. In Hollywood conventional courtroom drama, His Honor or Her Honor doesn't take sides.

    That said, there is much to enjoy. Danny de Vito, playing Deck the paralegal (or `paralawyer' as Rudy names him) who can't seem to pass the bar exam, is just brilliant. His Deck is a disheveled, unimpressive little guy who is nonetheless good at what he does, `rainmaking' or finding new business. His strengths are his intelligence, his energy and his lack of pride; he is quite happy to chase ambulances and give cops backhanders for information. His ethics are simple: fight for your client, don't steal and try not to lie. While the Deck of the book verges on the grotesque, De Vito makes him less of an oddball and hence more sympathetic. Matt Damon as Rudy is wetter behind the ears and not such a quick learner as the Rudy of the book, but every so often he connects and we understand how he feels. Mickey Rourke is a bit too elegant as Bruiser, Rudy's erstwhile mentor, (who wears cufflinks on a tropical beach?) but it's also an enjoyable performance. Although the script tones down his role, John Voight is nastily urbane as superlawyer Drummond.

    Once again we have a courtroom drama filmed in a grand but gloomy courtroom, in fact the lighting people seem to have been absent. We hardly get a glimpse of the face of one important minor character, Cliff the wife-beater, (Andrew Shue) yet there is no apparent reason for this. The way some of the scenes were strung together, and started and finished were vaguely familiar, and half way through it hit me - ` The Godfather', where scenes just seem to begin and end without any particular reason.

    One thing the film does almost as well as the book is send the message (sorry Mr Goldwyn) that America needs to do something about its medical insurance system, if the present chaotic mess can be so described. The court system, while not perfect, comes out of it a bit better (David is able to beat Goliath fair and square) but as for lawyers…well, let's just say things would be a lot better if they stuck to Deck's minimal ethics. The story also might explain why John Grisham (who has a walk-on role as a lawyer at an al fresco deposition) gave up the law to write books, thus bringing pleasure to millions instead of (hopefully) winning retribution for a few.
    8lastliberal

    Do not compare to the book.

    Readers are usually disappointed when a favorite book is translated to film. If you are looking for a Grisham thriller here, you will be disappointed. But, if you are looking for a courtroom drama with a great cast, then this is a great film.

    Matt Damon shines as Rudy, recently out of law school, who sets up an office with Deck Schifflet (Danny DeVito) who is still trying to pass his bar exam. He also finds a place to stay with Miss Birdie (Teresa Wright) who has hired him to handle her estate papers.

    Rudy is drawn to the plight of Kelly (Claire Danes), a working-class girl whose husband has battered her with a baseball bat. But the real drama is centered on Great Benefit, an insurance company that has refused to pay a claim of one of its policy holders.

    Dot Black (Mary Kay Place) whose son is dying of leukemia is suing the company for denying her claim. In the courtroom, the unpolished Rudy is forced to square off against Leo F. Drummond (Jon Voight), a corporate lawyer who knows all the tricks of the trade. This David versus Goliath battle is well worth watching.

    Damon, De Vito and Voight, along with Claire Danes and Danny Glover shine in this film.

    So, forget the book and enjoy a great film.
    7dav7nine

    Great film!

    I thought this film was really good...... I like courtroom dramas and this is right up there with the best of them. It's basically about a young lawyer starting out who gets embroiled in what turns out to be a major case.

    Matt Damon is really good in it... I'm starting to really like him as an actor. Danny DeVito supports him brilliantly as his wee helper-guy. John Voight is also very good and Danny Glover makes a surprise appearance as the judge.

    A good courtroom drama that has you interested all the way to the end.

    A 7/10 for me...

    Dave
    michael10sley

    applause

    The Raimaker was a _great film, adherent to the book, even to the deposition of Donny Ray Black being moved from his bedroom to the backyard and his father getting into his old Ford to drink his gin.

    Of course I seldom watch a movie without reading the book first as that gives me insight into the innuendos presented,and to see how closely the movie follows the book.

    For those viewers who don't like to read I _still think the movie has continuity and an easy to follow plot development.

    Very good entertainment, especially if you like Matt Damon, Danny Devito, John Voight and the delight of Virginia Madsen simply being on screen.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The scene where Danny DeVito wakes up Matt Damon on the bench was filmed hurriedly, surprising Damon, who had actually fallen asleep after a scene.
    • Gaffes
      When Rudy is late for court, Deck takes his place briefly. Deck was not admitted as an attorney and hence could not have done this. All counsel enter their appearance at the start of a trial including those who may not even speak on the record. The judge should not have allowed Deck to utter one word at the trial but does so.
    • Citations

      Rudy Baylor: What's the difference between a lawyer and a hooker? A hooker'll stop screwing you after you're dead.

    • Crédits fous
      There is a credit for "Poet in Residence".
    • Versions alternatives
      Original theatrical and VHS releases had the 1987 Paramount logo, while the DVD and Blu-Ray prints as well as later TV prints had the 2003 Paramount logo.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Jackal/Anastasia/The Man Who Knew Too Little/One Night Stand/The Tango Lesson/Kiss or Kill (1997)
    • Bandes originales
      Woman You Must Be Crazy
      Written by T-Bone Walker

      Performed by Big Joe Turner

      Courtesy of Fantasy, Inc.

    Meilleurs choix

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    FAQ23

    • How long is The Rainmaker?Alimenté par Alexa
    • Why did Danny Glover not receive a credit for his performance?His part was hardly a cameo, it was substantial, and he was nominated for an NAACP Image Award for Outstanding Supporting Actor in a Motion Picture.
    • When Claire Dane meets Matt Damon at the movie theater, there is a movie being shown in the background. What is the movie being shown?
    • What does the title "The Rainmaker" mean?

    Détails

    Modifier
    • Date de sortie
      • 22 avril 1998 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El poder de la justicia
    • Lieux de tournage
      • Memphis, Tennessee, États-Unis
    • Sociétés de production
      • Constellation Entertainment
      • Douglas/Reuther Productions
      • American Zoetrope
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 40 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 45 916 769 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 626 507 $US
      • 23 nov. 1997
    • Montant brut mondial
      • 45 916 769 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 15min(135 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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