Place Vendôme

I loved this movie. Yes, I can understand that it is often opaque and may make you reach for the rewind a few times to understand what it was you were just seeing - yes, there are many characters and not too much explanation - but it's not more complicated than, say Funeral in Berlin or The Maltese Falcon.

This is the sort of movie that people who think they might want to try a European movie should see - the clothes, the style, the characters, the stunning contemporary settings, the 85% explained plot, the beautiful women, the roles of jewels and mistresses, striving and excess, guilt and recrimination, forgiveness and imbalance, and an underworld pressing close up against a very haut monde.

I think this and My Favorite Season are as good as anything Deneuve has ever done. Both are quite remarkable given that she has been in movies for over forty years. All the actors are quite remarkable - and Emmanuelle Seigner (whom you may remember from Frantic with Harrison Ford, Bitter Moon with Hugh Grant) is all slender strong beauty - and a wonderful blonde contrast with the older blonde, heavy-set/blowsy (in character) Deneuve.

The movie completely jumps any moral compass headings - and yet somehow one doesn't mind.

So even though you may feel you must watch it twice, you'd enjoy it both times.

It's as cool and elegant a movie as I've ever seen. And yet almost as sad a movie as I've ever seen. It's wonderful.

I've been checking out the comments for this movie and am slightly surprised that no one has noted what appears to be a fairly obvious metaphor. Diamonds are cold, hard, many faceted and beautiful. Catherine Deneuve is the star here. I rest my case. There is, of course, more to it than that but not a lot more. It's French so it's stylish by definition but Nicole Garcia, like so many French actors/writers/directors, was born in Oran, Algeria - gateway to Lisbon and, by definition, a free world, as we learned in the first reel of 'Casablanca' - so there's also something of the outsider element, the shopgirl who came to the ball because her beauty captured the heart of the Second Son, and who feels always slightly uneasy that it all may end tomorrow. So, what do we get for our money? Style, opulence, quasi-noir, great acting. Is that enough? You tell me. 7/10

elegance is the basic virtue of this beautiful film. the elegance of story and performances, the elegance of details and the tension. and, sure, obvious, the elegance of Catherine Deneuve. a film about the confrontation against the past, the revelation about old experiences, the struggle for survive and the rules of a small world in which the gems are more important than the people. short, a seductive film. for the theme and for the inspired way to translate it in the image. for the beautiful science of trip in essence of the gestures and states of characters. for the air of an universe who seems be artificial. and for the great job of Deneuve.

"Place Vendome" tells of the rise of a widow from an abyss of alcoholism to rescue her late husband's prestigious and bankrupt jewelry store on the renown Parisian mall Place Vendome. Her daunting task is to make her way though the shadowy word of diamond trade from whence she came some 18 years before while hawking several rare cut diamonds. With sinister undercurrents and a polished veneer, the film swirls around an emotionally void Deneuve, her encounters and long over due reconciliations. Those used to Hollywoodish hardball drama with exaggerated characters will likely find "Place Vendome" refreshing or underdone or both. Good stuff for Europic buffs in which Deneuve proves again she's more than just another pretty face.

Catherine Deneuve did an excellent job in this role. She carried the whole movie. I find her so beautiful to watch. Really love her. Period.