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Jennifer Aniston appears to have quite successfully lost the friends tag with this film, and pulls off a successful performance opposite Kevin Bacon's cool support. Amusing and contrived, but before you know it you'll be enjoying it.

A seemingly small movie yet it's beyond charming, it has heart. Don't dismiss this as an expanded version of the TV series Jennifer is in, she's what she is, yet she fits into this story so well, playing opposite Jay Mohr and Kevin Bacon, with Ileanna Douglas as her best friend and Olympia Dukakis as her mom – it's Jennifer Aniston perfect.

The heart may not be evident in the beginning, especially with Jennifer's central character, but hang in there, heart becomes more and more ever present as you follow the story closely. My appreciation for the nuances of this movie did not come deeper until I sat through it again on cable over the weekend. I remember I liked the movie in general and that Jay Mohr gave a very good performance – he's just as becoming as Jennifer is. They do seem like a perfect pair.

This could be a date movie: especially for a single young woman with career ambitions (here it is in advertising), who thinks she can be self-sufficient without any ties or warmth from others, including mom. It is very much a city woman movie. It is maybe for the 20 to 30 something's, yet there are lessons in loving that anyone can take away with. Essentially, it is about how we can take for granted the people around us and not realize the little things in life that are free and in abundance for us to receive and enjoy – if we would only open our eyes, pause - truly listen, and let the heart do the rest.

Trivia: There was a play on the movie title as it first appears and appears again. Ha! Have fun and enjoy.

I only saw this film because of Kevin Bacon and Jennifer Aniston both being in it. Not a huge fan of either of them, but nevertheless I thought it might be interesting to see Aniston (during the peak of "Friends'" popularity) crossing over into mainstream film. For the most part, it works.

She's basically playing Rachel, her character from the TV show, again. Aniston's character is a shy, awkward business woman who isn't promoted due to the fact that she is considered "unstable" - no husband, family, etc. So she hires a fake boyfriend, Nick (Jay Mohr), to pose as her lover. She ends up winning the affections of a man she has a crush on in her office (Bacon), but then Nick begins to actually fall in love with her.

The title derives from the fact that she works at a picture agency, and that's where a lot of the film's scenes take place. It gets a little weary after a while, and is very predictable - but if you're a fan of the actors, it's reasonable to say you'll find something to enjoy here.

This is yet another romantic comedy that wants to get by on charm rather than anything genuinely funny or romantic, but surprisingly, for the most part, it does. Part of that is due to the fact that everyone in the cast is likable, particularly Jennifer Anniston, who I'm not a big fan of, and Jay Mohr, who I like but aside from JERRY MAGUIRE haven't seen much of. Also, director Glenn Gordon Caron may be working with an outrageous concept, as most romantic comedies these days do, but he tries to keep it grounded, which is nice. I'd recommend it more except I hated the ending; not for who she ends up with, but how.

It may be unfair to label Picture Perfect a RomCom. It certainly sits at the less frivolous, more acutely observed end of the spectrum within the genre. There are some small but brilliant moments here, mostly to do with rom rather than com. When Aniston attends the wedding and the bouquet is to be thrown, she steps forward to find herself the only single woman in the room. It is quite poignant, and her retort - "Oh, just hand me the damn thing!" - plays the scene out beautifully. The fight in the restaurant, when it does come, is a masterclass in infusing sub-text into dialogue. Aninston holds it all together with ease, Kevin Bacon is superbly vacuous as the office beefcake, and Jay Mohr does a decent shift, especially when called upon to hint at deeper feelings for career-driven Kate. The ending reverts to by-the-numbers RomCom proceedings, but there is enough in the build-up to have you give up some smiles and tears that you'll feel the film earned.