Pardes

This is an excellent film, Sharukh Khan gives an astounding performance as Arjun, Mahima Choudhary puts a lot of effort in to her character as the chemistry between Mahima and Sharukh shows throughout the film. This is a different film from the others as it concentrates on the differences between countries. The songs in the film are also meaningful and romantic. Overall, this film is one of my favourite films.

I watched Pardes about 3 days ago. It was midnight and I had no wish to see a movie which was three hours long. I was going to only see about the first 30 minutes of it but this movie was so good that I watched it all the way through.

Many reviewers have said that this film is 'Anti-American' propaganda and 'stereotypes' NRIs. As an NRI myself, I must greatly DISAGREE with conclusions like these. This movie is nothing short of a masterpiece.

The exaggerations of Indian morals and of western vices are done for a reason, and a very good reason at that. The director shows the audience the best of India and the worst of America to make the viewer appreciate the Indian culture our parents try to impart to us. Granted, there are some lines that the American 'bad son' (Rajiv) says which are ridiculous and comical, such as:

---------------------------------------------------------------- Paul: We are going to India? To fight? Rajiv: Yes. Paul: But that is not right. Rajiv: Why? Paul: We are not bad people Rajiv, we are good Indians. Rajiv: (While shaking his head) But I am bad, Paul! -----------------------------------------------------------------

In all candor, I don't know of any Americans who speak like this (or of any other human beings for that matter). The movie has hyperbole like this throughout it. However, let us put all the cards on the table at this point.....

I know for a fact that many NRIs look upon their homeland with disdain. They won't even visit it, much less want to stay there. But guess what? This movie isn't aimed at that audience. It is aimed at Indians who have not forgotten that without the culture imparted by their motherland, they would never be as successful, nor have the extended families we take for granted. Basically, if you're an ABCD or an NRI with little attachment to India, you won't enjoy this movie, probably because many immigrants adopt the ways of the denizens (just human nature to do so I suppose).

Lastly: I'm going to be starting medical school next year and I'll definitely be taking this movie with me. If I should forget who I am......what I am.....I know that I can watch this film and remember. A Hindustani.

Whatever anyone may say about Subhash Ghai's 'Pardes', I personally found it very entertaining, engaging and charming. The film may be quite stereotypical, and yes, the portrayal of the US may have been amusingly flawed, but the film's issue is in my opinion dealt with quite well within the context of a Hindi film of its sort. Besides that, the story is quite lovely and the film is according to me believable and moving due to the performances, the music and its overall feel. It essentially works as charming romance and nothing else.

The film is about a young Indian girl named Ganga who lives in a rural village in India with her extended family. Her father's best friend, Kisohrilal, who's been living in the US for over 20 years, comes to visit them. Kishorilal is immediately charmed by Ganga and wants her to marry his young son Rajiv. Ganga's father agrees to the proposal and soon comes Arjun, Kishorilal's faithful nephew, who is also a good friend of Rajiv, to organise the engagement before Rajiv, who's never been to India, comes to see his bride. Arjun and Ganga befriend each other, but the real trouble starts when Ganga is taken to LA to live with Kishorilal's huge NRI family before marriage. The social, cultural and economical gaps rise, and Ganga finds herself lonely in a world which is very distinct from hers, where no one except for Arjun seems to understand her. There also starts the realisation that Ganga and Arjun are actually in love.

The film is according to me beautifully narrated and Subhash Ghai's direction is very good. Technically the film might have been better as the cinematography was not that good. I did not see 'Pardes' as a social film or anything of that sort, but more as a romantic drama, and in that genre it was absolutely enjoyable. I don't think Ghai tried to show NRIs in a bad light, because such differences and difficulties are to be expected in any kind of transition from one country to another, particularly when moving from a conservative and traditionalistic society like that of India to a liberal country like the USA. There were many great and touching moments in the film, my favourite being when Ganga talks to her father in India on the phone and feels very lonely and sad. The romance between Shahrukh Khan and Mahima was very well portrayed and the two had a wonderful chemistry.

Those discussing Shahrukh Khan's best performances often seem to overlook his work in Pardes, but this is according to me one of the finest performances of his career. As Arjun, he is kindhearted, and atypically subdued, sensitive and extremely vulnerable. Khan plays his role with restraint, depth and sincerity he rarely employs. The film's brightest spot for me is the gorgeous Mahima Chaudhary, whose stunning, almost angelic beauty is a true heavenly creation. She is not only one of the most beautiful actresses to have graced the Indian screen (or any screen as far as I'm concerned), she is also a talented actress. Her smile lightens up the screen, and she is so compelling, moving and charming as the smart, sensible and no-nonsense Ganga that there seems nothing easier than to fall in love with her. This is a marvelous performance and easily one of the most promising debuts by an actress in Hindi cinema; why she did not go on to reach any particular heights in her career is still mystifying.

Among other members of the cast, another newcomer, Aproova Agnihotri, who plays Rajiv, fails to impress here and it was not a good idea to start a career playing an unsympathetic character. Amrish Puri is outstanding as Kishorilal, and the rest of the cast provide good support. Nadeem-Shravan's soundtrack includes some very melodious tracks. I liked Kavita Krishnamurthy's rendition of "I Love My India". This film also marks the breakthrough of Sonu Nigam, who became a star with the song "Dil Deewana". A soulful, melancholic and very romantic song called "Zara Tasveer Se Tu (Meri Mehbooba)" was beautifully sung by Alka Yagnik and Kumar Sanu. To sum it up, Pardes is a wonderful romantic drama and that is the reason it was appreciated upon release. I recommend Pardes, for its story, music and superb star cast, particularly Khan and Mahima.

The story of this movie is reminiscent of Dilwalle Dulhania Le Jayenge, but it have it own joyful line.

Pity that Shahrukh Khan isn't at his best performance, because Mahima Chawdary is fill the entire screen with her spell binding act. She laugh, she cry, she dance, she sings, and she always look convincing (and gorgeous). It's really a splendid performance for a debutante. It's seem to me that Shahrukh is subordinated by the stunning Mahima.

Anyhow, the movie is better than the other typical Hindi Movies. There's nothing to loose to watch this one, because it have charming plot, charming cast, charming view and charming memorable songs, that will make you on the edge of your seat.

8/10

Pardes, directed by Subhash Ghai, is a heartfelt film that beautifully captures the cultural clash between traditional Indian values and the Western way of life. The story revolves around Kishorilal (Amrish Puri), an NRI in America who wants an Indian bride for his westernized son. He finds Ganga (Mahima Chaudhry), a pure-hearted girl from his hometown in India. Shah Rukh Khan delivers a compelling performance as Arjun, Kishorilal's foster son, who becomes entangled in the ensuing drama. The film's strength lies in its music and emotional storytelling, though it sometimes veers into melodrama. Overall, Pardes offers a poignant look at the idea of home and identity, making it a classic in the genre of Indian cinema.