[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Ne pas avaler

Titre original : Nil by Mouth
  • 1997
  • 12
  • 2h 8min
NOTE IMDb
7,3/10
11 k
MA NOTE
Ray Winstone in Ne pas avaler (1997)
A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.
Lire trailer1:57
1 Video
99+ photos
Drame psychologiqueTragédieDrame

Ajouter une intrigue dans votre langueA rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.

  • Réalisation
    • Gary Oldman
  • Scénario
    • Gary Oldman
  • Casting principal
    • Ray Winstone
    • Kathy Burke
    • Charlie Creed-Miles
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    11 k
    MA NOTE
    • Réalisation
      • Gary Oldman
    • Scénario
      • Gary Oldman
    • Casting principal
      • Ray Winstone
      • Kathy Burke
      • Charlie Creed-Miles
    • 104avis d'utilisateurs
    • 44avis des critiques
    • 76Métascore
  • Voir les informations de production sur IMDbPro
    • Victoire aux 2 BAFTA Awards
      • 9 victoires et 9 nominations au total

    Vidéos1

    Trailer
    Trailer 1:57
    Trailer

    Photos113

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 106
    Voir l'affiche

    Rôles principaux29

    Modifier
    Ray Winstone
    Ray Winstone
    • Raymond
    Kathy Burke
    Kathy Burke
    • Valerie
    Charlie Creed-Miles
    Charlie Creed-Miles
    • Billy
    Laila Morse
    • Janet
    Edna Doré
    • Kath
    Chrissie Cotterill
    • Paula
    Jon Morrison
    • Angus
    Jamie Foreman
    Jamie Foreman
    • Mark
    Steve Sweeney
    Steve Sweeney
    • Danny
    Terry Rowley
    • M.C. in Club
    Sam Miller
    Sam Miller
    • Club Comic
    Leah Fitzgerald
    • Michelle
    Gerry Bromfield
    • Drug Dealer
    Neil Maskell
    Neil Maskell
    • Schmuddie
    Sid Golder
    Sid Golder
    • Old Guy in Window
    John Blundell
    John Blundell
    • Man with Knife
    Kenan Hudaverdi
    • Laundrette Owner
    Everton Nelson
    Everton Nelson
    • Street Violinist
    • Réalisation
      • Gary Oldman
    • Scénario
      • Gary Oldman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs104

    7,310.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8JohnBoyRoy

    Sobering and shocking, although hope remains...

    This is a piece of debutant film making at its best.

    Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!

    The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.

    The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.

    The acting is so good and so believable that I forgot I was watching a film - it is almost a documentary and those not familiar with the actors within the film may be fooled into thinking that is what they were watching.

    Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.

    Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.

    Classic in the modern sense of the word.
    9fertilecelluloid

    Hellish domestic drama

    This is hellish domestic drama from director/writer Gary Oldman. It feels real because, for him, it was real, it was his life growing up in South London. Ray Winstone as the abusive Ray is amazing, as is Kathy Burke as Ray's wife and full time punching bag Valerie. Oldman employs a rough and ready style and gives the actors lots of room to move and react within the frame. The result is an incendiary experience, a film that leaves you gasping for fresh air and in awe of the superb performances, sharp cutting, great sound design and unapologetic subject matter. It doesn't angle for simple solutions to its powerhouse issues and isn't all misery, either. It's about strength and the the power of personal responsibility. Superb.
    7Embley

    like a punch in the stomach

    this film is incredibly harsh. it took a while for me to get into it - accent barrier and a little too close to reality make it a tough one to watch. but it really is a great film - horrifying and depressing. i don't think i could ever watch it again, it is too hard.

    kathy burke is great as is her terrifying husband. cheers to gary oldman for doing good quality work.
    8=G=

    Punishing reality

    "Nil by Mouth" is not so much a story as it is a slice-of-miserable-life snapshot of the lives of a working class English family which brings new meaning to the word "dysfunctional". Gritty and harsh, this film swirls like a cyclone of anger, violence, anguish, and regret around a handful of adult characters who suffer from alcohol abuse, spousal abuse, drug abuse, etc. presented in a drab and tightly cropped format with brutal reality. A worthy first directorial outing for actor Gary Oldman, this bitter drama offers some fine performances and startling reality but may not reward viewers with a strong enough plot to make the two hour watch worthwhile. For realists only. (B+)
    9kylde-1

    piercingly precise

    I WAS (allegorically) the Lil girl on the stairs watching it all, this film had me in tears literally, if you have been lucky enough NOT to have lived through this kind of abuse, rock on, but for those of us who have been there this is a shockingly accurate depiction, I cried all the way through (I used to have every Monday off school to get a new set of false teeth for my mother). This film is so close to the heart it is unbelievable, and I am only padding this out to make the minimum review length why should i need 10 lines of text why should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of textwhy should i need 10 lines of text

    Vous aimerez aussi

    Scum
    7,5
    Scum
    Tyrannosaur
    7,5
    Tyrannosaur
    Scum
    7,6
    Scum
    Nil by Mouth
    Nil by Mouth
    Quadrophenia
    7,2
    Quadrophenia
    Une fille pour Gregory
    7,1
    Une fille pour Gregory
    Made in Britain
    7,2
    Made in Britain
    Withnail et moi
    7,5
    Withnail et moi
    Dead Man's Shoes
    7,5
    Dead Man's Shoes
    Le Donk & Scor-zay-zee
    6,3
    Le Donk & Scor-zay-zee
    Jack White: Unstaged
    8,4
    Jack White: Unstaged
    Naked
    7,7
    Naked

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The song the grandmother sings in the pub at the end of the film was dubbed; the actual singer was Gary Oldman's mother.
    • Gaffes
      A boom mic is visible in the supermarket parking lot.
    • Citations

      Ray: She took his dinner in to him once, me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, wouldn't she? He was always pissed in there, weren't he? You know? We go in the pub to get our living, you know? That's where we do our business. He'd be there spunking out while we're sitting at home without a dinar, you know, thank you. And he'd promise things. You know? Promise to take us places, you know? Never did. Never took us anywhere. And when he did bother to come home he'd sit in that fucking chair, doss off with his tray in his lap. And I'd just stand there looking at him. I'd look in his face, and my mother'd go upstairs, and I'd say, "Say, Mum, ain't Daddy coming to bed?" And she'd say, "No. No, he's all right, son. He'll come up when he wakes up." He's gotta wake up to go to bed! Now, I'd stand there looking at this fucking old man, you know, my dad, you know, in that chair, that horrible fucking chair with the shiny, worn-out arms. I should've burnt the fucking thing. By the end he was hemorrhaging from both ends, you know? I used to hear him in the morning hanging on to the khazi. It was lovely. Never stopped him going to the pub, though. No, he was well enough to do that. Now, one day, right, he's staggering across the pub pissed from the night before. He's gone over, crunch, right on his mooey, like a fucking ironing board. His hooter's around here, his railings all over the fucking place. Me and me mum had to go the hospital to see him. We walked in. He's laying in bed. He's got tubes up his arms, fucking up his nose, down the back of his Gregory. He didn't look well. Fucking vodka was keeping him alive. Well, I ain't that interested, so I'm having a little mooch about, you know. I looked above his bed, and there's this sign, right, with some weird writing on it. I couldn't read too well at the time. I said to my mum, "Mum, what's that say? You know, that sign above Daddy's head. All right?" She said, "Nil by mouth." "What's that, a football score? 'One-nil, three-nil, two-nil, a geezer called fucking Nil.'" Yeah. I said, "Well, what's it mean?" She said, "It means... "

      Mark: It means nothing to eat.

      Ray: Yeah, nothing down the...

      [points into his mouth]

      Mark: Nothing down the... Yeah.

      Ray: Yeah, all right. I remembered that day, because I could've put that on his fucking tombstone, you know? Because I don't remember one kiss, you know, one cuddle. Nothing. I mean, plenty went down, not a lot came out, you know, nothing that was any fucking good. And I'd look at this man that I call Dad, you know? My father, I knew him as Dad. He was my fucking dad but he weren't like other kids' dads, you know? It was as if the word itself were enough, and it ain't.

      Mark: That ain't when he died though, is it?

      Ray: No. He lived another ten years, slippery old cunt. He died one afternoon in that fucking armchair. About right. I went round to see him, you know, when he was plotted up at me mother's.

      Mark: Hatcham Road?

      Ray: Yeah, Hatcham Road. He was upstairs in that front bedroom. Laid out.

      Mark: Free.

      Ray: Yeah. Yeah. I've gone up there, gone in. I'm sitting on the bed looking at him. He's laying there like... Mullered. And it was like he'd shrunk, you know? He was a big man.

      Mark: He was a lump.

      Ray: Yeah. You should know. You got enough clumps off the cunt.

      [sighs]

      Ray: And I just touched him, you know? He was fucking freezing cold. It frightened the life out of me. I was looking at him, you know? For the first time in my life, I talked to him. I said, "Why didn't you ever love me?"

    • Connexions
      Featured in Especial Cannes: 50 Anos de Festival (1997)
    • Bandes originales
      Las Vegas
      Written by Mitch Murray and Peter Callander

      Performed by Tony Christie

      Courtesy of MCA Records

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ19

    • How long is Nil by Mouth?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 novembre 1997 (France)
    • Pays d’origine
      • Royaume-Uni
      • France
    • Site officiel
      • Sony Pictures Classics
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Nil by Mouth
    • Lieux de tournage
      • Piccadilly Circus, Piccadilly, Londres, Angleterre, Royaume-Uni
    • Sociétés de production
      • SE8 Group
      • EuropaCorp
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 9 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 266 130 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 28 367 $US
      • 8 févr. 1998
    • Montant brut mondial
      • 284 477 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 8min(128 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.