NOTE IMDb
6,0/10
13 k
MA NOTE
Un journaliste est sur la piste d'un meurtrier vampirique qui se déplace en avion.Un journaliste est sur la piste d'un meurtrier vampirique qui se déplace en avion.Un journaliste est sur la piste d'un meurtrier vampirique qui se déplace en avion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Richard K. Olsen
- Claire Bowie
- (as Richard Olsen)
Robert Leon Casey
- Terminal Cop #2
- (as Bob Casey)
Korbi Dean
- Linda Ross
- (as Deann Korbutt)
Avis à la une
Miguel Ferrer breathed life into the role of jaded tabloid reporter Richard Dees, who is determined to chase down the Night Flier, a serial killer who exsanguinates his victims as he travels from place to place in a small plane. Ferrer's character is a driven, self centered man who has no interest in life other than his next sensational byline.
A young female competitor brings out the worst in him, and he leaves her behind while he pursues the vampire responsible for the killings. What Richard encounters is more than he bargained for. The ending is actually better than for most of King's stories.
The acting, especially Ferrer's, is good. He also appeared in the TV miniseries adaptation of King's novel, The Stand, the same year The Night Flier was made. May Ferrer rest in peace; we will miss him.
A young female competitor brings out the worst in him, and he leaves her behind while he pursues the vampire responsible for the killings. What Richard encounters is more than he bargained for. The ending is actually better than for most of King's stories.
The acting, especially Ferrer's, is good. He also appeared in the TV miniseries adaptation of King's novel, The Stand, the same year The Night Flier was made. May Ferrer rest in peace; we will miss him.
I went to see this film at the theater almost 25 years ago and was fascinated by it, even today I believe it is among the most successful adaptations of King's works.
I think Pavia has made a cynical, ruthless, intelligent and witty film, with several really cool gore moments, the villain is great, and in the same way the performance of the late and underrated Miguel Ferrer who brings a cynical anti-hero to the screen is great and slimy, with which, however, it is impossible not to empathize. A great film still too underrated, a small cult to be rediscovered very much better then actual terrible PG 13 ghost story.
I think Pavia has made a cynical, ruthless, intelligent and witty film, with several really cool gore moments, the villain is great, and in the same way the performance of the late and underrated Miguel Ferrer who brings a cynical anti-hero to the screen is great and slimy, with which, however, it is impossible not to empathize. A great film still too underrated, a small cult to be rediscovered very much better then actual terrible PG 13 ghost story.
Richard Dees is a reporter and he is a vampire because he works for a tabloid and earns his living by writing lurid stories and taking sordid pictures. He's got a despicable job and he is getting sick of it. Dwight Renfield is the Night Flier and he is a vampire too, but he is a "real" one an evil and supernatural creature feeding itself on humans. He flies from one airfield to another across the U.S. on a black, private aeroplane. Of course he always leaves bloodless corpses behind him and Dees ends up chasing him with his tape recorder and camera. When they eventually meet, the vampire doesn't really feel like killing one of his kind, and he is ready to let him go. Yet Dees proves his curiosity will always make him chase people like the Night Flier and he will bitterly regret it. At the end of the film, everybody will see and remember Richard Dees as what he really was, that is to say a nasty character living on people's suffering. Well, this film is a great B-movie. The story is exciting, Miguel Ferrer is excellent and the film has no Hollywood-like happy ending. I strongly recommend it to anyone looking for a nice thrill and a few gallons of blood.
This movie is a notch above most King films.
I own the DVD of this film and I have to say that Director Mark Pavia did an excellent job with this film. Especially with the end. The end is a great tribute to George A. Romero's style but it goes further and becomes creepier than anything I've seen in recent memory. I caught the last fifteen minutes of this film on cable one night and I was hooked. I remember thinking wow what a stylish film what the hell is this? So I researched and found out the title and bought the film.
The film suffers from a lame screenplay and some stiff acting. Miguel Ferrer was excellent, as was Dan Monahan. Michael H. Moss and Julie Entwisle were a bit stiff. All in all this is a good horror movie and the DVD transfer is sharp and the colors are precise. The sound balance is natural, without over-placement of artificial sound effects.
Watch it alone on a stormy night!
I own the DVD of this film and I have to say that Director Mark Pavia did an excellent job with this film. Especially with the end. The end is a great tribute to George A. Romero's style but it goes further and becomes creepier than anything I've seen in recent memory. I caught the last fifteen minutes of this film on cable one night and I was hooked. I remember thinking wow what a stylish film what the hell is this? So I researched and found out the title and bought the film.
The film suffers from a lame screenplay and some stiff acting. Miguel Ferrer was excellent, as was Dan Monahan. Michael H. Moss and Julie Entwisle were a bit stiff. All in all this is a good horror movie and the DVD transfer is sharp and the colors are precise. The sound balance is natural, without over-placement of artificial sound effects.
Watch it alone on a stormy night!
I'm not going to say that this is a great movie, or even a great horror movie. A more appropriate way of saying it might be that it's an interesting movie. Those poor filmmakers, they're starting to run out of Stephen King novels to make into movies, so they have to turn to his short stories. Usually this means what should have been a 30 minute movie is drawn out into an hour and a half or longer. But in the case of Mark Pavia's "The Night Flier", story works because Pavia is able to expand on King's original story, and he also seems to have a bit of talent as a director.
Most people complain that Miguel Ferrer's character, Richard Dees, is too mean, or something like that. QUIT COMPLAINING PEOPLE! He's suppose to be an utterly heartless, sleazy, sorry excuse of a person. You're not suppose to feel sorry for him at all as he descends to insanity. Instead having such a terrible lead character is suppose to pose the question whose the real monster? Or, actually I think it'd be more accurate to say, whose the real hero? Is there a hero? Ferrer pulls off the performance perfectly, making a character that could make James Woods or Clint Eastwood whimper in fear. Unfortunately the rest of the cast doesn't do so well, and this pulls in the movie down a little way.
Anyway, Pavia himself has a talent for gloomy atmosphere, with his overcast, gray skies and quiet music and always just slightly-off-angle photography. He expertly subdues the beginning 2/3s of the movie and then throws a bloodbath at us. It's a very well planned and a shocking move on his part.
"The Night Flier" kicks into major gear towards the end. The final, final conclusion is a little weak, but it really couldn't have ended any other way.
Overall, the couple flaws drag "The Night Flier" down to a good but not great movie, but the really cool climax and other elements make up for it, and make it a good time. Be warned, it won't leave you feeling happy or good.
Most people complain that Miguel Ferrer's character, Richard Dees, is too mean, or something like that. QUIT COMPLAINING PEOPLE! He's suppose to be an utterly heartless, sleazy, sorry excuse of a person. You're not suppose to feel sorry for him at all as he descends to insanity. Instead having such a terrible lead character is suppose to pose the question whose the real monster? Or, actually I think it'd be more accurate to say, whose the real hero? Is there a hero? Ferrer pulls off the performance perfectly, making a character that could make James Woods or Clint Eastwood whimper in fear. Unfortunately the rest of the cast doesn't do so well, and this pulls in the movie down a little way.
Anyway, Pavia himself has a talent for gloomy atmosphere, with his overcast, gray skies and quiet music and always just slightly-off-angle photography. He expertly subdues the beginning 2/3s of the movie and then throws a bloodbath at us. It's a very well planned and a shocking move on his part.
"The Night Flier" kicks into major gear towards the end. The final, final conclusion is a little weak, but it really couldn't have ended any other way.
Overall, the couple flaws drag "The Night Flier" down to a good but not great movie, but the really cool climax and other elements make up for it, and make it a good time. Be warned, it won't leave you feeling happy or good.
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Le saviez-vous
- AnecdotesIn the scene where Katherine is looking at all of Richard's bylines, the framed copies of "Inside View" contain many references to other stories by Stephen King: "Springhill Jack Strikes Again!" (Strawberry Spring), "Headless Lamaze Leads To Successful Birth!" (The Breathing Method), "Kiddie Cultists in Kansas Worship Creepy Voodoo God!" (Children of the Corn), "Satanic Shopkeeper Sells Gory Goodies!" (Needful Things), "Naked Demons Levelled My Lawn!" (The Lawnmower Man) and "The Ultimate Killer Diet! Gypsy Curse Flays Fat Lawyer's Flesh" (Thinner).
- GaffesRichard is leaving a small rural airport when he swerves to avoid hitting an oncoming pickup truck. As he does this you hear the squealing tires but he is driving on a dirt road.
- Citations
Ezra Hannon: What paper you say you're from?
Richard Dees: Inside View, you know it?
Ezra Hannon: Oh yeah. My wife Martha reads your paper. After she's done with it, I use it to line our kitty's toilet box. Soaks that cat piss real good.
- Versions alternativesThe U.K. DVD includes a few more seconds of gore in the massacre sequence at the end. 1) The camera pans over the corpses on the floor a second time (right to left), and we get a closer shot of a black man, cut in half. The reporter stops and takes a photo of this. He then looks to his right, before proceeding further into the room. Duration: Approx. 18 seconds. Now, this is how the scene plays in the US cut: After the reporter enters the building, the camera pans over the corpses scattered on the floor, from left to right. After that the film cuts to a close up shot of the reporter holding his flash light and looking around. Instead of the insert mentioned above however, the US cuts directly to the next two corpses on the floor (a woman with a neck wound). 2) A close up shot of Dees holding his flashlight and looking around is longer in this cut (after he walks away from the woman with the neck wound and the other corpse). In the US cut we see him look straight ahead and then the film cuts directly to the dead woman at the counter. However, the US disc omits the following: Dees looks to his left and there are three quick shots of a severed head on the floor. He walks further and looks down, and there's a severed arm there. The camera pans up from the arm and shows some more of the interiors in a wide shot. Duration: 14 seconds 3) Before the night flier feeds Dees his blood, there is a longer gore scene: The shot showing him cutting his arm open with his long nail has more spurting blood and lasts longer. Also, the camera pans / tilts from the wound and up to the Night flier's face. In other words: A one shot with a camera pan / tilt. The US cut on the other hand uses an alternate shot / take from a different angel, to make the scene less explicit. First we see the first second of the cutting & blood flow in a large close up, and then the US cuts to a front shot of the vampire finishing the cutting. Around 2 seconds of gore missing here. 4) The exploding head in the black and white sequence is longer.
- ConnexionsFeatures Killer Crocodile (1989)
- Bandes originalesRed
Performed by Sister Machine Gun
Written by Chris Randall
Published by KMFDM Ent. (BMI)
Courtesy of Wax Trax! Records / TVT Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Night Flier
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 125 397 $US
- Week-end de sortie aux États-Unis et au Canada
- 91 549 $US
- 8 févr. 1998
- Montant brut mondial
- 125 397 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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