Marius et Jeannette

A rather tender and poignant love story, about Jeannette who is an outspoken woman, and looses her job as a cashier because she is apt to speak her mind once too often. She meets up with the taciturn Marius. They both have painful pasts to deal with. Guediguian creates a finely judged low-key film from this story, weaving in some nice touches about the small community of friends from the industrial area where Jeannette lives. Guediguian's strong left-of-centre politics intrude into the narrative rather crudely at times, but not enough to spoil the film.

Recommended.

Maybe, the simplicity is the main virtue of this film mixing nostalgia, slices of ordinary lives, fair humor, serious problems, motherhood, romance, loneliness, addictions and honest perspectives about neighbors, their common existence, religion, sexual life, boyfriends and dreams of children, God and lies.

Short, a film for love it.

For acting, dialogues, atmosphere, narrator voice and something profound moving, escaping by definitions.

This movie kind of reminded me of a cross between "Life is Sweet" (a humorous examination of the lower-middle class), "The Bridges of Madison County" (an examination of how middle aged people actually continue to have libidos and emotions), and a random French romantic love farce.

The director tries to give this film a political slant, showing the perils of capitalism in favor of socialism, and dedicates this film "to all of the workers of the world." Ignore it. Focus instead on the characters, most of whom are people much like people you have met in your life, with French sensibilities. The love story between the main characters is basically an excuse to get to know this small community of neighbors and show how they interact.

This is not one of the great films of all time, but I enjoyed it. It was a pleasant way to spend a little under two hours.

It is a real achievement when you don't hate a film after studying it for your HSC. You watch it numerous times over and over without a break, and of course evermore it will remind you of the hellish end to high school. however Marius et Jeannette is a truly fabulous film and i have yet to find anyone who does not like it. the setting is so completely different to the north shore of Sydney, it ads an enchanting aspect to the film which is a real fairy tale for adults. any fan of french cinema (and just great movies in general) is sure to love this film, destined to become a classic. the small community of l'estaque and the even closer community of Jeannette and her neighbours is a perfect setting for a sweet love story.

To set a film in and/or around Marseilles and name one of the two eponymous characters Marius is to invite direct comparison with the great Marcel Pagnol and his own great trilogy Marius, Fanny and Cesar (now available as a boxed set from FNAC and though expensive a 'must' for any serious film buff) and without seeing the film the feeling is that Guediguian is either throwing down the gauntlet or paying homage to Pagnol. After seeing the film it is evident that the latter obtains.This was probably the first Guediguian entry - all top-billing his wonderful wife Ariane Ascaride and all set in/around Marseilles - to reach an international audience and what a way to start. You may balk at this director's obsession with downtrodden workers and bloated capitalists but he does have the good sense and/or decency to sugar the pill with an unforgettable love story - indeed it could be subtitled ironically Love Among The Ruins as the protagonists meet in the ruins of a cement works where Marius is employed as a watchman and Jeannette attempts to steal some paint. In an attempt at symmetry there are three couples involved - with the exception of Marius they are neighbors in a shabby project and when I say that one of them is the great Jean-Pierre Darroussin hip movie-goers will need no more prompting to check this one out. Not that Marius in the shape of Gerard Meylan is any slouch if anybody asks you, in fact this trio comprised the menage a trois in Guediguian's last release (two more are in post-production as I write) Marie-Jo And Her Two Loves, and though Darroussin is very much a supporting player here he makes his presence felt. It is impossible to overpraise this movie. I caught it on its initial release and was overwhelmed, I've just purchased my own copy and if anything it is better on a second viewing and will still be giving pleasure long after this season's popcorn specials have faded from the mindless audiences memory banks. 9/10