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Engaging story and performances involving members of the French resistance during World War II. Although I have not yet read the account on which it is based, I have no reason to believe the film takes too many liberties with the truth. The locations and sets seem very authentic, and the dialogue is evocative of the way people spoke at the time. Something exceptional is presented by way of action sequences, in fact, where attempts at re-enacting simple events on film often fail; namely, the interdiction of a convoy carrying prisoners and a particularly realistic execution scene. High marks are due the production crew for this one. The overall history of the French resistance is an extremely complicated tale to be retold for purposes of explaining just how this story resonates. Young viewers need to educate themselves in that history in order to appreciate fully this film's merits.

This film is an excellent tribute to the bravery of the men and women of the French Resistance during the Second World War. The film revolves around Lucie and her attempts to rescue her husband, after he is arrested by the Gestapo at a Resistance meeting. This film is indeed a testimony to Lucie and Raymond's relationship, but in my mind, the film serves equally as an insight into France during the occupation and the political state at the time. An excellent film. - Jonno

I love french movies what can I say. This one is really good as well. Interesting story I'd never really thought about. I was worried it would be old and bad you know like many period films are but this one is pretty well done. The acting is up to scratch and especially moments when the captives are in the prison and they really are feeling the pain and torture and still managing to resist the urge to stop it. Very few weaknesses as well. Lucie is really beautiful as well a pleasure to watch. Very desparate film which is well resolved. Overall worth a watch. I gave it 8.

First-rate acting and smooth direction make this personal recounting of controversial Resistance events well worth seeing. As with all films by Claude Berri, the storytelling is direct and the cinematography is both poignant and sensitive. Daniel Auteuil is great as usual. Carole Bouquet also contributes, albeit with less emotional range. The movie focuses as much on the love between Lucie and Raymond Aubrac as on the historical events surrounding them as they participate in the French Resistance to German occupation during World War II. The movie also contains powerful action scenes of escape and guerilla fighting (which the Germans considered terrorism at the time). Watch for a striking scene where Heino Ferch (as Klaus Barbie) tortures Auteuil (as Lucie's husband Raymond) to obtain information about Resistance leader "Max". Not only is this scene memorably acted and filmed, but it bears on a most controversial event in the history of the Resistance. The script follows a book by Lucie Aubrac that is ostensibly autobiographic. To this day, historians debate whether the Aubracs remained committed to the resistance or whether Raymond actually cracked under torture and betrayed resistance mastermind Jean Moulin ("Max"). Moulin was arrested soon after Raymond left prison and died a hero, refusing to speak under the torture of Klaus Barbie, the "Butcher of Lyons". These events and Barbie's much later in persona trial (1987) still rattle many people's understanding of the morals and history of France in the last sixty-plus years.

Lucy Aubrac (Carole Bouquet) is a woman in love with her husband Raymond (Daniel Auteuil). He is an important member of the French resistance and arrested with his friends in a meeting after being betrayed. Lucy will try to rescue him from the Gestapo prison using all the possible ways. A beautiful romance in the Second World War, based on a true story. A correct direction and good performances of the cast make this movie a worthwhile entertainment. My vote is seven.

"Lucie Aubrac" tells a slightly tweaked version of the true story of one woman's heroic struggle as a member of the underground Resistance in WWII occupied France. Though artistically and technically excellent, many will find this story only marginally interesting as it lacks the usual suspense, action, and other excesses which the public, especially the young theater-going audiences, expect of such films. Nonetheless, just watching two fine French actors (Bouquet & Auteuil) at work telling a story not oft told in film will be sufficient for many, especially those into Europics who don't mind subtitles.

While not on a par with Berri's remarkable 2 film epic "Jean de Florette" and Manon of the Spring", this is a fairly engrossing, romantic, if somewhat romanticized true story of a married pair of resistance fighters in WWII France. Both Daniel Auteil and Carole Bouquet are solid as the couple, especially in their scenes together, which nicely capture the erotic tension of a married couple deeply in love, whose passion is not just physical, but fed by the fact they admire each other as human beings as well. It's also nice to see a war film where the woman pulls off the heroics to try and save her man, rather than the other way around.

But the darkness of occupied France seems a but sanitized here, the awful price paid by those fighting back and their innocent families is alluded too but never fully dealt with, and there is something a bit light weight about it in the end. Bouquet keeps everything so hidden when not around Autiel that she becomes somewhat opaque.

It's always interesting, but a bit stolid. Rarely truly tense, frightening or emotional. Still it's a good, decent, involving film, if not a great one.

Claude Berri commented that his film was primarily a study of Lucie and Raymond's relationship irrespective of the political events going on around them. To me this was the central weakness of the film. It seemed to be more an examination of 1990s French attitudes towards masculinity than an exploration of two people's love for each other amidst a major conflict. The courage and bravery of people in wartime is treated as being of secondary importance to the love affair.

When 'Lucie Aubrac', Claude Berri's 1997 film, was made, the story of Resistance and love at the heart of the film was already more than half a century old history, but its main characters were still alive. Lucie and Raymond Aubrac, communist fighters in the anti-Nazi Resistance, had survived the war and become national heroes for most of the French, but also controversial figures for some. They had been involved in the fall of an important part of the leadership of the Resistance, led by Jean Moulin, probably due to a betrayal that even to this day has not been fully elucidated. The script of the film 'Lucie Aubrac' is based on the memoirs of the heroine who gives the title of the film and presents the point of view of the Aubracs, dressing the episode of arrest and betrayal in a romantic love story. It could be that the historical part and the love story are both true. But illustrating a personal version of history in a controversial case is not the best starting material for a film that has ambitions of authenticity. It is probably one of the reasons why 'Lucie Aubrac' fails to convince to the end and the film does not live up to its promises. Luminous, unblemished characters are not ideal material for a film about a controversial case in troubled and dark times.

Raymond and Lucie Aubrac had met and married just before the outbreak of World War II. Raymond was a civil engineer and an officer in the French army, a leader of the Resistance, a politician and an activist after the war - quite an interesting personality, but this is not visible much on screen, the film rather assigning him the role of the husband repeatedly rescued from detentions by the devoted wife. At the center of the story is placed the character of Lucie, with her struggles to free her husband, through ruse, threats and armed actions. The couple was heavily involved in the Resistance struggle and Raymond had been one of the eight heads of the organization arrested in Lyon in 1943. The woman's passion and devotion will overcome all obstacles. They also dominate the film.

The historical reconstruction is very well done - the setting, clothing, cars, trams and the characters' way of speaking. Detention and brutal interrogations are shown without avoiding details. The role of Raymond is played by Daniel Auteuil, an actor I really like. Here he makes the most of the script, but the historical personality of the man would have allowed, I think, a more complex representation. Because of the script, the role of Lucie Aubrac becomes key. Carole Bouquet physically meets the requirements, she is excellently dressed and all the stills look very good. On the screen, however, something is missing - the charm that would make the love story believable and the magnetism that would convince us that the heroine could really pull the strings with the occupation police chiefs and organize the armed actions that freed Raymond. The role was originally to be played by Juliette Binoche, who dropped out of filming after two weeks due to 'artistic differences' with Claude Berri. How 'Lucie Aubrac' would have looked and how it would have been appreciated with Juliette Binoche instead of Carole Bouquet is an exercise in imagination and a chapter in an alternative history of cinema.

This is a rather small and quiet WWII film. While the film excels at its realistic portrayal of the French Resistance, it is a film that would be "box office poison" in America because its commercial marketability is pretty limited. This is NOT a film that teens or many prospective viewers would rush to the theaters to see! There are few explosions and the nudity isn't the least bit gratuitous. Because of this, it would only have been made abroad or by an independent film maker and so it wasn't surprising that this film was shown on the Sundance Channel.

The story purports to be about a real couple who worked for the resistance movement. When the husband (Daniel Auteuil) is taken by the Nazis, his devoted wife (Carole Bouquet) tries desperately to free him. Both actors are pretty recognizable to American audiences, as Auteuil has appeared in tons of films--playing a sort of "everyman" character and Bouquet played the female lead in one of the Bond films (FOR YOUR EYES ONLY), though she's done plenty of films as well. For a 40 year-old lady, Bouquet is amazingly beautiful and sensuous--way to go, girl! The action is very low-key but tense and the film is a very enjoyable history lesson designed for an adult and discriminating audience.

This movie is a disgrace to all of those who worked hard to make a movie on The Resistance.

The characters poorly elaborates, not evolving, disapointing dialogues, good actors who are not convincing at all (Auteuil is deceiving, compared to Les Surdoués or Manon des Sources where he was glorious) we barely believe a second any scene. Sometimes it even felt like a parody. We just on laughing at the stupidity of certain passage. In the end, we didn't feel strong emotions, no thrill not even sympathy for the main character.

In the end no emotions felt, we were left hanging dry. Complete disgrace..

Claude Berri began filming this movie in 1996 with Daniel Auteuil

and Juliette Binoche. Berri and the headstrong Binoche came to

(creative) blows over script changes. He wanted to make it more of

a love story, she wanted it to remain more factual and so in a move

unheard of in French cinema he fired his leading actress, who

also happened to be the biggest French star in the world. A few

monthe later she won an Oscar for The English Patient and berri

recast his movie with Carole Bouquet in the lead.

Bouquet is a talented actress, but not in the same league as the

extremely gifted Binoche. Auteuil as usual gives a fine

performance, but the whole excersise seems leaden down by

romanticism.

Binoche and Auteuil went on to star together in Leconte's

altogether better La Veuve de Saint-Pierre

It's always problematical when a given actor/actress is replaced during filming for whatever reason. Personally I thought Ray Walston was fantastic in 'Kiss Me, Stupid' and can't visualize Peter Sellars even equalling Walston's performance, let alone eclipsing it. So it is here. One commentator bizarrely described Juliet Binoche as the best actress in France. I have every admiration for Binoche and see as many of her films as possible but has the commentator in question never heard of Isabelle Huppert, Nathalie Baye, Suzanne Flon, Sandrine Kiberlain, Manu Beart, etc. Nevertheless this is still a great movie and I for one cannot imagine anyone other than Carole Bouquet as the eponymous heroine. Were this fiction it may be thought a tad over the romantic top to have two lovers celebrate the date they first made love and take a vow to be together on that particular anniversary for as long as they live, but, as we know, this is a True story and BOTH lovers, Auteuil and Bouquet make it believable. There is a certain symmetry here too if anybody asks you. Having established under the credits an active Resistance group in which Auteuil (as Francois Samuel, 'Aubrac' was the Resistance name of the husband and wife team)is prominent we then see him at home in a tender scene with his wife (Bouquet) which establishes the secondary (or primary, depending on your point of view) theme of enduring love, and then, to put things in perspective, we see Lucie in her day job of schoolteacher, spelling out to les enfants the value of history as a learning tool and reminding them that even as they speak they are themselves living history. We are then into a somewhat conventional Resistance story. Brave freedom fighters captured and tortured, one woman's love overcoming the might of the occupying forces. It is interesting that Berri has opted to show Lyon as a sun-filled city - perhaps a hangover from his Jean de Florette/Manon des Sources gig a dozen years earlier - and this not only makes a contrast from the usual bleak, overcast, settings of other Resistance movies, but also points up the horror/barbarism occurring behind closed shutters while the sun pours down on France's Second City. Of course any film on the Resistance has to compete with 'L'Armee des Ombres' and, to a lesser extent, 'Laissez Passer' and if Lucie doesn't quite make it she makes a very creditable and honorable attempt. 8/10

A prominent figure of the FRench resistance,Lucie Aubrac was very popular in France.Till her death ,she visited the junior high schools,explaining those dark years to the pupils,answering their questions .She even wrote a small book "La Resistance Expliquée A Mes Enfants" the relevance of which was obvious:she pointed out the important role of women in the Resistance when she wrote :"it's sometimes more dangerous to visit prisoners or to carry documents on your rack than to blow up a train." Carole Bouquet and Daniel Auteuil did a good job ,but Claude Berri didn't really.His movie is MTV quality and it boils down to a woman trying to save her husband and it passes over in silence the stakes in Resistance.We do not really learn anything.Take Melville's "L'Armée Des Ombres"(1969) instead.