Une expédition scientifique est envoyée sur le Site B, une île faisant partie du complexe de Jurassic Park, afin d'y étudier les dinosaures. Mais, une autre équipe, pilotée par InGen, s'y re... Tout lireUne expédition scientifique est envoyée sur le Site B, une île faisant partie du complexe de Jurassic Park, afin d'y étudier les dinosaures. Mais, une autre équipe, pilotée par InGen, s'y rend avec un tout autre intérêt.Une expédition scientifique est envoyée sur le Site B, une île faisant partie du complexe de Jurassic Park, afin d'y étudier les dinosaures. Mais, une autre équipe, pilotée par InGen, s'y rend avec un tout autre intérêt.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 4 victoires et 28 nominations au total
- Kelly Curtis
- (as Vanessa Lee Chester)
- Carter
- (as Thomas Rosales)
Résumé
Avis à la une
This movie is second movie in Jurassic Park Franchise.
After watching the first movie I was quite excited and hopeful towards this movie but was quite disappointed after reading the reviews but after watching this movie I must say that instead of going after reviews you should watch the movie first and judge because for me the movie is made decently.
The plot of the movie is different from the previous one and has a decent execution. The best part of the movie is that you don't have to wait for long to see the dinosaurs as they are introduced quite early in comparison to it's first part.
Acting is great and all the characters had done a decent job. Screenplay of the movie is good but it starts getting bore and slow in between but tightens the grip as the movie approaches to it's climax.
VFX and cinematography is good and climax is also good although could've been little shorter and crispier. Background music is decent.
This movie stands nowhere in the comparison of it's first part but still the movie has enough ingredients to keep you entertained. Watch it yourself to judge the movie. It's a decent one time watch.
Good sequel has equally effective F/X and terrifying story, though a few too many characters; the twist toward the end is surprising and entertaining, though some poor editing leaves a big plot hole aboard the discovered freighter...still, a worthy sequel that holds up today.
David Koepp's script expands the "Jurassic Park" universe by introducing a second island, Isla Sorna-the dinosaurs' original breeding ground before they were transferred to the park. The premise-pitting a team sent to document the animals in their natural habitat against another looking to exploit them commercially-is solid on paper, but stumbles in execution. The tonal balance is shaky, bouncing between genuine suspense, half-baked environmental commentary, and awkwardly timed jokes. There's a bloated second act that slows things down, but when the movie fully embraces the chaos, especially during the big set pieces, it finds its rhythm and delivers what it promises: high-octane, prehistoric adrenaline.
As expected, the action sequences are where the film shines brightest, and Spielberg proves yet again he's a master of spectacle. The cliffside trailer attack, with the T-Rex parents tearing through metal to save their baby, is a masterclass in tension and disaster choreography. The Velociraptor ambush in the tall grass is another standout-a nearly wordless, visually stunning slice of horror that builds dread through composition and pacing. And of course, the San Diego climax, as ridiculous as it sounds on paper, works in its own way-it leans into the absurd and gives us a mini "Godzilla" moment inside the franchise. It's unexpected, messy fun that somehow just fits.
Visually, "The Lost World" keeps the high standard set by its predecessor. The mix of animatronics and CGI still works well, even if the computer effects are more noticeable this time around. There's a tactile quality to the dinosaurs that feels far more real than most modern creature features. The Stegosaurus scene early on is a great example: they're majestic and intimidating, and the sense of scale is genuinely awe-inspiring. The jungle cinematography adds an organic depth to the setting, especially when contrasted with the colder, artificial vibe of the urban park in the third act. John Williams' score may not be as instantly iconic here, but it's still effective-more tribal and percussion-heavy, it fits the wild, unpredictable tone of the sequel.
On the character front, the spotlight shifts to Ian Malcolm, now taking center stage instead of just offering cynical quips from the sidelines. Jeff Goldblum carries the film with his signature charisma and urgency, though turning him into a full-blown action hero sometimes feels like a stretch. Julianne Moore's Sarah Harding is capable but lacks spark, and her constant refusal to leave the island defies logic more than once. Other characters, like the morally ambiguous hunter Roland Tembo (Pete Postlethwaite), the functional-but-forgettable Kelly (Vanessa Chester), and the well-meaning activist Nick (Vince Vaughn), range from mildly engaging to completely disposable. The villain, Peter Ludlow (Arliss Howard), is a paper-thin caricature of corporate greed-more metaphor than actual threat.
Despite its flaws, "The Lost World" isn't a total misfire. It's a sequel that flickers with brilliance, weighed down mostly by the impossible task of following a masterpiece. But it still delivers a grand-scale adventure packed with intense moments and jaw-dropping sequences. It expands the universe decently, introduces some memorable new dinosaurs, and shows Spielberg clearly having a blast with a more destructive, pessimistic tone. It's a film that tries to turn the wonder of the first movie into a meditation on the collapse of human intentions when faced with nature-and in doing so, it gets a little lost between commentary, chaos, and popcorn fun. Still, for fans of the franchise and anyone who grew up wide-eyed at the sight of these creatures, "The Lost World" is an imperfect but enjoyable ride through a jungle full of prehistoric thrills.
All Jurassic Park Movies Ranked by IMDb Rating
All Jurassic Park Movies Ranked by IMDb Rating
Le saviez-vous
- AnecdotesThe vocalizations for the juvenile tyrannosaurus were of a baby camel crying for its mother.
- Gaffes(at around 1h 50 mins) After Ian and Sarah have the infant T-Rex in the back seat of the red convertible, as Ian turns into the gas station, in Ian's rear-view mirror you can see a brief reflection of Steven Spielberg with baseball cap directing the scene.
- Citations
Dr. Ian Malcolm: Oh, yeah. Oooh, ahhh, that's how it always starts. Then later there's running and screaming.
- Crédits fousDavid Koepp is listed as the "unlucky bastard" because he was eaten by the T-Rex. Koepp wrote the screenplay.
- Versions alternativesThe Fox television network's version (aired on November 1st, 1998) includes two scenes not in the theatrical cut (see Trivia section). The first scene is an InGen meeting between Ludlow and InGen representatives, and takes place in between the opening Compy attack sequence and the Hammond scene. It contains exposition about what aftereffects the events of the first film had on InGen, and how Ludlow is taking over control of the company from Hammond. The second is in between the Hammond scene and the mission-prep scene with Eddie Carr. Set in Mombasa, it introduces Roland Tembo and Ajay Sidhu and makes it clear they have a long history working together. Both deleted scenes are included as special features on the DVD and Blu-ray, but are not integrated into the film.
- ConnexionsEdited into Fenêtre secrète (2004)
- Bandes originalesTres Dias
Written by Tomás Méndez
Performed by Nati Cano's Mariachi Los Camperos (as Mariachi Los Camperos de Nati Cano)
Courtesy of Peer-Southern Productions, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Le Monde perdu
- Lieux de tournage
- Mayfield Senior School - 500 Bellefontaine Street, Pasadena, Californie, États-Unis(mansion where John Hammond lives)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 73 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 229 086 679 $US
- Week-end de sortie aux États-Unis et au Canada
- 72 132 785 $US
- 25 mai 1997
- Montant brut mondial
- 618 638 999 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Mixage