NOTE IMDb
6,1/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueA drifter enters a small town looking for employment. While working at the local cattle ranch, he meets and falls in love with the beautiful Kitty and becomes involved in a deadly yet erotic... Tout lireA drifter enters a small town looking for employment. While working at the local cattle ranch, he meets and falls in love with the beautiful Kitty and becomes involved in a deadly yet erotic love triangle.A drifter enters a small town looking for employment. While working at the local cattle ranch, he meets and falls in love with the beautiful Kitty and becomes involved in a deadly yet erotic love triangle.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
Will the real Vince Vaughn please come forward and do some more acting like this. He really stood out in this picture. Although not the best I have ever seen, the movie kept me intrigued to the very end. It had all the stuff great movies are made of...sweaty 120 degree weather...ice tea in mason jars...family secrets...the shirtless ranch hand in the spare room... the sultry older woman who lusts after him...and plenty of cigarettes...
A cliche-ridden movie with a lusty widow and a mysterious drifter. And oh yeah, they have secrets. And we know it takes place in the quasi-South since everyone drinks iced tea out of Mason jars. Despite the cliches and sloppy film-making, it's completely enjoyable. Cheesy, corny, fun, sexy and often touching thanks to lovely performances by Vince Vaughn and Jeremy Davies. And someone PLEASE remake Streetcar Named Desire quickly. Vince Vaughn is a star in the making, and he and Ashley Judd sizzle. Stanley and Stella, anyone?
Considering that any subsequent viewing of this film will be on video or cable, why not take a look? The draw being a good performance from Vince Vaughn. The writing is terrible and the dialogue is almost embarrassing. The plot is ridiculous, full of literary (but really juvenile) symbolism.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
That this film has a running time OVER 2 hours, and has had little or no theatrical recognition, immediately activates my senses. This length will complicate scheduling on pay-cable, and meant pressing an additional disk for the laser package. Why?. One possibility (rare) is that it is truly an auteur's masterpiece, not for the masses, maybe, but important enough, as is, to be kept intact. The more likely scenario is that this movie is such a waste of time that everyone involved could really care less what gets released. By now they've all changed their names, left town, and moved onto the next..
Predictably, The Locusts falls into category 2. Vince Vaughan in a muscle shirt and Ashley Judd with her cotton dress flying in the wind are about all this film has on the plus side. Dragging and nagging situations, disconnected dialogue, and uncertain motivation tend to make most every frame tortuous to endure.
First time-writer-directors (John Patrick Kelley here) tend to script a very personal project, one based on material with which they are intimately familiar-they draw on their strength. Subsequent efforts can wane, as the writer ventures into more unfamiliar territory. With this in mind, I leave you with 2 questions: (1) Where in the world did this story come from? And (2) What can we expect from John Patrick Kelly when he starts writing from an unfamiliar point of view ?
The answers may scare you.
Predictably, The Locusts falls into category 2. Vince Vaughan in a muscle shirt and Ashley Judd with her cotton dress flying in the wind are about all this film has on the plus side. Dragging and nagging situations, disconnected dialogue, and uncertain motivation tend to make most every frame tortuous to endure.
First time-writer-directors (John Patrick Kelley here) tend to script a very personal project, one based on material with which they are intimately familiar-they draw on their strength. Subsequent efforts can wane, as the writer ventures into more unfamiliar territory. With this in mind, I leave you with 2 questions: (1) Where in the world did this story come from? And (2) What can we expect from John Patrick Kelly when he starts writing from an unfamiliar point of view ?
The answers may scare you.
In the 50's, the drifter Clay Hewitt (Vince Vaughn) arrives in a small town in the countryside of Kansas and befriends the locals Kitty (Ashley Judd), Earl (Paul Rudd) and his girlfriend Patsy (Jessica Capshaw) after punching their friend Joel Carter (Daniel Meyer) in a bar. Clay asks for a job to raise money to go to California, and Earl drives him to the ranch of the widow Delilah Ashford Potts (Kate Capshaw) to work with him in the slaughterhouse. Mrs. Potts is an alcoholic and promiscuous woman and hires Clay and let him stay in the barn. When Clay meets her son Joseph "Flyboy" Potts (Jeremy Davies), he learns that he has just returned from a mental institution after eight years and he does not speak a word to anybody. Further, his only friend is a bull called Jim that belonged to his father. Clay falls in love with Kitty and gets close to Flyboy that becomes his friend and slowly changes his behavior. When Clays decides to leave the town, he discloses a dark secret to Kitty. Meanwhile Flyboy's change of attitude unleashes a series of evil events and revelations from Mrs. Potts.
"The Locust" is one of the most powerful dramas shown in the American cinema industry, with a depressive and heartbreaking story of family revelations. This film is almost perfect, with wonderful direction, performances, cinematography, art direction and music score. Further, it is dramatic but never corny. It is also impressive how the distributors have neglected this film that was only released on VHS in Brazil. My vote is eight.
Title (Brazil): "Segredos Imperdoáveis" ("Unforgivable Secrets")
"The Locust" is one of the most powerful dramas shown in the American cinema industry, with a depressive and heartbreaking story of family revelations. This film is almost perfect, with wonderful direction, performances, cinematography, art direction and music score. Further, it is dramatic but never corny. It is also impressive how the distributors have neglected this film that was only released on VHS in Brazil. My vote is eight.
Title (Brazil): "Segredos Imperdoáveis" ("Unforgivable Secrets")
Le saviez-vous
- AnecdotesSteven Spielberg cast Jeremy Davies in Il faut sauver le soldat Ryan (1998) after seeing his performance in this movie.
- Bandes originalesSweet Nothin's
Written by Ronnie Self
Performed by Brenda Lee
Artist courtesy of MCA Records
Under license from Universal Music Special Markets
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- How long is The Locusts?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 40 158 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 787 $US
- 5 oct. 1997
- Montant brut mondial
- 40 158 $US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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