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IMDbPro

Little Boy Blue

  • 1997
  • R
  • 1h 45min
NOTE IMDb
6,2/10
2,3 k
MA NOTE
Nastassja Kinski, Ryan Phillippe, and John Savage in Little Boy Blue (1997)
19 y.o. Jimmy' s dad is a vicious, impotent Vietnam vet, who forces his wife and son to have incest. He has a secret he'll kill to keep. Jimmy won't abandon his two kid brothers by leaving.
Lire trailer2:19
1 Video
4 photos
TragédieDrame

Ajouter une intrigue dans votre langueNineteen-year-old Jimmy' s dad is a vicious, impotent Vietnam veteran who forces his wife and son to have incest. He has a secret he'll kill to keep. Jimmy won't abandon his two kid brothers... Tout lireNineteen-year-old Jimmy' s dad is a vicious, impotent Vietnam veteran who forces his wife and son to have incest. He has a secret he'll kill to keep. Jimmy won't abandon his two kid brothers by leaving.Nineteen-year-old Jimmy' s dad is a vicious, impotent Vietnam veteran who forces his wife and son to have incest. He has a secret he'll kill to keep. Jimmy won't abandon his two kid brothers by leaving.

  • Réalisation
    • Antonio Tibaldi
  • Scénario
    • Michael Boston
  • Casting principal
    • Ryan Phillippe
    • Nastassja Kinski
    • John Savage
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    2,3 k
    MA NOTE
    • Réalisation
      • Antonio Tibaldi
    • Scénario
      • Michael Boston
    • Casting principal
      • Ryan Phillippe
      • Nastassja Kinski
      • John Savage
    • 45avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Vidéos1

    Trailer
    Trailer 2:19
    Trailer

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux20

    Modifier
    Ryan Phillippe
    Ryan Phillippe
    • Jimmy West…
    Nastassja Kinski
    Nastassja Kinski
    • Kate West
    John Savage
    John Savage
    • Ray West
    Shirley Knight
    Shirley Knight
    • Doris Knight
    Tyrin Turner
    Tyrin Turner
    • Nate Carr
    Jenny Lewis
    Jenny Lewis
    • Traci Connor
    Brent Jennings
    Brent Jennings
    • Tom
    John Doman
    John Doman
    • Andy Berg
    Devon Michael
    Devon Michael
    • Mark West
    Adam Burke
    • Mikey West
    Kaitlin Hopkins
    Kaitlin Hopkins
    • Young Doris Knight
    Dennis Letts
    Dennis Letts
    • Sgt. Phillips
    Jerry Cotton
    • Det. Fleaharty
    Michael Boston
    Michael Boston
    • Leo Dalt
    Gail Cronauer
    Gail Cronauer
    • Motel Clerk
    Carine Chalfoun
    • Paramedic
    Kenneth Wayne Bradley
    • Trooper with Shovel
    • (non crédité)
    Floyd Lloyd
    Floyd Lloyd
    • Coroner
    • (non crédité)
    • Réalisation
      • Antonio Tibaldi
    • Scénario
      • Michael Boston
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    6,22.3K
    1
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    Avis à la une

    Mike S-3

    Haunting family study and mystery

    Little Boy Blue is a difficult-to-review dichotomy of a movie. It continually pairs brilliant film-making with portions that one would expect from a straight-to-video release.

    The movie starts off quickly establishing its heavy sexual content and unusual family relationships. The alcoholic, Vietnam veteran father played by John Savage is a fierce, detestable character meant to be feared by all but his inexplicably devoted wife played by Kinski (what does she see in him?). Savage's character is effective but could have given us more understanding of why he became who he is.

    Savage spares no family member his brutality and cruelty. Oldest son Jimmy (Ryan Phillippe) receives even more denigration than his two younger brothers. The tension as Savage and Phillippe both realize that Jimmy's now reaching the age where he may be able to stand up to Savage and therefore threaten his dominance over the family is brilliantly played.

    Phillippe's performance is light-years past any of his others. He steals the movie with his torn-character-- wanting to escape his hellish father, but fearing what will happen to his mother and even more so his two young brothers if he leaves. This debate is layered even more into his relationship with his girlfriend and the possibility of leaving for college with his great baseball talent.

    Jimmy's desperate need for love and yet difficulty of being able to love after his nightmarish upbringing makes for captivating viewing. In one sense, though, he has already found it in the wonderfully-shown love he has for his two brothers. It is one of the most tender brother relationships one will find on the screen and clearly the heart of the entire movie.

    The mystery and plot-turns are much more hit-and-miss than the relationships. Some are well-conceived and timely unveiled, but others make one scratch his head and wonder what was the point of that? One wonders if too much was left on the cutting room floor or if the movie was dumped into video stores with little thought.

    Such instances include the dramatic recognition by the mail-carrier of the police patrolman that leads to ... nothing. In fact, the mail-carrier's role seems to be too large for such little payoff. And what is the point of the forced-statements at gunpoint by Mrs. Knight?

    Overall, the role of the police in the movie is the least-developed. Various implications are made in vague, unfulfilled ways. Are the police attempting a cover-up or are they simply negligent in their investigation? And why all the time spent on Nate Carr's attempt to get in on more action at the police department?

    Little Boy Blue has more flaws than one would like, but it so perfectly handles the complicated relationships at the center of the story that you can't help but love this movie. It will at once move you to tears of sorrow, fits of empathetic anger, and hopes of peaceful love.

    A warning, though; this movie is full of sex and is worse in that regard than most R-movies. However, this is central to the plot and not superfluous.

    Here is the irony: many go to see Phillippe's body in cheaper, low-brow movies. They will likely miss this one-- which surely shows more of Phillippe than any of his others-- but which for the first time shows the possibility of a coming actor. And, in at least my opinion, finally puts Phillippe in a quality movie-- one you won't soon forget.

    Rating:8
    7Grand

    D'accord. "Powerful and disturbing Gothic" is right.

    We were still talking about this three days after seeing it. So many questions are left unanswered that it is easy to see why studio executives chickened out and didn't hype this as a major theatrical release: they probably decided that Little Boy Blue it is too challenging to the "lowest common denominator" mindset which THEY have created among American movie-goers.

    One wonders if Alfred Hitchcock's The Birds would have been released by an American studio nowadays; we think probably not -- some idiot would think that American audiences wouldn't understand, appreciate or care to see a movie which leaves ANY questions unanswered at the end, let alone one which leaves open as many questions as does Little Boy Blue.

    Bah! Make a challenging movie and the audience will rise to meet the challenge. Little Boy Blue surely ranks among the most intellectually challenging movies of all time; decades from now film students will probably be writing dissertations about the cryptic symbolism of the book kept in the clothesline pole or the name of Jimmy's dog! This is not to suggest that the movie is an all-time great, but it certainly works on many more levels than that of Ryan Phillippe humping someone in the station wagon.

    A Ryan Phillippe movie which forces the viewer to think! No wonder he found it so challenging: directors have had him playing blond pretty boys for so long that he probably had a difficult time portraying a character who is as savvy and insightful as he himself is in real life.
    jess-12

    Blue Boy Comes Of Age

    A boy named Jimmy West (Phillippe), who longs for a better life, learns some harsh realities about his existence. After years of dealing with an abusive and sexually disturbed "father" (Savage) and being protector to his "mother" (Kinski) and younger brothers, he is given a chance by his wealthy girlfriend to get away. The only problem is, guilt, love and fear for his family makes him stay. Upon realizing Jimmy is growing up and has been snooping around where he shouldn't, his father decides its time to reveal some startling news to him. The shocking news makes Jimmy more desperate than ever to tear himself and his family away from his father before something worse happens. At the same time, a woman named Doris (Knight) appears in town, and she reveals to the police why she is searching for the West family. The police lend their help, but she ultimately takes matters into her own hands when she shows up at the West's trailer. The ending is not at all what one would expect and many questions are left unanswered, leaving the viewer wishing for more explanation.

    I was sorry to see that this movie was not highly publicized because I thought the acting was intense by all. Having forgotten that I first saw Phillippe (along with John Savage) in "White Squall", this was really the first time I saw him in a leading role and, might I say, what a performer he is. As for Savage and Kinski, one of the reasons I watched this movie was to see them together again as I had enjoyed them so much in "Maria's Lovers". It was nice to see the chemistry still there. Admittedly, some of the sex scenes are a bit harsh and you need to see this movie more than once to really understand it, but don't let that stop you from seeing it at all.
    koop-2

    Strong drama about controversial subject matter

    Little Boy Blue is a drama set in a small town in southern USA. You will recognize the landscape and the usual sleazy bar. But there it'll stop.

    It the center of the story stands Jimmy who is going to move away from his father he doesn't get along with (and even doesn't know.), his mother that he's very attached to. And his two younger brothers that he's in many ways a guardian to.

    That are really good performances in this film, not only from the three leads. Jimmy's brothers are very impressive, I think it's quite unusual to see child actors in American films to act this natural.

    It's really nice to have Nastassja Kinski back as a big name again, so she can show what a talented actress she is.

    John Savage, who's career in many ways is reminiscent of Kinski's, does a performance somewhere between Marlon Brando and Gary Busey.

    (Note: Kinski and Savage also acted together in _Maria's Lovers (1984_(qv).)
    Melville-4

    Powerful, disturbing modern Gothic

    This "sleeper" is a masterfully done, complex drama. The story unfolds slowly at first, and the relationships among the characters remain somewhat ambiguous during the first part of the movie. However, once the plot starts to unravel, the film becomes a compelling mystery, revealing only hints of the true horror that propels the action. This is probably Phillippe's best work as an actor; he is given the chance to act--and not simply stand around and look pretty--and he is quite good. Savage and Kinski also deliver powerful performances. You'll probably have no trouble finding this one at the video store, since it didn't get much publicity. But it's definitely worth watching.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      In a flashback, Kaitlin Hopkins plays a younger version of the character played by Shirley Knight. Kaitlin Hopkins is the real-life daughter of Shirley Knight.
    • Gaffes
      At the end of the movie, a policeman buys a six pack of local Texas beer, the bottles of which are dark brown. They remove the six pack from the brown bag and put it on the table. After Doris Knight talks for a while, the beers become the Dutch import Heineken, and the beer package seems to be back in the brown bag again.
    • Bandes originales
      Clinging To You
      Performed by Texas Tornados

      Written by Doug Sahm

      Courtesy of Reprise Records

      By arrangement with Warner Special Products

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    FAQ18

    • How long is Little Boy Blue?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • août 1998 (Suède)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Little Boy blue - Warte, bis es dunkel ist
    • Lieux de tournage
      • Austin, Texas, États-Unis
    • Société de production
      • Jazz Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 12 958 $US
    • Montant brut mondial
      • 12 958 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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