Une vie moins ordinaire

I remember seeing A Life Less Ordinary back in the late 1990s with high expectations as Trainspotting was one, and still is, one of my all time favorite films. What I got was a different film, but not in a bad way. It was fun and very different from anything else that came out around that time. But the funny thing was that after I saw it I kept thinking about it, little things; lines and camera shots that stuck in my head. By the time I watched it again, a week or so later, it was like the film was an old friend. There is a charm in every scene of A Life Less Ordinary and if you are able to pick up on it the film is a great experience. People I know are split on the film, most think its just OK. Although I enjoy ALLO its not perfect, some parts don't work very well and come across as corny, but the good, my man Ewan is just great as the lovable loser, far outweighs the bad and thats why it has a place in my film collection.

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(This review was originally written by a man but then a robot replaced him.)

After the success of Trainspotting (1995), British filmmaking trio, Danny Boyle, John Hodge & Andrew MacDonald made A Life less Ordinary. The film could not be a more different departure from their previous effort. A Life less Ordinary is a wild and sweat natured romantic fantasy, concerning our hero Robert (Ewan McGregor) and spoiled rich girl Celine (Cameron Diaz) and the two angels (Hunter & Lindo) who are given the task of getting them to fall in love. Boyle uses many great cinematic techniques to make the film seem even more fantastic, and Hodges writing is some of the funniest in a long time. Sadly the film does go off the rails somewhat in the last twenty minutes, but it's still an extremely entertaining film, full of bizarre characters and images that makes it one of the most enjoyable two hours you could spend watching a film.

8/10

Danny Boyle comes up with a charming romantic black comedy. With a fine cast, a fantastic screenplay, a great soundtrack and lots of comedy and some romance, 'A Life Less Ordinary' becomes a not-so-ordinary film. The comedy tracks are very well etched and there are numerous laugh-out-loud moments. However, I also noticed that many people, sadly, did not get most of the jokes. The characters are very unique. After all, where else would you see two cupids committing lots of violence in order to bring two lovers together? Both Holly Hunter and Delroy Lindo are hilarious as the psychotic cupids. The romance track between the freshly paired Ewan McGregor and Cameron Diaz provides another comedic track. They share a great chemistry making the unusual romance between the fiery Celine and the naive Robert very convincing. There's also a brilliant song sequence in which the two actors display their singing talents and dancing skills. Of course, they are supported by talents like Ian Holm and Stanley Tucci who provide excellent comic relief. Hirakubo's sharp editing and Brian Tufano's superb camera-work give the film a slick edge. But it is, John Hodge's tight screenplay and Danny Boyle's direction that superbly balances it all together. You want to see something entertaining but different, 'A Life Less Ordinary' could be the movie you're looking for. It had me laughing from start to end.

With divorce rates increasing, two angels are sent on a mission to bring men and women together as they should be - or not bother coming back to heaven. Their mission is a young man, Robert, who has been replaced as a cleaner by a robot and the spoilt daughter of his boss, Celine. The two meet as Robert bursts into his boss's office to demand his job back and accidentally ends up kidnapping Celine. As they go on the run they gradually grow to hate each other less.

Following up Trainspotting was never going to be an easy task - but at least they could have at least got near the quality of that film! In what feels like it wanted to be deliberately quirky, the plot involves angels controlling fate to bring two young people together in love. If it developed this idea in a structured and enjoyable manner then everything would have been fine, however as it is it is all over the place and doesn't really make much in the way of sense. Instead it feels more like a wildly out of control collection of stylish ideas.

In terms of narrative it barely hangs together and it creates a problem when it requires us to care for the characters and be part of their romance (as in, care about it). It is very appropriate that the end credits features a cartoon of sorts for that is fitting for the level of development that is in the central tale. The action is silly but not to the point where it gains the imaginative quirkiness of, say, the Coen brothers. Instead it is hard to penetrate the film and get involved with it, the action is daft and illogical, the laughs are rare and the characters are more like cartoon characters than people. It could have worked - but it doesn't.

The cast is good on paper, but the lack of material lets them down. McGregor came to fame through Boyle, but he gets done no favours here; he does stand out as someone who tries hard to make the material work, but he can't manage it. Diaz is good as well but again it's the material given to her that is the problem. The support cast is better simply because their lack of character and development isn't a problem; Lindo is good even if Hunter doesn't really fit in; although Holm and Hedaya have OK little cameos.

Overall this has energy but it doesn't really hang together in a way that works. It has touches of imagination and style but mostly it drowns in a sea of quirkiness lacking substance. It's a shame that such a talented cast and crew didn't have something better to work with - quirkiness for quirkiness' sake is not enough here.

It seems that with A Life Less Ordinary you either love it or you hate it. Personally I am of the former persuasion, with it being a favourite of mine. I can see were the detractors come from, especially after viewing Boyle & Hodge's previous works. ALLO is in a completely different in style to their previous two films Shallow Grave and Trainspotting. But to say it is the weaker of the three films would be a fallacy. Stylistically the film is excellent - reminding me a lot of a Coen brothers film. The script is spot on and the performances of McGregor and Diaz are both excellent (which surprised me for Diaz) as their does seem to be a real chemistry between the two. A very enjoyable romantic comedy overall, and if an old cynic like me can say that, it must be good.