Life During Wartime

There's really not that needs to be said about this movie, except perhaps that it is little more than an unbelievably average attempt by all parties involved, from scriptwriters to actors to the film crew Stanley Tucci within a tight timeframe, and this was the only project on the shelf. But how any producer could look at If there's one good thing I can draw from this movie is the increase in respect I offer towards the Cohen brothers; even in their weakest attempts, the characters themselves remain interesting and unique due to a successful blend of writing, acting and directing.

Why Evan Dunsky was handed this film to both write and direct is beyond me. One must imagine that the producers had to use Dunsky's record and see "My Demon Lover" as his career highlight is beyond me.

My guess is that Dunsky is stuck filiming commercials for the collect-calling companies, as his only use for David Arquette is to count the angles at which he can capture his smirks. Still, credit does go to Dunsky for making a feature length piece that is easier to watch than those 30-second commercials.

The rest of the cast is utterly forgetful; no surprise, as their characters are bland and without the ability to utter anything that might deamnd out attention.

The movie's strongest points lie in what starts out as the plot for the film -- residential alarm and theft-detection salesmen -- and the small tributary tales that grow from it. Unfortunately, many of these branches are severed quickly (most simply dry up and disappear) while the heart of the plot meanders onward.

As this film originated as a play, ultimate judgment must fall on Dunsky. His screenplay adaptation is as snappy as a train-of-thought piece written while on Riddelin, his direction little more than a poorly-lit theatre production taken outside and put on film.

in this case, with the Dunsky behind both the typewriter and camera, it's easy enough to point the blame. Still, this movie did not fall victim to the channel flip... perhaps it was because I was too busy counting the 20-odd members of the Arquette family involved.

Aside from David Arquette's irritating performance, this is solid and fairly competent work. Although the characters may be dead-hollow, the events that ensue during the 90 minute run of the film are both amusing and inspired. Genuinely good.

The first time I saw this movie, I joined in right before the mood got dark--during the overnight stay with the parents, and this movie knocked my socks off. Very quirky and interesting, but not "Tarentino-like" at all, as someone else has said. So tonight I rented the movie and watched it start to finish. Ugh! I feel like the first time I saw it, I only saw the very best of the movie! It's got one dark, nice twist, but otherwise, this is a mediocre movie at best. Stay away unless you're very bored!

This was surprising, maybe I didn't expect much: just the usual somewhat stupid and sleazy comedy of today. Instead it was one of those films that IS a comedy for the most part, but in the last segment turns dramatic.

The comedy in here is more subtle than normal and David Arquette does a nice job with, especially in one scene that is not-so-subtle. Just his stupid grin throughout the film was worth a few laughs. Stanley Tucci, meanwhile, is very convincing as as less-than-ethical salesman. Kate Capshaw makes the female lead role an attractive one.

Without giving anything away, suffice to say this film is a bit different, not what you might think, and worth a look. I can say one thing for sure: it is no award-winner but it's better than most of these reviews would have you believe.

Although the ending is likely to disappoint, this weakness should not dissuade one from watching THE ALARMIST. All the characters are appealing, the script witty, and the pacing tight. The interactions between Howard and Tommy and the family dinner scene are especially good. Stanley Tucci attacks his part with both barrels.

A word about Kate Capshaw: Wow! A forty-something grand multipara in real life, Kate is as attractive as a woman can be. While much credit is due the cinematographer for knowing how to shoot her in soft, warm light, her native charms give him a lot to work with. She endows her character with the sweetness of youth and the cynicism of maturity. I see from her filmography that she has been working pretty steadily since INDIANA JONES days, but I must have missed most of her films. Maybe the financial security Mrs Spielberg enjoys allows her to limit her work to small, low-key pictures with little marketing, but I sure would like to see her hit the big-time.