Une prostituée est retrouvée coupée en deux. Deux flics soumettent au détecteur de mensonges le seul suspect, James Wayland, un génie instable. Après un certain temps, les rôles changent.Une prostituée est retrouvée coupée en deux. Deux flics soumettent au détecteur de mensonges le seul suspect, James Wayland, un génie instable. Après un certain temps, les rôles changent.Une prostituée est retrouvée coupée en deux. Deux flics soumettent au détecteur de mensonges le seul suspect, James Wayland, un génie instable. Après un certain temps, les rôles changent.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
- Elizabeth
- (as Renee Zellweger)
- Mrs. Wayland
- (as Jody Wilhelm)
- Billy Kennesaw
- (as David Alan Pickelsimer II)
- Laughing Officer
- (as George Nannerello)
Avis à la une
The movie goes into the psychology of each of the lead players, and I found myself collecting ever more answers -- with always a few more questions with each answer.
It's not one of those kinds of films that tries to make sure you know the answer to anything -- yet lets you see most everything -- and still find yourself wondering. It's got little action, yet is continually stimulating and thought-provoking, interesting and fun to watch.
I've seen this movie more than once and it's one of those rare films I know I will enjoy watching again and again -- and I think that every time I watch it I have new answers -- and new questions. Anyone interested in psychology will love this film. The acting are all excellent, the cinematography wonderfully mood-setting, the direction superb. I gave it 10 stars.
The gruesome murder of a prostitute finds chief suspect James Wayland (Roth) in an interrogation room undergoing a lie detector test. Two detectives, Phillip Braxton (Penn) and Edward Kennesaw (Rooker), are overseeing the test and sure of Wayland's guilt. But they are soon to find that Wayland is no push over and as the mind games start, dark secrets begin to come into play...
Without doubt it's an acquired taste, met with indifference upon its release and still causing debates on internet forums, Deceiver is one of those films that infuriates and fascinates in equal measure. As the title of the film suggests, deception and untruths are the order of the day here, not just in the claustrophobic interrogation room, but also in how the brothers Pate toy with us the audience. With its reliance on a non linear structure and convoluted plot, focusing the attention is greatly required, especially since the use of a rug-pull device will either seal or kill the deal.
As the walls close in on the interrogation room sequences and the flashbacks and character subplots flit in and out of the tale, the Pate brothers bring striking photography and angles into play. Sometimes it's a POV camera technique that has an edginess that seems to be probing for a crack in the armour of the person it looks at, at other instances it's distorted backdrops that run concurrently with the psychological chaos buzzing around the sweat tinged room. While the dialogue the characters are given crackles with the hard-boiled intensity that graced many a 40s and 50s noir thriller.
With a trio of superb lead male performances leading the way and a narrative loaded with duplicity and deviousness, Deceiver is crackerjack neo-noir. It's guilty of excess at times, and it's not hard to understand why some find the trickery too much to bare, but for those who like labyrinthine crime thrillers then this hits the spot. In fact! Repeat viewing is very much recommended. 8/10
Le saviez-vous
- AnecdotesThe name of the character played by Renée Zellweger, "Elizabeth Loftus" is a reference to the distinguished psychologist of the same name, noted for her studies in clinically created false memories.
- Citations
[first lines]
James Walter Wayland: I'm cutting across the park, just below the reservoir. It's a nice night. I feel like walking. I met a girl on the path I knew. We had a brief conversation, then I continued on. I never saw her again.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 572 433 $US
- Week-end de sortie aux États-Unis et au Canada
- 279 103 $US
- 1 févr. 1998
- Montant brut mondial
- 572 433 $US