On extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque... Tout lireOn extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque du 'Chacal' promet d'être rude. Mais s'il les menait en bateau ? [255]On extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque du 'Chacal' promet d'être rude. Mais s'il les menait en bateau ? [255]
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
Watching to see what modern filmmaking sensibilities had made of the more memorable scenes from the original kept me thoroughly entertained for the rest of the show. Edward Fox's neat little sniper's rifle--with its disguise constructed from a marvelous, high-tech material called "stainless steel"--metamorphosed into an immense carbon-fiber contraption suitable for demolishing an armored battalion. Fox's deadly silent assassination of a cantaloupe turned into a market-garden recreation of the Battle of the Bulge. And so on.
I don't think my companion, or anyone else in the theater, appreciated my snickers and occasional belly laugh. Too bad. I had a great time.
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
Le saviez-vous
- AnecdotesFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- Gaffes(at around 57 mins) When the weapon is first test fired from the mount and misses, the problem is unlikely to have been with the mount and more likely to be poor alignment of the targeting system.
The mount is the only moving part of the gun platform. That's how the gun is aimed, by adjusting the mount. It *is* the targeting system.
- Citations
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- Versions alternativesDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- ConnexionsEdited into The Jackal: Deleted Scenes (1998)
- Bandes originalesStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
Meilleurs choix
Détails
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 930 280 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 164 595 $US
- 16 nov. 1997
- Montant brut mondial
- 159 330 280 $US
- Durée
- 2h 4min(124 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1