Iruvar

Anandan is a very aspiring and talented stage-actor. He dreams of making it big in films and approaches various sources. Luck favors eventually and he notches up with a director and meets Tami Chelvan who happens to be a writer and an atheist. They both become the thickest of friends. Anandan meets huge success and Tami Chelvan uses his popularity to make in-roads in his political career.

Ego clashes erupt subsequently and Anandan overthrows Tami Chelvan from power. It is a beautiful drama of two friends and their ego. Photography, Score and Direction are commendable.

I really recommend this to connoiseurs of quality films

'Iruvar' is easily Mani Ratnam's best work to date- well researched, well planned, tight screenplay, wonderful classic resembling songs, great camera-work, above all, stellar star cast and performances. The scene on the rooftop of Tamil Selvam (Prakash Raj)'s house where Anand (Mohan Lal) is urged to greet his fans is indeed, a masterpiece of a scene. I should say that 11 years has passed since this movie was made but i have loved every one who has worked on this movie. I believe Santosh Sivan is the best cameraman in India, and I am also saddened that he is not doing cemeraworks for Mani Ratnam anymore (this and Dil Se were both class). I loved Mohan Lal, and ever since then, any of his movies failed to come anywhere near as impactful as this. Above all, there is Aishwarya Rai. There are many people who doubt her acting prowess, claiming her to be nothing but glamorous and beautiful. This is, I admit, the second best all-time single film performance by an actress that i have witnessed in my life thus far (ranking first is the Clementine Wozniacki played by Kate Winslet in Eternal Sunshine). Ash is tremendous in enacting the role of both a village girl and a seductive actress. There is not a single scene which she fails to impress. Considering this her debut movie, i would say that she always carried great potential, i have seen rushes on the sets of the films that she has worked and i observe that she certainly is a very committed lady trying to portray the role in the best way possible. It's only sad that directors get stuck up when giving her roles. Sanjay Leela Bhansali only gave her HDDCS and Devdas where she played beautiful, exuberant young ladies but did not give her the role he gave to Rani in Black. Ash is easily the most talented of all the actresses, not only the most beautiful, her performances in Mani Ratnam's films (Guru) proves that. He seems to be the only director who knows how to use her talent and also beauty both appropriately. The thing about Iruvar is that the songs never look out of place. They are not abrupt nor mindless. This film, as i have witnessed, has changed a common perception that a good movie shouldn't have song and dance sequences. This is a good movie, and it is even a better movie for its song and dances. They are not out of place because all the songs refer to movies which Anand was acting in, and at the same time, all were gorgeously shot. 'Aayirathil Oruvan' had great locations and camera-work, so did 'Venilla', while 'Aayirathil Oruvan' too is the best shot-under-pouring-rain song i have seen so far. And i am writing this 11 years after the movie released, and five years after i watched it for the first time. I still can't erase it off my memory (I played the movie so many times that i ended up tarnishing the VCD), so i feel it deserves an IMDb review.

This film tells the story of two friends and the parallel events in their lives. Although Rathnam states officially that this film is not a true story, it is generally believed that it was inspired by the real life stories of M. R. Karunanidhi and MGR during the beginning days of the DMK and their respective film careers.

Everyone always calls this film a "documentary" and tends to emphasize the fact that it supposedly tells the story of Karunanidhi and MGR. I think this film has very little to do with politics. It goes beyond the popular perception of two famous political figures in TN and tells their personal stories and attempts to disconnect these two characters in the movie from the superficial symbols of power we may perceive them as.

People that stubbornly hold onto to the idea that this film is about former Tamil Nadu chief ministers Karunanidhi and MGR (M.G. Ramachandran) will most probably not enjoy this film as much as people who view it as a drama about two ordinary men who turned out to do extraordinary things.

Some of the finer points in the movie are the unsaid words between Mohanlal and Prakash Raj (not their role in politics!). All the invisible dialog that goes on between the two of them is reflected in the background music. Mohanlal plays Anand with a high level of sensitivity. Prakash Raj is also brilliant. Good, controlled performances from the rest of the cast. This film also has two wonderful songs--"Narumugaye" & "Poo Kodiyin Punnagai." Both have amazing lyrics by Vairamuthu and good visuals, as well. Santosh Sivan's camera-work is spectacular, as usual. He impresses in a nicely-captured, post-lovemaking scene with Tabu and Prakash Raj.

Undoubtedly the best movie i have ever watched. Mani Ratnam, Mohanlal, Prakash Raj, A R Rahman & Santosh Sivan at their best. Mohanlals act in this film is a guide for all budding actors. The soundtrack of the film is amazing. Every shot of this masterpiece looks like picture postcards. Thanks to Santosh Sivan. I don't mind watching this film a hundred times. Iruvar is Aiswarya Rai's first film & its definitely her career best film. Mani Ratnam , Mohanlal & Rahman deserved national awards. Its a pity that they were not given national awards.Another thing which surprises me is that the movie was a flop, which is a wonder aspect of Tamil Cinema.

Mani Rathnam has told a fine story about two friends. One who is a film actor whom the people love dearly and harbours political ambitions. One who is an accomplished writer, poet and politician. sounds familiar?

Anand is played by Malayalee actor Mohan Lal and Tamil Selvam's role by the very talented Prakashraj.

One cannot miss the resemblance to the real lives of M.G. Ramachnadran and Karunanithi. However very little is revealed of Pushpa who plays the love interest of Anand. Perhaps Manirathnam was playing his cards carefully, avoiding possible repercussions from Ms Jayalalith, who was the real life mistress of MGR.

There is also some fine acting by Naser who portrays the real life Tamil leader, Anna Durai. Indian cinema has few directors who can make a film that will stand the test of time. Manirathnam is one of them. The story for this film has been well researched and planned. Most Indian films skip these vital steps prior to production. Some may complain about the typical indianess of the film with the usual song and dance sequences in a good film like this. But do bear in mind that the intellectual crowd who sees the usual song and dance as a distraction is a minority. Majority of our desi brothers go to see Aishwarya Rai shaking about. And a movie can make money only by pleasing the Lowest common Factor of the society: The typical desi. Unless Mani Rathnam entertains them we won't have the opportunity to see more movies from this fine director.