En compagnie des hommes

I have to give this movie a lot of credit. The director accomplished what I think he set out to accomplish, or at least he did with me. I felt as though I had been exposed to one of the darkest corners of the human psyche, and I didn't like what I saw there. The movie was very unsettling, and I was grateful that we had rented another to watch after it that night, one to take my mind off of this one. There are plenty of very disturbing movies out there with unhappy endings that I can watch over and over again, like "Seven," for example, but I hope I never see this one again. At least I can partly identify with John Doe's outrage at the moral decay of the society around him (although his reaction was less than admirable), but Chad... he simply delights in the misery of others. He's an SS guard in a concentration camp using children for target practice. No reason for it. It's just fun for him. What's disturbing about the movie is that it reminds me that there really are people like him walking around out there, maybe even in my own company, one of my own co-workers or my own friends. I didn't like watching the movie, but I think the director got just the reaction out of me that he wanted, so I gave it 7/10.

The executives Chad (Aaron Eckhart) and Howard (Matt Malloy) have just been rejected by their mates. While traveling for a six weeks temporary assignment in another office, they plot an evil game to get even with women. They plan to seduce a vulnerable woman and dump her with her feelings and self-esteem completely destroyed. When they meet the deaf secretary Cristina (Stacy Edwards), they find their perfect victim. However, things get complicated when Howard falls in love for Cristina.

The first time I saw "In the Company of Men" on 08 April 2000, I was really disturbed with this movie, which has been recently elected the number 28 in the ranking of the best fifty independent movies promoted by a cinema magazine. I decided to reevaluate my first view, and I did not change my original opinion that it is a gem of cruelty. The character Chad is actually the personification of evil, not those caricatures that we usually see in other movies, but a very real one that we face in our jobs, clubs or social lives. Chad is charming, handsome and charismatic on his outside, but rotten, ambitious, cold and malevolent inside, manipulating and destroying other people for his self-satisfaction and promotion. Howard is also a very real character, that type of stupid guy with lack of personality and self-esteem that is easily used by others, becoming a loser in the end. And the poor Cristina is the innocent victim of this nasty game with her initial pure and later broken heart. The game is actually against Howard and she is the tool. The performances of Stacy Edwards, convincing that she is actually deaf, and Aaron Eckhart, with his cynical character, deserved a nomination to the Oscar. The debut of Neil LaBute could not be better. For those who liked this film, I recommend "The Shape of Things" (2003), from the same director. My vote is nine.

Title (Brazil): "Na Companhia de Homens" ("In the Company of Men")

Note: On 15 February 2015, I saw this movie again.

Two middle management on a business trip talk about their relationships. Howard (Matt Malloy) is a meek sweet guy but Chad (Aaron Eckhart) is a bitter mean-spirited misogynist. Chad convinces Howard to get back at womenkind by finding a vulnerable woman to romance and dump. Christine (Stacy Edwards) is a new temp that fits the plan perfectly and she's deaf.

This is a disturbing movie. Chad is a psychopath and it's wonderful. It is original and compelling. Aaron Eckhart puts in a great performance as the douche. It's a shocking debut for Neil LaBute. He has written one of the most cynical disturbed ugliest human being on film that doesn't do anything that's actually illegal. Stacy Edwards is amazingly endearing and the reason why this works so well. But it's Eckhart's heartless performance that puts it over the top.

The film begins with two men in an airport lounge, both discussing how they recently broke-up with their girlfriends. The first man is named Chad (played by Aaron Eckhart). He is seemingly cordial to talk to but behind the smiling facade lies a loathsome, callous, spiteful fellow - one who is ruthless without showing any sign of remorse - in fact, he seems to derive great pleasure and pride from inflicting anguish on others, especially women. The other man is Howard (Mike Mallory), Chad's colleague at work and also a former member of the same college as Chad. Howard is a quieter chap, and seems to just go along with Chad's comments.

The two men have just arrived in a new town on a six week stay regarding their office work. Chad suggests that they date the same woman for the duration of the six week stay then dump her. Howard eventually agrees. The woman they pick is Christine (Stacy Edwards), a deaf woman who works in their office block. Chad thinks Christine is the perfect victim, with her being deaf, and mocks her distorted speech to Howard, and refers to her as a 'freak'. The two men start to date Christine, but problems start to arise when Howard bumps into them both in a restaurant. The film displays the start of each of the six weeks with a title and a burst of chaotic music. There are a few memorable scenes towards the conclusion of the film. The film focuses on the dog-eat-dog materialistic corporate world, and some of the envious and vindictive people that exist within it. I don't want to reveal any more, but I recommend you see this troubling film.

Chad (Aaron Eckhart) and Howard (Matt Malloy) are in a new town for 6 weeks on business. Frustrated by the women in their lives they decide to use the time to seduce an insecure woman and make her feel loved - only to destroy her before they leave. They pick Christine (Stacy Edwards), a deaf girl from their office and set the plan in motion.

This is a fascinating black comedy looking at the macho world of American businessmen - although it is a look at the shallowness and competitiveness of men generally. The plot may sound simple but it is very powerful and insightful - although the men are exaggerated versions of reality in order to make clear points. The film doesn't totally satisfy but it is a great character piece.

Almost to a man the leads are all excellent, Eckhart is almost pure evil as the man who we all recognise or know, while Malloy is great as the man who wants to be in the game but is getting to the point where he longs for simpler values. Edwards is beautiful as the vulnerable Christine who gradually opens up with confidence as she is made to feel more and more special.

Labate's direction is spot on for this - most of the action is dialogue based and the sets are made like theatre sets. As such the direction is quite static but the camera is often set in very interesting shots. Labate's writing is the real strength with the whole dialogue strong, perhaps exaggerated and yet totally believable.

A wonderfully harsh drama that will make you aware that will carry you along effortlessly.