In & Out
- 1997
- Tous publics
- 1h 30min
NOTE IMDb
6,4/10
46 k
MA NOTE
Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 7 victoires et 18 nominations au total
Avis à la une
Some movies want to make us think, some want to excite us, some want to exhilarate us. But sometimes, a movie wants only to make us laugh, and "In & Out" certainly succeeds in this department.
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Frank Oz directed 'In & Out' is indeed a Funny film. It gets it's humor right, and there are a couple of sequences that manage to make you laugh. Also, the performances in here, are top-notch!
'In & Out' tells the story of a teacher, played superbly by Kevin Kline, who, begins to question his sexuality after a former student makes a comment about him at the Academy Awards.
Paul Rudnick's Screenplay is funnily, inspired by Tom Hanks's speech when he accepted his 1994 Oscar for 'Philadelphia', in which he mentioned his high-school drama coach, and his former classmate, to be, two of the finest gay Americans, he knew. The Writing in the first hour, especially, is hilarious. The climax is absurd, but is mentionable nonetheless. Frank Oz has directed this comedy with ease. Cinematography is perfect.
Now to the performances! Kevin Kline is superb, as always. It's indeed time people start calling Kline as a Hollywood Icon! Joan Cusack is fantastic! Matt Dillon as the over-the-top Oscar-winning actor, is extremely amusing. Tom Selleck is lively. Debbie Reynolds is absolutely lovable. Others are perfect.
On the whole, A Well-Done Comedy, that truly deserves a watch. Thumbs Up!
'In & Out' tells the story of a teacher, played superbly by Kevin Kline, who, begins to question his sexuality after a former student makes a comment about him at the Academy Awards.
Paul Rudnick's Screenplay is funnily, inspired by Tom Hanks's speech when he accepted his 1994 Oscar for 'Philadelphia', in which he mentioned his high-school drama coach, and his former classmate, to be, two of the finest gay Americans, he knew. The Writing in the first hour, especially, is hilarious. The climax is absurd, but is mentionable nonetheless. Frank Oz has directed this comedy with ease. Cinematography is perfect.
Now to the performances! Kevin Kline is superb, as always. It's indeed time people start calling Kline as a Hollywood Icon! Joan Cusack is fantastic! Matt Dillon as the over-the-top Oscar-winning actor, is extremely amusing. Tom Selleck is lively. Debbie Reynolds is absolutely lovable. Others are perfect.
On the whole, A Well-Done Comedy, that truly deserves a watch. Thumbs Up!
I have always thought Kevin Kline is a great actor. We all have seen him in great and memorable performances. In this film, again, he is good. My family and I really had a great time watching him as a professor who sees on television one of his former students saying he (the professor) is gay. It's fun from the beginning to the end. I recommend this innocent comedy. Have fun
my rate 7/10
my rate 7/10
...in every way. It's a 1997 Fairy Tale. If you think this set LGBTQ rights back 20 years, we'll IT's 26 years OLD!!!!
Get a grip; this is a charming, sweet fairy tale about self discovery, and these days, a bit of a time capsule- So watch it, enjoy the good, funny and occasionally biting script, the wonderful performances and terrific direction.
It is what it is- engaging and enjoyable,
I'm kind of shocked that people in 2023 watch films and TV from the 1960's, 70's, 80's and 90's and judge them for not being woke enough: this is this very media that woke us up! We would not be as aware, inclusive or ( at least most of us) understanding if it were not for the ideas in older media.
Get a grip.
RESPECT!
Enjoy!
Get a grip; this is a charming, sweet fairy tale about self discovery, and these days, a bit of a time capsule- So watch it, enjoy the good, funny and occasionally biting script, the wonderful performances and terrific direction.
It is what it is- engaging and enjoyable,
I'm kind of shocked that people in 2023 watch films and TV from the 1960's, 70's, 80's and 90's and judge them for not being woke enough: this is this very media that woke us up! We would not be as aware, inclusive or ( at least most of us) understanding if it were not for the ideas in older media.
Get a grip.
RESPECT!
Enjoy!
I enjoyed this film quite a bit. Kevin Kline is one of my favourite actors, and after seeing this, I'm still firm in the belief that he can pull off any role he has a mind to. Joan Cusack's performance, while too over-the-top for some, really worked well for the part in my opinion... she and Kline both kept me laughing throughout. The supporting cast turned in nice performances as well, and Tom Selleck needs to keep that face clean-shaven more often. ^_-
This film was still quite amusing in some parts, but it seemed to indulge in a few too many stereotypes.
Overall, I think the actors did the best they could with what they were given, and while it wasn't *quite* what I had hoped for, it was still good entertainment for an afternoon... if you're not too sensitive about the Heterosexual vs. Homosexual issue, then you'll probably get quite a few good laughs out of this one.
This film was still quite amusing in some parts, but it seemed to indulge in a few too many stereotypes.
Overall, I think the actors did the best they could with what they were given, and while it wasn't *quite* what I had hoped for, it was still good entertainment for an afternoon... if you're not too sensitive about the Heterosexual vs. Homosexual issue, then you'll probably get quite a few good laughs out of this one.
Le saviez-vous
- AnecdotesThe Oscar statuette used in the film is Kevin Kline's. He won it in 1989 for his performance in Un poisson nommé Wanda (1988).
- GaffesThe timing referred to in the film is way off. The celebration dinner before the wedding is held in the daytime before the Oscars. At the dinner, Howard states that he is getting married on Sunday, in three days. The Oscars are never held on Thursday, they have been held either Sunday or Monday. Meanwhile, this is a short time before high school graduation, which is in late May or early June. The Oscars are now being held in January or February.
- Citations
[while listening to the "How to Be a Man" tape]
Voice on tape: Repeat after me: Yo!
Howard Brackett: Yo!
Voice on tape: Hot damn!
Howard Brackett: Hot damn!
Voice on tape: What a fabulous window treatment!
Howard Brackett: What a fabu...
Voice on tape: That was a trick!
- Crédits fousDuring the end credits, the cast is dancing to "Macho Man" and goofing off at Berniece and Frank's wedding reception.
- Bandes originalesEverything's Coming Up Roses
Written by Stephen Sondheim and Jule Styne
Performed by Ethel Merman
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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- How long is In & Out?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- ¿Es o no es?
- Lieux de tournage
- Sparta, New Jersey, États-Unis(exterior bar scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 63 856 929 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 019 821 $US
- 21 sept. 1997
- Montant brut mondial
- 63 856 929 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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