In & Out
- 1997
- Tous publics
- 1h 30min
NOTE IMDb
6,4/10
46 k
MA NOTE
Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.Un enseignant du Midwest remet en question sa sexualité quand un ancien élève fait un commentaire à son sujet lors de la cérémonie des Oscars.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 7 victoires et 18 nominations au total
Avis à la une
The movie is hysterical, it really is a funny film, and one that tries its best to stand up for Gay Rights back in the late 90s when Don't Ask Don't Tell was the height of Gay Rights.
Unfortunately people are reviewing this with an eye to the present and claiming that it stereotypes Gay men, and it does to an extent, but I do believe that a lot of the single star reviews would have made the same complaint no matter what they did with the lead character.
The fact is, for its time, for its era, it was part of the wave of films and TV shows that helped to normalize homosexuality in America, and it's that normalization that, more than any activism, helped for the Civil Rights victories we are seeing in the present.
To shun it over politics is literally to bite the hand that feeds you, especially since it has a clear message that homophobia is wrong and it was movies and TV shows like this that helped bring the attitudes and views on homosexuality that everyone supports today.
But, honestly, none of that matters. What matters is entertainment, that is why movies are made. Even informative movies have to have an eye towards entertaining the viewers if they want to actually be watched.
And, this movie is entertaining. This movie is hysterical, even if the masculinity tape was a bit of a stretch of the imagination even for a comedy, it still was a stretch that won one or two laughs from the audience.
Ultimately, it is a funny film that will entertain. So try to leave your political baggage at the door, and, if you can't, realize that it was films like this that helped normalize the views the American public has towards your political agenda...and then sit back and enjoy a funny and uplifting film with a strong moral.
Unfortunately people are reviewing this with an eye to the present and claiming that it stereotypes Gay men, and it does to an extent, but I do believe that a lot of the single star reviews would have made the same complaint no matter what they did with the lead character.
The fact is, for its time, for its era, it was part of the wave of films and TV shows that helped to normalize homosexuality in America, and it's that normalization that, more than any activism, helped for the Civil Rights victories we are seeing in the present.
To shun it over politics is literally to bite the hand that feeds you, especially since it has a clear message that homophobia is wrong and it was movies and TV shows like this that helped bring the attitudes and views on homosexuality that everyone supports today.
But, honestly, none of that matters. What matters is entertainment, that is why movies are made. Even informative movies have to have an eye towards entertaining the viewers if they want to actually be watched.
And, this movie is entertaining. This movie is hysterical, even if the masculinity tape was a bit of a stretch of the imagination even for a comedy, it still was a stretch that won one or two laughs from the audience.
Ultimately, it is a funny film that will entertain. So try to leave your political baggage at the door, and, if you can't, realize that it was films like this that helped normalize the views the American public has towards your political agenda...and then sit back and enjoy a funny and uplifting film with a strong moral.
I didn't care for this at first, but it is really a funny movie. Kevin Kline is his usuall good self as an english teacher who is outed at the Academy Awards by a former student, and he is due to get married soon. Wilferd Brimley is hilarious as Klines dad & Tom Selleck as an openly gay reporter steals almost every scene he is in. Its not one of my favorites, but its better than alot of other "gay comedys".
In & Out starring Kevin Kline, Tom Selleck and the town of Greenleaf, Indiana is a movie about homosexuality.........and the way we think about it(at least in an exaggerated kind of way)....
Kline is excellent as the teacher who has a hard time coming out and being truthfull to his soon-to-be wife Cusack. Selleck gives a good performance as the TV-reporter who tries to make Kline come out about his homosexuality, being gay himself knowing that denial isn't the right answer.... What's so funny about the movie is some of the prejudices the people from Greenleaf cherish.....apparently you're gay if you own a Barbara Streisand collection (and no! She was not too old to do Yentl!) and you're apparently also gay if you ride a bicylce!
The movie is a wonderful example of taking on prejudice and doing it in an extremely funny way....hilarious! The end where Kline is finally true to himself and afterwards rewarded by the town and his students is predictable but nevertheless compliments a good movie...
Kline is excellent as the teacher who has a hard time coming out and being truthfull to his soon-to-be wife Cusack. Selleck gives a good performance as the TV-reporter who tries to make Kline come out about his homosexuality, being gay himself knowing that denial isn't the right answer.... What's so funny about the movie is some of the prejudices the people from Greenleaf cherish.....apparently you're gay if you own a Barbara Streisand collection (and no! She was not too old to do Yentl!) and you're apparently also gay if you ride a bicylce!
The movie is a wonderful example of taking on prejudice and doing it in an extremely funny way....hilarious! The end where Kline is finally true to himself and afterwards rewarded by the town and his students is predictable but nevertheless compliments a good movie...
Some movies want to make us think, some want to excite us, some want to exhilarate us. But sometimes, a movie wants only to make us laugh, and "In & Out" certainly succeeds in this department.
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Without a doubt, much humor and good performances. The scene with the "Exploring Your Masculinity" tape (this is the one where Kline is told that real men don't dance) had me laughing so hard that I had tears in my eyes.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
Le saviez-vous
- AnecdotesThe Oscar statuette used in the film is Kevin Kline's. He won it in 1989 for his performance in Un poisson nommé Wanda (1988).
- GaffesThe timing referred to in the film is way off. The celebration dinner before the wedding is held in the daytime before the Oscars. At the dinner, Howard states that he is getting married on Sunday, in three days. The Oscars are never held on Thursday, they have been held either Sunday or Monday. Meanwhile, this is a short time before high school graduation, which is in late May or early June. The Oscars are now being held in January or February.
- Citations
[while listening to the "How to Be a Man" tape]
Voice on tape: Repeat after me: Yo!
Howard Brackett: Yo!
Voice on tape: Hot damn!
Howard Brackett: Hot damn!
Voice on tape: What a fabulous window treatment!
Howard Brackett: What a fabu...
Voice on tape: That was a trick!
- Crédits fousDuring the end credits, the cast is dancing to "Macho Man" and goofing off at Berniece and Frank's wedding reception.
- Bandes originalesEverything's Coming Up Roses
Written by Stephen Sondheim and Jule Styne
Performed by Ethel Merman
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is In & Out?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- ¿Es o no es?
- Lieux de tournage
- Sparta, New Jersey, États-Unis(exterior bar scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 63 856 929 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 019 821 $US
- 21 sept. 1997
- Montant brut mondial
- 63 856 929 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant