Ajouter une intrigue dans votre langueA young I.R.A. member is forced to turn informant on his comrades, when he is caught in an assassination attempt on a judge.A young I.R.A. member is forced to turn informant on his comrades, when he is caught in an assassination attempt on a judge.A young I.R.A. member is forced to turn informant on his comrades, when he is caught in an assassination attempt on a judge.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
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7mar9
The makers of this film threw plenty into the mix of a deceptively simple story of a reluctant IRA man (Anthony Brophy) forced to turn supergrass when caught redhanded carrying out a rocket attack on a judge. There are enough bits and pieces thrown in here about the 800-year history of the troubles to give a decent idea of the big picture, even to those like myself who aren't all that familiar with Irish history. We see a bit of the historical background, the current English, Loyalist and IRA positions, how hatred is perpetuated through the next generation, how the innocent as always are victimised the most. It's a heady mix in a gritty and disturbing film, and to their credit, the film makers quite rightly decided not to resolve their story, just like the Troubles themselves. One quibble. Despite good performances, it's a bit hard to accept the central characters being as old as they're supposed to be. Ginger (have I spelt that right?) is meant to have have spent a total of 10 years in prison and we assume his wife has spent an equal time doing it tough raising the kids. It's a bit to believe this when they are played by young spunks Brophy and Maria Lennon.
Engrossing, suspenseful, honest drama: the best film on "the troubles" ever made.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
This film is something of a mixed bag! As a fan of Timothys work I was eager to watch this film just to see Tim Dalton,and not so much for the "Troubles" storyline which,and lets face it,Hollywood has done an abysmal job of bringing to the big screen. Dodgy accents aside,this is a fairly accurate film which shows the IRA as the thugs they are,murdering police officers and shooting children. I thought Timothys performance was pretty good,although the accent needed a bit of work. Cary Elwes was thoroughly annoying as the army lt trying to befriend "gingy", who was equally irritating because he constantly had that "i picked the wrong day to stop sniffing glue" look on his face. If you want to see a fairly accurate portrayal of the terrorism that existed in Northern Ireland in the 1990's warts and all,watch this movie! If you want to cling to the belief that the IRA are heroes fighting for truth,justice and a pint of Guinness instead of being the murderers and drug dealers they really are, then my advice is to get real!
Well I am in the middle of doing my thesis for my masters degree in history and my subject is the IRA. Now, this film, although it is quite good, beats around the stereotype picture I sometimes read about the English government would like to project as part of the criminalisation of the IRA. Hereby not defending any of the involved parts, I just find it sad to see, how narrowminded the irish basically are portrayed while the archtype of chivalry is of course english (and notice the stupid scotsman in the end of the movie). This could be something out of an english propaganda film!
If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10
If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10
I stumbled onto this on Showtime on a rainy night and expected little of it. To my surprise I was drawn into the plight of those trapped in the vicious stand-off of "The Troubles".
The movie conveys powerfully the oppressiveness of the weight of history that sustains the hatreds and the impossible dilemmas faced by people trying to navigate between the opposing forces.
The acting is generally excellent, particularly Maria Lennon as the wife torn between her husband and her loyalties. Anthony Brophy is superb as the trapped husband. The only weak link is Timothy Dalton who chews a bit too much of the scenery as the detective reeling in the unwilling informant.
The lengthy nude scene of Simone Bendix as Cary Elwes' lover is not "essential to the plot" but Simone is so stunning it would be churlish to complain.
Taut and effective. Give it a look.
The movie conveys powerfully the oppressiveness of the weight of history that sustains the hatreds and the impossible dilemmas faced by people trying to navigate between the opposing forces.
The acting is generally excellent, particularly Maria Lennon as the wife torn between her husband and her loyalties. Anthony Brophy is superb as the trapped husband. The only weak link is Timothy Dalton who chews a bit too much of the scenery as the detective reeling in the unwilling informant.
The lengthy nude scene of Simone Bendix as Cary Elwes' lover is not "essential to the plot" but Simone is so stunning it would be churlish to complain.
Taut and effective. Give it a look.
Le saviez-vous
- AnecdotesDuring filming in Ireland, the working title "Johnny Loves Suzie" was used so as not to attract the attention of any terrorist groups. However, it hardly could obscure the fact that armored vehicles and armed police and soldiers were featured in the film.
- GaffesIn one scene, the Union Flag is upside down.
- Citations
Dalton: We don't like names.
Gingy McAnally: That's because you're riddled with touts. Informers. Weren't any informers in my time.
Frankie Conroy: Your time's not done, Gingy.
Gingy McAnally: I'm out. I quit. I'm not going back to prison for anyone.
Frankie Conroy: You made an oath, boy.
Dalton: An oath for life.
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- How long is The Informant?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- L'informateur
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
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