L'Impitoyable Lune de miel !

Bill Plympton's feature-length cartoon is about how Our Hero gets a boil in his neck that permits him to change things into other things. Because he is newly married, this upsets his bride (even though the sex is great), and she rushes home to her parents. Meanwhile, the CEO of minor TV network Smilecorp hears of this ability and orders its military division to seize the person, or at least the boil, using all sorts of armaments.

At this point, the story, such as it is, loses any sign of coherence; with the ability to change anything into anything else, how can it be otherwise? Still, there are some fine Plympton gag sequences, and the animation is a little fuller than it usually is for his work; apparently he got more money for this production than usual.

None of which serves to make it a great cartoon. Although the gimmick suits Plympton's wild sensibilities, the open-ended nature of it seems to have overwhelmed the film maker.

I feel sorry for the people that said they were bored during this movie and that was the only thing they had to say about it. This movie was a wonderful fantasy in which Plympton used the animated media to its highest potential. This movie does have something to offend just about everyone, from extreme profanity, extreme violence, to bizarre (but funny) sex scenes to quoting Hermann Goring?? The bird sex scene in the opening probably did a good job offending most of the population and let you know there was a really raunchy good time ahead; the facial expressions were great! Another great part to look for is when one character watches the "How To Make Love To A Woman" video. There was one segment I rewound the tape three times and STILL couldn't hear what was said because I was laughing SO HARD! WONderful movie and such an improvement over "The Tune".

This film was one of the best surreal films I actually enjoyed in a long time, great WILD style, love the way he animates the faces to its very creepy but awesome at the same time, I enjoyed the first half better than the last half though.

It seems like an hour and ten mins is very short but like other people said the pacing is a bit over the top I found, the first half kept me purley entertained and never got bored once, but then the last half it felt like there were almost no breaks, it was just a wild rollar coaster until the end which was just as amazing and unique as the first half but its not as powerful because its just so much to take in so fast, it should of had bigger breaks towards the end, one other minor thing irradiated me was how they shoot at the woman and husband at the end point blank range for like 5 minutes and they just dodge them all, I know its not taken seriously but that just felt so dragged out and took away from the overall ending experience.

But thats just the negative, go watch this film IT IS AMAZING its like nothing I have ever seen before, best words to describe it....

Fantasia on speed and acid.

Plympton is a genius and his film has more imagination than a hundred Hollywood film combined. Nevertheless, this film is a hard one to stick with. Even at an hour and 13 minutes, it feels long.

My objections are not the ones you might expect. I was totally open to Plympton's original and surreal take on life. I wasn't offended at all by the gross or sexual stuff. For the first fifteen minutes or so, Plympton's "anything goes" style of animation is both hilarious and thrilling. Inanimate objects come to life. Bizarre "what if" notions are suddenly played out for us in vivid color. We've entered a new universe.

The first half is very promising. I loved the scene of the main character having a tension filled dinner with his wife and her parents. (The in-law's house includes a framed photo of the young couple, with the son-in-law's image cut out!) These scenes show great promise of a man wrestling with the anxieties most new husband wrestle with (sex, in-laws, life in the 'burbs, balancing a demanding job with a wife who wants attention.) Sadly, the wife and these other elements are almost immediately swept aside so that we can have a series of belabored battles between our hero and the military-entertainment complex. These battles take up the entire second half of the story, and always end in a stalemate.

Plympton's universe, where the laws of physics don't apply and anything can and will happen, is ultimately a mixed blessing. At first, the freedom is funny and liberating. You don't know what's going to happen next. But after half an hour or so, it becomes repetitive and dull. If anything can happen, and no actions have any consequence, then why do we care? Nothing really matters here. Nothing is at stake. No one seems to want anything or care about anything. It's so unreal it ceases to be relevant. Our interest wanes. As cool as Plympton is (and he is cool), at some point the novelty wears off, and when it does, there's nothing to come in and fill the gap (The experience is kind of like that of watching an adult film.)

In the end, IMASP is about nothing but its own cleverness. I hope that for his next project, Plympton will put his considerable talents to work in a good story with strong characters. good story with stron

I've always found Plympton's animations intriguing (and at times a bit disgusting, but I mean that in the nicest possible way). I agree with other reviewers on this page that Plympton's style may not be too well-suited for a full-length movie, as I was quite bored at regular intervals. However, if you're into his style and sense of humour (which means that you don't mind gratuitous violence and sex scenes) you should get a kick out of this one. I found myself laughing out loud a couple of times (for instance, at the sex/balloon animals scene), and any movie that makes you do that deserves a pat on the back :).