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Un jeune marié développe une étrange bosse sur son cou qui lui donne la capacité de transformer les gens ou les objets à volonté. Le PDG de Smilecorp apprend l'existence de cet homme et voit... Tout lireUn jeune marié développe une étrange bosse sur son cou qui lui donne la capacité de transformer les gens ou les objets à volonté. Le PDG de Smilecorp apprend l'existence de cet homme et voit un moyen de dominer le monde.Un jeune marié développe une étrange bosse sur son cou qui lui donne la capacité de transformer les gens ou les objets à volonté. Le PDG de Smilecorp apprend l'existence de cet homme et voit un moyen de dominer le monde.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 4 nominations au total
Tom Larson
- Grant Boyer
- (voix)
Chris Cooke
- Col. Ferguson
- (voix)
Ruth Ray
- Keri's Mom
- (voix)
J.B. Adams
- Keri's Dad
- (voix)
John Russo Jr.
- Bud Sweeny
- (voix)
Bill Martone
- Announcer
- (voix)
Avis à la une
Bill Plympton's feature-length cartoon is about how Our Hero gets a boil in his neck that permits him to change things into other things. Because he is newly married, this upsets his bride (even though the sex is great), and she rushes home to her parents. Meanwhile, the CEO of minor TV network Smilecorp hears of this ability and orders its military division to seize the person, or at least the boil, using all sorts of armaments.
At this point, the story, such as it is, loses any sign of coherence; with the ability to change anything into anything else, how can it be otherwise? Still, there are some fine Plympton gag sequences, and the animation is a little fuller than it usually is for his work; apparently he got more money for this production than usual.
None of which serves to make it a great cartoon. Although the gimmick suits Plympton's wild sensibilities, the open-ended nature of it seems to have overwhelmed the film maker.
At this point, the story, such as it is, loses any sign of coherence; with the ability to change anything into anything else, how can it be otherwise? Still, there are some fine Plympton gag sequences, and the animation is a little fuller than it usually is for his work; apparently he got more money for this production than usual.
None of which serves to make it a great cartoon. Although the gimmick suits Plympton's wild sensibilities, the open-ended nature of it seems to have overwhelmed the film maker.
I feel sorry for the people that said they were bored during this movie and that was the only thing they had to say about it. This movie was a wonderful fantasy in which Plympton used the animated media to its highest potential. This movie does have something to offend just about everyone, from extreme profanity, extreme violence, to bizarre (but funny) sex scenes to quoting Hermann Goring?? The bird sex scene in the opening probably did a good job offending most of the population and let you know there was a really raunchy good time ahead; the facial expressions were great! Another great part to look for is when one character watches the "How To Make Love To A Woman" video. There was one segment I rewound the tape three times and STILL couldn't hear what was said because I was laughing SO HARD! WONderful movie and such an improvement over "The Tune".
I've always found Plympton's animations intriguing (and at times a bit disgusting, but I mean that in the nicest possible way). I agree with other reviewers on this page that Plympton's style may not be too well-suited for a full-length movie, as I was quite bored at regular intervals. However, if you're into his style and sense of humour (which means that you don't mind gratuitous violence and sex scenes) you should get a kick out of this one. I found myself laughing out loud a couple of times (for instance, at the sex/balloon animals scene), and any movie that makes you do that deserves a pat on the back :).
I've been a fan of Bill Plympton since I first saw one of his shorts in a late-80s animation festival, and to me, "I Married a Strange Person!" is his best work. It's possible that I've missed something better -- I've seen many/most of his shorts, but only one other of his long-form works, "The Tune". This film, to me, is much funnier and more memorable than "The Tune", though not as deep, I suppose.
Fans of the "splatstick" horror/comedy genre should enjoy this film, as it uses over-the-top gore to similar comedic effect. Don't get the impression that this is a film in the vein of "Lupo The Butcher" or something, though, with ultra-violence being used for ultra-violence's sake. Plympton's imagination is FAR too vivid for that to be the case.
I'd have to say, in fact, that Plympton has the most unique and active imagination of any visual artist I'm familiar with, and this film is a great showcase for it, since the plot concerns a special brain lobe that causes imagination to become reality.
Apart from the comedic gore, there are hilarious looks at sex. What Plympton has done for quitting smoking and other topics in his shorts, he does here for sex. Everything from people to animals to inanimate objects are seen engaging in the act here, to comic effect. One of the most imaginative images is the upper receptacle in an electrical outlet banging the lower receptacle from behind (with the three-prong receptacles having become faces).
Another thing to mention is the film's great score. Funny, catchy, toe-tapping tunes that you'll feel like you've heard somewhere before.
To sum up, buy this film! If you're at all a fan of animation or semi-risque comedy, you're sure to love it.
Fans of the "splatstick" horror/comedy genre should enjoy this film, as it uses over-the-top gore to similar comedic effect. Don't get the impression that this is a film in the vein of "Lupo The Butcher" or something, though, with ultra-violence being used for ultra-violence's sake. Plympton's imagination is FAR too vivid for that to be the case.
I'd have to say, in fact, that Plympton has the most unique and active imagination of any visual artist I'm familiar with, and this film is a great showcase for it, since the plot concerns a special brain lobe that causes imagination to become reality.
Apart from the comedic gore, there are hilarious looks at sex. What Plympton has done for quitting smoking and other topics in his shorts, he does here for sex. Everything from people to animals to inanimate objects are seen engaging in the act here, to comic effect. One of the most imaginative images is the upper receptacle in an electrical outlet banging the lower receptacle from behind (with the three-prong receptacles having become faces).
Another thing to mention is the film's great score. Funny, catchy, toe-tapping tunes that you'll feel like you've heard somewhere before.
To sum up, buy this film! If you're at all a fan of animation or semi-risque comedy, you're sure to love it.
I caught this movie by accident at 2am and found it highly entertaining. It dashes from one scene to the next at a rate of knots. The animation is good and it is very refreshing to see an adult oriented cartoon despite the bizarre nature of the story. I'll be watching out for more by Bill Plympton in the future.
Le saviez-vous
- Citations
Col. Ferguson: When's the last time you tried to tell two fifty-ton tanks to stop having sex!?
- Versions alternativesThe VHS version is the 73 min. R-rated cut while the DVD version is the 74 min. unrated version.
- ConnexionsFeatured in The Bernie Mac Show: Tryptophan-tasy (2002)
Meilleurs choix
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- How long is I Married a Strange Person!?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Me casé con una persona extraña
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 250 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 206 272 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 472 $US
- 30 août 1998
- Montant brut mondial
- 206 272 $US
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