Birdee Calvert doit choisir entre sa morale et son coeur après le divorce de son mari et le retour dans sa vie d'un charmant jeune homme, que sa fille désapprouve.Birdee Calvert doit choisir entre sa morale et son coeur après le divorce de son mari et le retour dans sa vie d'un charmant jeune homme, que sa fille désapprouve.Birdee Calvert doit choisir entre sa morale et son coeur après le divorce de son mari et le retour dans sa vie d'un charmant jeune homme, que sa fille désapprouve.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 8 nominations au total
- Big Dolores
- (as Rachel Lena Snow)
- Debbie Reissen
- (as Allisa Alban)
Avis à la une
Even in this movie, I can't help feeling that Birdee has a lot of the real Sandra in her. Even though she is beautiful, she is not conceited or vindictive. Harry Connick Jr. as Justin is equally sensitive and doesn't stalk her, even though he clearly counts his blessings that he has a second chance to have what he was too slow to get the first time. He genuinely woos her in the real old-fashioned way which is quite a pleasant change from most so-called romance movies these days.
And Mae Whitman as Birdee's 9-year-old daughter, Bernice shows her to be the star that she has, since Hope Floats was made, become. It always amazes me how young children are able to act so convincingly in traumatic domestic situations such as Bernice had to. Full marks to Mae!
Of course, a true queen of the silver screen, Gena Rowlands as Birdee's mum, is everything we have come to expect of her - a tender, all-knowing matriarch who holds everything together.
All in all, a fine movie that, in my opinion, is worth more than the 5.8 that viewers have given it. Definitely a movie I will happily watch again, and again over the years.
The sun-dappled cinematography, though reliant on soft-focus, is beautiful like Romantic American oils. Shot in gorgeous earth tones, HOPE FLOATS is a stunning series of postcards, the better onto which graft the sickness of relationship disfunctions. The painterly still shot of the main character taking a photograph through a window still haunts me, as does the magnificent late sequence drenched in rain.
Thankfully for the viewer, the manichean script is brought to life with a breezy confidence by Forest Whitaker. This assured artist has worked with the likes of Jim Jarmush and Clint Eastwood, and it shows in his cool camera work and straightforward approach to material that is little better than the "reality talk shows" it twice decries. Himself an actor, the director pulled bravura performances out of his main cast.
For the real star of this show is the acting: from Harry Connick Jr's solid performance to the great Gena Rowlands spot-on delivery, it's all good. Mae Whitman devastates in her "money shot" and even the bit parts are interesting to watch. But with a glance, a crooked smile and a much improved body language, it is star Sandra Bullock who proves the real gem in a movie that sparkles with all the pretension of a jewellery store. The underplayed, devastating opening scene is worth a dozen scenery-chewing showpieces - and then some.
There is quite a bit of emotional baggage borrowed in PRACTICAL MAGIC here, but the underpinnings are far better. Fearless, engaged and precise, Bullock's performance is a virtuoso piece that makes watching HOPE FLOATS a real treat; I have never seen her more bold or more beautiful (even as a vamp in MISS CONGENIALITY) - she is absolutely gorgeous here.
Manipulation and honesty mixed in an effective, emotional pressure-cooker, HOPE FLOATS may just make you sick like a roller-coaster. But for anyone interested in Sandra Bullock, it is required viewing . ..
Unlike other so-called "chick flicks", this movie has an authentic appeal to it and a real heart. Sandra Bullock is a shamed and distraught mother returning to her hometown after being dejected by her husband on national television. She is the beauty queen turned humiliated housewife and her old neighbors don't hesitate to rub it in. Sandra's strong-willed and adorable daughter is played wonderfully by Mae West. Their dysfunctional relationship is a central plot element throughout the film. Sandra finds strength in her own mother and finds new romance with a strong, sensitive cowboy type played surprisingly well by Harry Conick Jr.
Sandra must come to terms with her changing identity and role as mother while her daughter fights for a false allusion of Sandra's husband. An impending divorce between Sandra and her husband and the struggles of Sandra's daughter and nephew, create many heartbreakingly touching moments and at last - an intriguing story with a sense of humor.
Living in Texas and having visited a few small towns, I can state that the movie's portrayal of small town life is a very realistic one which only adds to the films' effectiveness.
Le saviez-vous
- AnecdotesThe first film made under Sandra Bullock's own production company, Fortis Films.
- GaffesWhen Birdee is sitting with Bernice on her bed after her father has just left her, Bernice tries to rub her eyes by first going under her glasses then she goes right through her glasses where the lens should have been.
- Citations
Bernice Pruitt: My dad says that childhood is the happiest time of my life. But, I think he's wrong. I think my mom's right. She says that...
[Bernice's voice fades as Birdee takes over]
Birdee Pruitt: [laughing] Childhood is what you spend the rest of your life trying to overcome. That's what momma always says. She says that beginnings are scary, endings are usually sad, but it's the middle that counts the most. Try to remember that when you find yourself at a new beginning. Just give hope a chance to float up. And it will, too...
- ConnexionsFeatured in HBO First Look: Hope Floats (1998)
- Bandes originalesStop in the Name of Love
Written by Lamont Dozier, Brian Holland, and Eddie Holland, Jr.
Performed by Jonell Mosser (as Jonelle Mosser)
Produced by Don Was and Ed Cherney
Courtesy of MCA Records
Under license from Universal Music Special Markets
Meilleurs choix
- How long is Hope Floats?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 60 053 195 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 210 464 $US
- 31 mai 1998
- Montant brut mondial
- 81 471 882 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1