Rouge sang

During a sleepless night, I was switching through the channels & found this embarrassment of a movie. What were they thinking?

If this is life after "Remote Control" for Kari (Wuhrer) Salin, no wonder she's gone nowhere.

And why did David Keith take this role? It's pathetic!

Anyway, I turned on the movie near the end, so I didn't get much of the plot. But this must've been the best part. This nerdy college kid brings home this dominatrix-ish girl...this scene is straight out of the comic books -- or the cheap porn movies. She calls the mother anal retentive and kisses the father "Oh, I didn't expect tongue!" Great lines!

After this, I had to see how it ended..

Well, of course, this bitch from hell has a helluva past, so the SWAT team is upstairs. And yes...they surround her! And YES YES! The kid blows her brains out!!!! AHAHHAHAHAHA!!

This is must-see TV.

This is a guy movie and a pretty good one at that. The chick who plays Miya is drop dead gorgeous and her character is way uninhibited. She's a Terri Hatcher look alike and you can see by her filmography she's been in some good stuff. Everyone else in this flick should either blow their brains out or get real jobs. Especially Burt Young although the former fat guy from Rocky is pretty well cut for an old formally fat guy from Rocky.

The scene in the theater will always date the film as being made at the same time as Alanis Morissette sold 9 billion copies of her first album.

The final scenes of the movie are where it really deteriorates but it's worth the wait to see Trent's dad and try to figure out where you've seen him. (An Officer and A Gentleman)

I caught this on Showtime as "Hit and Run" and if you're reading this so did you

Literally. And by smoke I mean cigarettes, in an incredibly sensual manner. If you have a smoking fetish, then this movie and Kari Wuhrer are for you. The tease and attitude are unmistakably intentional. She knew exactly what she was doing and she played it up, to perfection.

Exploitation movies get redefined every ten years or so. Changing tastes is not so much the reason as the changing ways to deliver this stuff to its public. In the era of direct to-video, and made-for (late night) cable, the genre has become fragmented, but prospered as well.

One consistency throughout the ages is the need for a sexy woman-she needs to act a bit, but not too much because her actions should always speak louder than her words.

Kari Wuhrer, once of MTV's Remote Control, is moving to the forefront here, She's a better actress than Shannon Whirry, younger, hipper than Shannon Tweed. Keep an eye out for her.

At 86 minutes `Hot Blooded' as it was titled for DVD is not a major waste of time. And if you keep your finger near the ‘fast forward' button you can probably cut the time spent in half.

As for David Keith, your 10 or so minutes are not worth whatever pittance they paid you. Step up to the plate son, or step away all together.

Yet another story of a guy and a girl on the run in a hot car, with a gun. LOVE AND A .45 is perhaps the best of the numerous recent stabs (ouch!) at this genre, though none of the 90s entrants match up to such 70s classics as THE LONERS, JOY RIDE, or BOBBY JO AND THE OUTLAW. College kid, driving from Ohio State to Lancaster, PA (he must be going via Miami; at one point he still has 560 miles to go!), rescues truckstop hooker from assault by trucker. Naturally they become travelling companions. During the trip she attempts to loosen him up with sex and a new wardrobe, but the trucker is in hot pursuit, and there are other complications, and it gets a bit bloody before it gets over.

Kari Wuhrer really chews the scenery as the psycho, man-hating hooker and is quite over her head dramatically. The hero is a bit of a schlumpff, and the story fairly sleazy. Shot in Canada but it recovered long enough to hit pay-cable. Not even a good source of cheap thrills, since the filmmakers carefully keep Kari covered up to about PG-13 level during the 2 or 3 m.o. scenes.

Try THE LONERS (1972) instead, which has career performances by Todd Susman and Alex Dreier, not to mention Dean Stockwell in his hippie biker phase and wonderful Gloria Grahame as a harridan mom.