NOTE IMDb
6,4/10
16 k
MA NOTE
Un agent du FBI tente d'attraper le tueur en série qui a kidnappé son fils.Un agent du FBI tente d'attraper le tueur en série qui a kidnappé son fils.Un agent du FBI tente d'attraper le tueur en série qui a kidnappé son fils.
Walton Goggins
- Bud
- (as Walt Goggins)
Stuart Proud Eagle Grant
- Luke
- (as Stuart Grant)
Avis à la une
this is by far a very differemt serial killer movie than other ones I've seen. it really makes you fall in love with or hate the characters. i have to say these days there are a lot of serial killer films , that people have to be killed in, but when they do die we neither feel happy or sad towards their deaths.
all the parts were played well and the casting was well chosen. there's not many twist or unexpected stuff at the end cause they were all revealed in the middle og the film , and that disappointed me cause i like to keep guessing the killer towards the film.
its a for sure recommendation. WATCH IT!! 7.6/10
all the parts were played well and the casting was well chosen. there's not many twist or unexpected stuff at the end cause they were all revealed in the middle og the film , and that disappointed me cause i like to keep guessing the killer towards the film.
its a for sure recommendation. WATCH IT!! 7.6/10
I was surprised by this film quite a bit. I thought it would be another mediocre paint-by-the-number genre piece. To my amazement Switchback is a taut and suspenseful film. Its fun to see Danny Glover cast against type. By no means a masterpiece, but well worth watching by thriller fans
I liked just about every aspect of this movie. The local police aren't portrayed as a bunch of inbred idiots, the killer isn't portrayed as maniacal and impersonable, and the FBI agent isn't just a suit with all the personality of a tube of toothpaste. All of these combine to make a refreshing murder mystery/thriller. This isn't the classic "who dun it?" type of murder mystery; rather, it is more in the flavor of "Silence of the Lambs", where we discover who the killer is long before the end of the movie, and the suspense comes from anticipating the hero catching the villain.
Switchback was an enjoyable mystery/thriller with a few nice action sequences. Quaid's character seemed a bit cliche to me (like he was impersonating a dour Harrison Ford) but Glover's character was unique and interesting. This movie didn't have a lot of surprises or plot twists, but director Jeb Stuart managed to keep my interest high by using well drawn and likeable characters and by keeping a lot of balls in the air from the beginning of the movie. With the exception of the serial killer himself, the conflicting motivations of the characters played well with the story and provided plenty of tension. I especially enjoyed the portrayal of the serial killer himself. This is possibly the first movie I've seen where the killer had a human face and was not a psycho mastermind genius or a low-life loner with a chip the size of Manhattan on his shoulder.
I saw this film for the first time on late night television after returning from the cinema where I saw the disappointing 'Along Came a Spider'. There are similarities, but Switchback is by far the better film. Jeb Stuart has done a terrific job keeping us at the edge of the couch and there are very few cliches around. Danny Glover and the entire cast are just right, and all the characters, even the minor roles, are three-dimensional. The story centres on a young handsome hitchhiker picked up and befriended by the serial killer. But this is no ordinary serial killer -- he is Mr. Popularity along the mountain roads where they travel in buddy movie-fashion. But not for long. The killer isn't out to make new friends. What he is doing is cleverly framing the loner-hitchhiker (finger prints on murder weapon etc) so that the law will be searching for the hitchhiker, and not the real killer. That is the killer's modus operandi. So here we have this handsome hitchhiker with a mysterious past (a doctor who ran away) and a killer with a bloody past who is on the run. Enter an FBI agent (Dennis Quaid) who is wanted by the FBI. The FBI want Quaid off the case. But Quaid is a determined man: the serial killer, who he has tracked for 18 months, has kidnapped his son....All of these outsiders come through a small town where the local sheriff loses the election by opting to help the truant FBI agent find the real killer... Three quarters of the way through the film, everyone is chasing someone and the tension keeps mounting along with the altitude.
The killer has left a note with a cryptic clue that Dennis Quaid must decipher. But the key to his son's whereabouts lies elsewhere.....
This is a fresh breath of writing into a genre that has been abused and neglected of late. There are nice echos of our favourite films noir (...the hitchhiker, the loner, the car accident.....the guessing came about who is who...). There's a touch of The Fugitive, but not too much. On top of all the good acting, casting, plotting and suspense, there's nice atmosphere and locations in the Rockies.
The killer has left a note with a cryptic clue that Dennis Quaid must decipher. But the key to his son's whereabouts lies elsewhere.....
This is a fresh breath of writing into a genre that has been abused and neglected of late. There are nice echos of our favourite films noir (...the hitchhiker, the loner, the car accident.....the guessing came about who is who...). There's a touch of The Fugitive, but not too much. On top of all the good acting, casting, plotting and suspense, there's nice atmosphere and locations in the Rockies.
Le saviez-vous
- AnecdotesAccording to an interview with writer and director Jeb Stuart in Premiere magazine, he had originally intended to make this movie back in the 1980s, under the title "Going West in America", with Sidney Poitier, Robert Duvall, and Kevin Bacon in the three main roles.
- GaffesIn several scenes, squealing tires are heard from a car skidding on a snow-packed road. Tires do not squeal on snow.
- Citations
Sheriff Buck Olmstead: The guy was a killer, Frank.
Frank LaCrosse: Yeah, but he wasn't a liar.
- Bandes originalesSafe in the Arms of Love
Written by Pamela Rose (as Pam Rose), Mary Ann Kennedy, and Pat Bunch
Performed by Martina McBride
Courtesy of The RCA Records label of BMG Entertainment
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- How long is Switchback?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Switchback
- Lieux de tournage
- Colorado Springs, Colorado, États-Unis(Outside courthouse with watchtower)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 37 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 492 660 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 704 568 $US
- 2 nov. 1997
- Montant brut mondial
- 6 492 660 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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