Des gardiens de zoo ont du mal à gérer les politiques de changement de directeur.Des gardiens de zoo ont du mal à gérer les politiques de changement de directeur.Des gardiens de zoo ont du mal à gérer les politiques de changement de directeur.
- Réalisation
- Scénario
- Casting principal
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While never groundbreaking or thought provoking, Fierce Creatures does what it says it should do. The concept is quite imaginative, the four leads perform their roles superiorly and there is an impeccable comic timing.
Those with low expectations will come out very satisfied, and while it's easy to nit-pick and find faults, Fierce Creatures is a very good film that's not to be taken very seriously. 6.9 out of 10.
Pick this one over "A Fish Called Wanda" the next time you're browsing through the DVD sales rack. You'll be better off with it.
The story itself is rather convoluted, and one could make a fair claim that it seems more a hodge-podge of stitched together ideas than a seamless throughline. That is so, and yet since it is a hodge podge of almost entirely *good* ideas, it's harder to find fault with. Cleese stars as an ex-cop who is hired by a huge Rupert Murdoch-like conglomerate to run an English zoo that they have picked up in a mergers acquisition. Needless to say, the zoo has absolutely no inherent interest to the company, but they are willing to keep it going if it can return a profit at a certain rate. Cleese plans to do this is by appealing to people's bloodlust, and only keeping the most dangerous and fearsome of the animals (the "fierce creatures" of the title). Things change somewhat when Jamie Lee Curtis and Kevin Kline show up to take over Cleese's job (but keep him on as an employee). A brainstorm by Kline (playing a character every bit as hilariously slimy and petty as his counterpart in Wanda) introduces the notion of corporate sponsorship into the zoo-going experience. Eventually, all the employees are decked out in animal costumes (like mascots at a "Zoo Land" amusement park), and Kline has even begun the process of introducing animatronic creatures behind the bars. All the while, a budding romance between Cleese and Curtis is playing out behind the scenes, and the two eventually join forces to try and save the zoo from the clutches of the crass and evil conglomerate.
Any one of the comic scenarios the film-makers bring up would be worth exploring to the end. The fact that they cannot seem to keep one satirical conceit going for any stretch, and feel the need to overhaul the plot in a new direction every twenty minutes or so, definitely lessens the impact the movie could have had. And yet, for example: just because the writers beg off early on the "fierce creatures" idea doesn't make it any less hilarious - both as a concept and in execution. The scenes of the kindly zookeepers trying to sell their individual cute little animals as dangerous is one of the funniest scenes in the movie. But then, later, when that concept has been forgotten, and we instead see Kevin Kline leading around a group of potential financial backers, giving them his notions of how corporate sponsorship could work at the zoo . . . well, that's one of the funniest scenes too. What I'm saying is, though a strong focus is something the film lacks, it makes up for it by filling its running time with enough entertaining and well devised comic moments to make you feel like you got your money's worth.
The performances help. As in Fish Called Wanda, Jamie Lee Curtis is not particularly noteworthy as an actress OR a comedienne, but she gets by on her general sultriness and willingness to play cheerfully along. Most importantly, she keeps out of the way of the big boys and lets them do their stuff. As I mentioned, Cleese is a little moldier here than usual, but there's still no one who does high-strung fussiness better, and he holds down the screen nicely. As with Wanda, though, it's Kevin Kline who really steals the show - this time in a dual role, as the Murdoch-like head of the conglomerate and his stupid slimeball son who has big plans for the zoo (as well as getting into Curtis's pants). The sheer *energy* he throws out is infectious, and his ability to "play off" himself - in the scenes between father and son - is nothing short of superb. Blessedly, the dual role bit is revealed as more than just an actor's stunt by the way the movie is resolved: had Kline not been playing both roles, the movie could never end the way it does. That, too, was a nice touch.
Genial, breezy, good spirted - this is Fierce Creatures. Nothing in the masterpiece league but, especially if you've seen A Fish Called Wanda, it's a nice evening spent with old friends - with some new and well devised jokes thrown into the mix.
Directed by Robert Young (Splitting Heirs) and Fred Schepisi (Mr. Baseball, Roxanne, Six Digress of Separation) made an uneven but entertaining fitfully comedy that doesn't quite pays off as it should but it is Kline's comedic dual performance comes off best. The sexual tension between Clesse and Curtis is quite funny also. The film was originally filmed in 1995 by Young and then largely re-filmed by Schepisi. Then they edited Young's and Schepisi's version together into one film. Clesse, Curtis, Kline, Michael Palin, Maria Aitken and Cynthia Clesse. Which the six actors are in this film, also were together before in the instant classic comedy "A Fish Called Wanda". Panavision. (****/*****).
Le saviez-vous
- AnecdotesSir Michael Palin's gregarious character in this movie was intended to make up for his character in Un poisson nommé Wanda (1988), who had a severe stutter and could barely speak.
- GaffesWhen Vince says 'I am not a wuss' to Rod, John Cleese in the background also mouths the line.
- Citations
Vince: Told you I'd kick ass, Dad. What I really wanted to ask was, I, uh - I was wondering, could I get a raise?
Rod: Out of the question.
Vince: Why?
Rod: I don't have the money.
Vince: You got six billion dollars!
Rod: Seven, but things are tight right now. Who the hell's making all this bloody noise? Who's there?
[he opens the door and he sees no one]
Vince: Okay, look. Uh, what about a-a small advance on my inheritance?
Rod: What inheritance?
Vince: Well...
[nervous laugh]
Vince: I-I'm your son! You have to leave me something.
Rod: Why?
Vince: 'Cause you... you screwed up my whole childhood!
Rod: How could I have? I wasn't even there.
- Crédits fousNo animals were injured during the making of this movie, only humans.
- Versions alternativesTo receive a PG certificate for UK cinemas one cut was made to remove Rollo's use of 'fucking hell'. Video and DVD releases were uncut and the rating increased to a 12.
- ConnexionsFeatured in Des O'Connor Tonight: Épisode #20.6 (1997)
- Bandes originalesHungry Heart
Written and performed by Bruce Springsteen
Meilleurs choix
- How long is Fierce Creatures?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Fierce Creatures
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 381 260 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 759 480 $US
- 26 janv. 1997
- Montant brut mondial
- 9 381 260 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1