À couteaux tirés

The Edge is an original movie. There have been movies with stranded people, fighting for survival and movies with jealous lovers trying to kill the rich spouse, but how often has there been such an adventurous story combining them both? It seems Hopkins has befriended Bart the Bear with multiple appearances with the new star. The scenery in Alaska is magnificent. It's almost as if the viewer is there on the plane. I wonder if Charles Morse did start a new life.

Boy, here's an intense film, a survival-in-the-wilderness adventure/thriller starring the unlikely duo of Anthony Hopkins and Alec Baldwin. It's not hard to guess who's the villain, in addition to a man-eating bear who stalks the two of them after their plane crashes in the woods of Alaska.

The sophistication of Hopkins, playing an extremely smart man, battling the crude Baldwin, who is insanely jealous of Hopkins' possessions, including his gorgeous wife (Elle McPherson), is intriguing to watch. So is the great scenery and best-of-all, a great action story that has you focused intently for the full two hours.

A human characteristic so often ignored in films the past half century is put on display here: compassionate forgiveness. Seeing forgiveness demonstrated instead of revenge is almost shocking to see. Kudos to the filmmakers, too, for not going overboard on the brutality in this adventure.

I enjoyed this film the first time I saw it and purchased it solely for the Hopkins character. The more I watch it, the poorer The Edge seems overall, and the more impressed I am with Mr. Hopkin's character and his performance.

I do have to agree about the Lit. 101 symbolism. It struck me that Mamet probably saw the Indian paddle or some similar trinket and based the entire screenplay on the idea this gave him. I suppose that's OK, if rather conventional.

The film was shot about an hour away from where I lived at the time, so I'm biased in that regard. But it is an incredibly beautiful area in Alberta.

Though I hate it when people say this, I do like the Hopkin's character because I can identify with him in some ways. His ability to maintain his humanity throughout all of his trials, natural and relational, is inspiring, and in my view, well worth taking the time to watch. His performance carries this otherwise ho-hum movie.

I first saw this movie in 97 when it first came out.I had barely heard of Baldwin,Hopkins or Perrineau.It turned out to be one of those movies I sat on the "edge" of my seat and was stunned by the ending.I sat there,mouth agape.I found I had a deep respect for all three actors.This movie,in every discernible way,is a masterpiece.The cinematography is breathtaking.The musical score is one of the most beautiful themes I have ever heard.The plot is smooth and the acting superb.I had heard of Baldwin but had not thought he was a great actor until seeing The Edge.Hopkins has made some great movies but this one..well it my personal favorite.The subtleties are numerous,the suspense captivating and the message is profound.The bear is without a doubt frightening and primal.This movie evoked emotions in me that were also primal.And the ending? It is the best ending to any movie I have ever seen.Perhaps you might have to appreciate the complexities of human nature as well as the action sequences in The Edge to get the most out of the viewing experience.It truly is the best of both worlds.

This film was a revelation! When it was on general release in the cinema, I gave it a wide berth. I can't remember why, probably the combination of a weak title, Alec Baldwin in a starring role and a really unimaginative trailer. I've just seen it on a 14-inch TV screen and am so sorry I didn't catch it on the big screen (or even a 26-inch TV!).

David Mamet can write but he knows his place! This is an action adventure movie and so Mamet is not trying to make any great philosophical point. He does provide a wide variety of thematic ingredients (man V nature, youth V age, brains V brawn, machismo, infidelity) to ensure that the story line is far more interesting than most of Hollywood's action-movie schlock. And, of course, a furry killing machine that can smell a man from 10 miles and run through the forest at 30 mph!

Charles, (Anthony Hopkins' erudite billionaire character) starts out as the vulnerable, isolated character of the film. He's married to Mickey, his photo-model wife(Elle can act herself!) flirts quite openly with Bob the handsome, younger photographer (Baldwin). Charles seems set up for a fall. In his self-effacing way, he confesses to knowing a lot "in theory" but not being great at "practical application".

So when the plane crashes into an icy lake, Charles is the one for whom you most fear but that's when all the surprises start..........

The biggest disappointment for me is that a fine actor such as Harold Perrineau finds himself playing a role that is a classical Hollywood cliché, the nice black guy who gets killed. When are they going to cut this crap out? Either kill the guy in the crash or give him a character but don't just make him plot fodder. Seeing Stephen (Perrineau) with the other two on the lake shore, you just knew he would have all the longevity in this film as James Bond's first female conquest. As David Mamet doesn't share the writing credits with a studio committee or an executive producer, I suppose he has to take responsibility.

That said, this is a really gripping film. Well directed photographed and acted (even by Baldwin!). And the bear! How long do you have?

The shots where you (from Charles point of view) are staring down the roaring bear's throat and can see his uvula through an emerging cloud of steamy breath are just brilliant. I could almost smell that bear. I believe they made extensive use of prosthetics. Excellent FX!