Un milliardaire et deux autres hommes s'unissent pour survivre ensemble après que leur avion s'écrase aux confins de l'Alaska et qu'un ours assoiffé de sang se lance à leurs trousses.Un milliardaire et deux autres hommes s'unissent pour survivre ensemble après que leur avion s'écrase aux confins de l'Alaska et qu'un ours assoiffé de sang se lance à leurs trousses.Un milliardaire et deux autres hommes s'unissent pour survivre ensemble après que leur avion s'écrase aux confins de l'Alaska et qu'un ours assoiffé de sang se lance à leurs trousses.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Gary A. Hecker
- Bear Vocals
- (non crédité)
Avis à la une
The Edge is a powerful motion picture that satisfies in every way. First of all, it delivers as an action/adventure film (which is what it is) by giving the audience some heart stopping sequences, and it never slows down. The Edge also delivers as a dramatic film, with an ending that is painfully sad, yet satisfying. This is one fine movie, and the performances by Hopkins (one of my favorite actors today) and Baldwin are superb. They portray their characters with an honesty, and with a realistic nature that only great actors can accomplish. As the plot twists and the pace picks up, you start to become so involved that you forget time is passing by. I strongly suggest this one to action lovers and to anyone who enjoys a good story.
I enjoyed this film the first time I saw it and purchased it solely for the Hopkins character. The more I watch it, the poorer The Edge seems overall, and the more impressed I am with Mr. Hopkin's character and his performance.
I do have to agree about the Lit. 101 symbolism. It struck me that Mamet probably saw the Indian paddle or some similar trinket and based the entire screenplay on the idea this gave him. I suppose that's OK, if rather conventional.
The film was shot about an hour away from where I lived at the time, so I'm biased in that regard. But it is an incredibly beautiful area in Alberta.
Though I hate it when people say this, I do like the Hopkin's character because I can identify with him in some ways. His ability to maintain his humanity throughout all of his trials, natural and relational, is inspiring, and in my view, well worth taking the time to watch. His performance carries this otherwise ho-hum movie.
I do have to agree about the Lit. 101 symbolism. It struck me that Mamet probably saw the Indian paddle or some similar trinket and based the entire screenplay on the idea this gave him. I suppose that's OK, if rather conventional.
The film was shot about an hour away from where I lived at the time, so I'm biased in that regard. But it is an incredibly beautiful area in Alberta.
Though I hate it when people say this, I do like the Hopkin's character because I can identify with him in some ways. His ability to maintain his humanity throughout all of his trials, natural and relational, is inspiring, and in my view, well worth taking the time to watch. His performance carries this otherwise ho-hum movie.
A billionaire, his younger "supermodel" wife, and her photography crew travel by plane to the north wilderness for a photo shoot.
While Charles (the billionaire), Stephen (the photographer), and his assistant are out scouting for new shooting locations in the plane, the run into a flock of birds and crash in vast wilderness more than dozens of miles away from the rest of the party (right in the middle of bear country). Can they survive in the wilderness long enough to get rescued, or will the have to fight what the wilderness has in store for them?
This is a great, edge of your seat thriller from the late 90s. I'd give it a 7.2 rating.
While Charles (the billionaire), Stephen (the photographer), and his assistant are out scouting for new shooting locations in the plane, the run into a flock of birds and crash in vast wilderness more than dozens of miles away from the rest of the party (right in the middle of bear country). Can they survive in the wilderness long enough to get rescued, or will the have to fight what the wilderness has in store for them?
This is a great, edge of your seat thriller from the late 90s. I'd give it a 7.2 rating.
I vaguely remembered The Edge from a trailer on an old VHS from when i was a kid and it would pop in to my brain from time to time over the years as "That Anthony Hopkins bear movie" but i never actually watched it.
I just picked it up today on DVD and i really enjoyed it.
It's well acted, has satisfying plot twists and the scenery is beautiful to look at. It starts off a little slow but once the pace picked up i was on the edge of my seat during the scenes where the characters have to fight for their lives against a massive man eating bear and it looks great as a real trained bear was used in the scenes.
Another thing i liked was the story and action felt more grounded and based in reality, it was exciting but no one did anything which regular humans wouldn't be able to do and it made it seem more realistic and convincing.
Highly recommended if you're looking for some old overlooked movies or something a little different, it's a good time.
The Edge is an original movie. There have been movies with stranded people, fighting for survival and movies with jealous lovers trying to kill the rich spouse, but how often has there been such an adventurous story combining them both? It seems Hopkins has befriended Bart the Bear with multiple appearances with the new star. The scenery in Alaska is magnificent. It's almost as if the viewer is there on the plane. I wonder if Charles Morse did start a new life.
Le saviez-vous
- AnecdotesSir Anthony Hopkins had a brush with death during filming in Alberta. He was taking painkillers for a neck problem. He fell in a river, and didn't feel how cold he was becoming until he began to suffer from hypothermia. He had to be rushed to the hospital to be treated.
- GaffesWhen discussing Kodiak bears, Styles says that they are highly aggressive, readily attacking and killing people without provocation. In fact, Kodiak bears are very shy, and when they encounter human beings, they typically withdraw. (Attacks do occur, but they are quite rare and almost never fatal.)
- Crédits fousJust before the end credits start rolling, a caption appears on the screen: "Twentieth Century Fox and the producer wish to thank Bart the Bear and his trainer Doug Seus, for their contribution to this film."
- Bandes originalesHappy Birthday
Written by Mildred J. Hill and Patty S. Hill
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 873 386 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 733 445 $US
- 28 sept. 1997
- Montant brut mondial
- 43 312 294 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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