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La courtisane

Titre original : Dangerous Beauty
  • 1998
  • Tous publics
  • 1h 51min
NOTE IMDb
7,1/10
20 k
MA NOTE
Catherine McCormack in La courtisane (1998)
Home Video Trailer from Warner Home Video
Lire trailer0:31
1 Video
87 photos
BiographieDrameRomanceDrames historiquesRomance torride

Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.

  • Réalisation
    • Marshall Herskovitz
  • Scénario
    • Margaret Rosenthal
    • Jeannine Dominy
  • Casting principal
    • Catherine McCormack
    • Rufus Sewell
    • Oliver Platt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    20 k
    MA NOTE
    • Réalisation
      • Marshall Herskovitz
    • Scénario
      • Margaret Rosenthal
      • Jeannine Dominy
    • Casting principal
      • Catherine McCormack
      • Rufus Sewell
      • Oliver Platt
    • 141avis d'utilisateurs
    • 33avis des critiques
    • 51Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Dangerous Beauty
    Trailer 0:31
    Dangerous Beauty

    Photos87

    Voir l'affiche
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    Voir l'affiche
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    + 79
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    Rôles principaux58

    Modifier
    Catherine McCormack
    Catherine McCormack
    • Veronica Franco
    Rufus Sewell
    Rufus Sewell
    • Marco Venier
    Oliver Platt
    Oliver Platt
    • Maffio Venier
    Fred Ward
    Fred Ward
    • Domenico Venier
    Naomi Watts
    Naomi Watts
    • Giulia De Lezze
    Moira Kelly
    Moira Kelly
    • Beatrice Venier
    Jacqueline Bisset
    Jacqueline Bisset
    • Paola Franco
    Jeroen Krabbé
    Jeroen Krabbé
    • Pietro Venier
    Joanna Cassidy
    Joanna Cassidy
    • Laura Venier
    Melina Kanakaredes
    Melina Kanakaredes
    • Livia
    Daniel Lapaine
    Daniel Lapaine
    • Serafino Franco
    Justine Miceli
    Justine Miceli
    • Elena Franco
    Jake Weber
    Jake Weber
    • King Henry
    Simon Dutton
    Simon Dutton
    • Minister Ramberti
    Grant Russell
    Grant Russell
    • Francesco Martenengo
    Peter Eyre
    Peter Eyre
    • The Doge
    Carla Cassola
    • Caterina
    Gianni Musy
    • Joseph
    • Réalisation
      • Marshall Herskovitz
    • Scénario
      • Margaret Rosenthal
      • Jeannine Dominy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs141

    7,120.3K
    1
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    7
    8
    9
    10

    Avis à la une

    10Firstclassblonde

    One of the best and most passionate movies ever made

    This particular movie was lost in the shuffle somewhere but I am certainly glad I found it. Catherine McCormack (Braveheart) portrays an innocent girl, that loses in love so decides to do what she has to do just to have him any way possible. It's a very backwards Cinderella. A good girl that falls in love with a "prince" (he's from a family with a title and she's not) but will true love prevail? Rufus Sewell is to die for, the sexiest and most talented actor to come our way in years. The rest of the fine cast Oliver Platt, Moira Kelly, Naomi Watts, Fred Ward and Jacqueline Bisset are very convincing in their portrayals of these period characters. I have had every single one of my friends watch it and they all have enjoyed it as much as I have. The music is fantastic and we even get a short history lesson. With this sensational cast, the storyline that is based on actual poetry books from a Courtisan, it really is my favorite historical romance of all time. Take the time to find this rare gem and see it as soon as possible.
    8DonB-5

    Superb

    I saw this when it first came out and I just saw it again on video. Superb movie. I adore Venice and feel I got a real taste of what it must have been like in the 16th century. Great photography and costumes. Beautiful actors. Comedy. Romance. Based on a true story. Shows some of the ugliness of the zealot church of the time. A must see and one of the year's best. Where were the critics on this one? Played to empty theaters mostly. What a shame.
    6orcagurl

    Entertaining, but bad

    Yes, an entertaining film, yes beautiful on a cinematic aspect, but all in all, a silly period piece, and considering the subject matter, it would have done better if held with more sensitivity than sentimentality.

    It's not a smart period piece, let's start with that. The 'jovial' verbal sparring that goes on between Veronica and Platt's character is trite, and with clumsy innuendos. The sexual fascinations the men of Venice have with Veronica comes off as somewhat artificial, and Veronica herself, doesn't seem like such a dangerous beauty. The emphasis for power and intelligence in courtesans is quite clear in the film, but apart from showing her reading a couple of books, this doesn't come across. The exchange between Veronica and King Henry was set up to be challenging, and interesting, and then too easily resolved. The conclusion between Marco and Veronica's characters ripped right out of a Harlequin romance, and not given any sort of punch to make it favorable. I was hoping that Veronica would truly be strong, and assert herself as a powerful woman, but her weaknesses and what she gave into demeans this. And Paola, her mother, was quite shocking and somewhat incredulous. The film tries to explain her motives for pushing Veronica to become a courtesan, but the training session sequence still leaves an uneasy feeling about her.

    I sound quite unforgiving towards the film, so here I admit there were some good moments. Veronica explaining the not so glamorous part of a courtesan's life. The court scene (though the conclusion was still a mite too easy) held some power the rest of the film should have. Veronica's interactions with Domenic. And the Minister Rimbarti was a very sympathetic character and he stood out in the scenes he was in.

    So all in all, it's okay to watch, but if you're expecting something that actually has meaning look somewhere else.
    nz man

    Brilliant - Bravo! Last 10 minutes is superb.

    Four of us (aged 40 - 50) saw this on video and thoroughly enjoyed it. The speeches at the end provide us with the finest acting and script that is available.

    The film is a bit slow in the beginning, but don't give up because this is one incredible piece of dramatic art.
    7=G=

    I am woman, hear me roar!

    In 16th century Venice, a beautiful woman who cannot marry the man she loves for want of station or dowry becomes a successful courtesan and wields her power in favor of goodness against war, plague, and those always pesky inquisitors. A light comedy-drama to be adored by dreamers and condemned by realists, "Dangerous Beauty" is a wholly enjoyable little tale of the downtrodden surmounting the powerful, love conquering all, goodness winning over righteousness, and all those other things people go to movies to enjoy. A fun rainy night video rental for those into period flicks. (B+)

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Veronica Franco depicted in the film was a real person. She was born in 1546 and died in 1591, at the age of forty-five. She was the most famous courtesan in Italy, but she was also famous for her satire and for her poetry.
    • Gaffes
      The books shown in the movie are printed on paper that is too thin and too white for 16th century. Also, the typeface is too small. Until 1843 paper was made exclusively from rags and this resulted in paper having large fibers and rough surface. Printing ink smeared on the fibers and so printers had to use large typefaces (equivalent to modern 16-18 points at least). White color of paper required and still requires copious use of sulfuric acid that was not available before industrial revolution too. It was not until late 19th century then modern quality paper, such as the one shown in the movie, was developed.
    • Citations

      Veronica Franco: I confess that as a young girl I loved a man who would not marry me for want of a dowry. I confess I had a mother who taught me a different way of life, one I resisted at first but learned to embrace. I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one... I confess I embraced a whore's freedom over a wife's obedience... I confess I find more ecstacy in passion than in prayer. Such passion is prayer. I confess - I confess I pray still to feel the touch of my lover's lips, his hands upon me, his arms enfolding me... . Such surrender has been mine. I confess I hunger still to be filled and enflamed. To melt into the dream of us, beyond this troubled place, to where we are not even ourselves. To know that always, always, this is mine... If this had not been mine - if I had lived any other way - a child to her husband's whim, my soul hardened from lack of touch and lack of love. I confess such endless days and nights would be a punishment far greater than you could ever mete out... You, all of you, you who hunger so for what I give but cannot bear to see that kind of power in a woman. You call God's greatest gift: our selves, our yearning, our need to love - you call it filth and sin and heresy... I repent there was no other way open to me. I do not repent my life.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Palmetto/Senseless/Dangerous Beauty/Mrs. Dalloway/Nil by Mouth/Live Flesh (1998)
    • Bandes originales
      Ungaresca e saltarello
      in "Artificio Scientia La Selena"

      Composed by Giorgio Mainiero

      Per S. Naria Della Pace

    Meilleurs choix

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    FAQ19

    • How long is Dangerous Beauty?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 juin 1999 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Amor prohibido
    • Lieux de tournage
      • Rome, Lazio, Italie
    • Sociétés de production
      • New Regency Productions
      • Arnon Milchan Productions
      • The Bedford Falls Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 4 553 271 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 105 989 $US
      • 22 févr. 1998
    • Montant brut mondial
      • 4 553 271 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 51min(111 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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