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Contact

  • 1997
  • Tous publics
  • 2h 30min
NOTE IMDb
7,5/10
305 k
MA NOTE
POPULARITÉ
1 378
61
Jodie Foster and Matthew McConaughey in Contact (1997)
Blu-Ray trailer for this science fiction film starring Jodie Foster
Lire trailer0:32
3 Videos
99+ photos
DrameMystèreScience-fictionThrillerDrame psychologiqueDrame sur le lieu de travailÉpopée de science-fictionScience fiction spatialeThriller psychologiqueTragédie

Le docteur Ellie Arroway, après des années de recherche, trouve des preuves radio concluantes de l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine... Tout lireLe docteur Ellie Arroway, après des années de recherche, trouve des preuves radio concluantes de l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine.Le docteur Ellie Arroway, après des années de recherche, trouve des preuves radio concluantes de l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine.

  • Réalisation
    • Robert Zemeckis
  • Scénario
    • James V. Hart
    • Michael Goldenberg
    • Carl Sagan
  • Casting principal
    • Jodie Foster
    • Matthew McConaughey
    • Tom Skerritt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    305 k
    MA NOTE
    POPULARITÉ
    1 378
    61
    • Réalisation
      • Robert Zemeckis
    • Scénario
      • James V. Hart
      • Michael Goldenberg
      • Carl Sagan
    • Casting principal
      • Jodie Foster
      • Matthew McConaughey
      • Tom Skerritt
    • 827avis d'utilisateurs
    • 90avis des critiques
    • 62Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 14 victoires et 32 nominations au total

    Vidéos3

    Contact
    Trailer 0:32
    Contact
    Contact
    Trailer 0:31
    Contact
    Contact
    Trailer 0:31
    Contact
    5 Unforgettable Jodie Foster Performances to Watch
    Clip 1:01
    5 Unforgettable Jodie Foster Performances to Watch

    Photos129

    Voir l'affiche
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    + 124
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Jodie Foster
    Jodie Foster
    • Ellie Arroway
    Matthew McConaughey
    Matthew McConaughey
    • Palmer Joss
    Tom Skerritt
    Tom Skerritt
    • David Drumlin
    John Hurt
    John Hurt
    • S.R. Hadden
    Jena Malone
    Jena Malone
    • Young Ellie
    David Morse
    David Morse
    • Ted Arroway
    Geoffrey Blake
    Geoffrey Blake
    • Fisher
    William Fichtner
    William Fichtner
    • Kent
    SaMi Chester
    • Vernon
    Timothy McNeil
    Timothy McNeil
    • Davio
    Laura Elena Surillo
    • Cantina Woman
    Henry Strozier
    Henry Strozier
    • Minister
    Max Martini
    Max Martini
    • Willie
    • (as Maximilian Martini)
    Larry King
    Larry King
    • Larry King
    Thomas Garner
    • Ian Broderick
    Conroy Chino
    • KOB-TV Reporter
    Dan Gifford
    • Jeremy Roth
    James Woods
    James Woods
    • Michael Kitz
    • Réalisation
      • Robert Zemeckis
    • Scénario
      • James V. Hart
      • Michael Goldenberg
      • Carl Sagan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs827

    7,5305.3K
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    Avis à la une

    10abettertomorrow

    "For Carl"

    Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.

    The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.

    A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
    10IndridC0ld

    Ms. Foster's finest work, and the most thoughtful, scientifically accurate film since Kubrick's 2001

    In my 61 years, I have seen many science fiction films. Few have exceeded my expectations as this film did. I remember seeing it in a theater (something I rarely trouble myself with these days), and finding myself at times gripping the armrests in excitement. This film builds like great stories should. However, even the best stories can collapse under the weight of a bad script, poor acting, or shoddy editing. I'm happy to say that none of these issues plagued this film. Ms. Foster delivers an extremely powerful performance and is a wonderful role model for women in science. All of the other actors also deliver memorable performances, but make no mistake, it is Ms. Foster's polished performance you will be thinking about when this film ends.

    Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.
    8Aaron_Al

    WOW!!!! There is Intelligence in Hollywood!

    My only regret about CONTACT is that I didn't see it in a theater.

    This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)

    Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!

    I rate CONTACT a STRONG 8 out of 10.
    9omegacentauri21

    A movie for the future generations

    The 90's movies have a certain charm you can not replicate. It makes you belive in better things, makes you want to be better. I liket this movie because it focused on mankind, and not just America. Do not take me wrong. I dont have any problem with America, but there are a lot of things you have to consider besides that nation. I liked the how it made me think about the everlasting parallel between belief and technology. It gives you the right to choose, what you want to belive in. That is a very nice thing nowadays.
    9bkoganbing

    An Awful Waste Of Space

    Although Jodie Foster has won two Oscars in her career I think her best work was done in Contact, a film where the only recognition it received was a nomination for Best Sound. She also never did a more serious film about a more serious topic. Are we in fact the only life there is in this vast universe and how do we find out.

    As a scientist, something she wanted to be all her life, Foster is determined to get answers in the best way she knows, build the biggest radio telescope there is and throw out a few signals. Someone out in the great beyond will answer. Foster gets an answer.

    What I love about Contact is that the gamut of human reactions to the possibility of life is dealt with in this film. It ranges from the multi-billionaire who wants his own life extended John Hurt, the geopolitician who is interested in power James Woods, the sincerely religious men of faith who want to see how God fits into the scheme of things Matthew McConaughey, and even the religious terrorist who fears that a mountain of man made dogma that he's based his life on will be washed away Jake Busey. Busey's part is extremely relevant, we have way too many of those in the world and strategically placed they can cause catastrophe.

    Foster gets a blueprint for a space time travel machine, warp drive the likes of which James T. Kirk only wished he had. It goes horribly wrong the first time, Foster takes it herself for a second try.

    Mention should also go to David Morse who plays Foster's father, first in scenes with young Jena Malone who was a science prodigy as a kid and later Foster during her 'journey' gets to talk to Morse again. Was it real or a hallucination. His scenes are the highlight of the film for me.

    Contact takes no sides in the end, it simply takes the position that in terms of the universe humankind is taking baby steps. If we are really the only life in the universe it seems like an awful waste of space.

    The special effects are fine, the sound was considered Academy worthy. So much more of Contact is, most especially the performances of Jodie Foster and her supporting cast.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Author and producer Carl Sagan died during production. He was reportedly taking great care to ensure that science was accurately depicted in this movie.
    • Gaffes
      Walkie-talkies and cell phones are not allowed near a radio telescope array. They would overpower the array, making it useless.
    • Citations

      Alien: You're an interesting species. An interesting mix. You're capable of such beautiful dreams, and such horrible nightmares. You feel so lost, so cut off, so alone, only you're not. See, in all our searching, the only thing we've found that makes the emptiness bearable, is each other.

    • Crédits fous
      "For Carl"
    • Connexions
      Edited into Zaum - Andare a parare: Lo spazio dell'orbita (2011)
    • Bandes originales
      Who Needs Wings to Fly
      Written by Dominic Frontiere and Sid Wayne

    Meilleurs choix

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    FAQ25

    • How long is Contact?Alimenté par Alexa
    • What is 'Contact' about?
    • Is 'Contact' based on a book?
    • Where is Vega?

    Détails

    Modifier
    • Date de sortie
      • 17 septembre 1997 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Warner Bros. (United States)
    • Langues
      • Anglais
      • Espagnol
      • Allemand
      • Russe
    • Aussi connu sous le nom de
      • Contacto
    • Lieux de tournage
      • Arecibo Observatory, Arecibo, Porto Rico(large radio telescope)
    • Sociétés de production
      • Warner Bros.
      • South Side Amusement Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 90 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 100 920 329 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 20 584 908 $US
      • 13 juil. 1997
    • Montant brut mondial
      • 171 120 329 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 30min(150 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.39 : 1

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