NOTE IMDb
8,0/10
58 k
MA NOTE
Un petit malfrat est dépassé par les événements lorsqu'il tente de payer ses dettes en mariant son fils à la soeur d'un gangster gênant.Un petit malfrat est dépassé par les événements lorsqu'il tente de payer ses dettes en mariant son fils à la soeur d'un gangster gênant.Un petit malfrat est dépassé par les événements lorsqu'il tente de payer ses dettes en mariant son fils à la soeur d'un gangster gênant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 5 nominations au total
Srdjan 'Zika' Todorovic
- Dadan Karambolo
- (as Srdan Todorovic)
Predrag Lakovic
- Priest
- (as Predrag-Pepi Lakovic)
Predrag 'Miki' Manojlovic
- Priest
- (as Predrag-Miki Manojlovic)
Avis à la une
Emir Kusturica's films all pulsate wildly to the wonderful sounds of authentic gypsy music. Guitars, fiddles, accordians and all manor of horns are as much a part of their lives as eating and sleeping.
Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.
"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.
But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.
Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.
"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.
But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.
A return welcome for Emir Kusturica. His BLACK CAT, WHITE CAT is light entertainment, fun and uplifting. It's great to see all the "old Gypsies" back. They haven't aged much in 12 years. Maybe TIME OF THE GYPSIES, the English title of his darker classic on the subject, meant that the gypsies, and Kusturica's in particular, are TIME-less. Vibrant, and colorful, this master director's latest masterpiece turns cliche' into new fresh entertainment.
10GK-12
This is an extremely quirky film, riddled with crazy caricatures of East European mafiosi and small time crooks. It sports some of the most imaginative characters I have ever seen on a screen (a woman who pulls nails with her buttocks?) and some of the most bizarre scenes.And yet the film is beautifully balanced, never falling into outright lunacy or losing the plot.
The scenes are at times almost nostalgic, a throwback to some simpler time when you could just have fun, no holds barred. And that is exactly what this film does for me - I have not had as much fun in ages. You will leave the theater with a feel-good factor 10 and thank out loud the people who created this gem.
Kusturica is a phenomenon.
The scenes are at times almost nostalgic, a throwback to some simpler time when you could just have fun, no holds barred. And that is exactly what this film does for me - I have not had as much fun in ages. You will leave the theater with a feel-good factor 10 and thank out loud the people who created this gem.
Kusturica is a phenomenon.
Few films just simply fascinate me. As an American Boomer, I am admittedly spoiled and quite jaded, when it comes to movies. This film tantalized me and enthralled me. I felt like a kid at a carnival. The rich cinematography was palpable. The beauty of the chaotic and very non-Pasteurized world of these kooky gypsies and country folk was unexpectedly stunning. And it was so funny! Just plain old funny! The acting was superb. I recognized some favorite character actors from other films I have seen from Yugoslavia. (Look for the Nail Lady). The only glitch for me was an occasional sense that the subtitles could not convey the full impact of the obviously earthy and colloquial dialogue. The film seems to proudly carry on the zany comedy tradition of Europe in the sixties, such as the Pink Panther series and the Czech "Firemen's Ball". I regret I did not see this in a theater with the howling audience it deserves.
"Underground" may still be the most monumental and brilliant work from Kusturica, yet this movie is just so damn feel-good and enjoyable that the man earns my highest praises yet again. Being a sort of comedic parallel to "Time of the Gypsies," old ways clash with the new in this hilarious comedy about Gypsies living on the bank of Danube river. Gangsters, dirty deals, weddings, eccentric characters, great music (played by the orchestra from "Underground"), delicious Eastern European atmosphere - "Black cat, white cat" has it all. I love it. Kusturica is a master of his craft. I tink, dis is de begining of a beautiful frendship...
Le saviez-vous
- AnecdotesIn the scene where mob boss Dadan (played by Srdjan 'Zika' Todorovic) talks about his father spinning in his grave, the picture on the wall is of his real life father Bora Todorovic, who played a mob boss in Emir Kusturica's Le temps des gitans (1988).
- GaffesWhen Zare escapes from Dadan on the ladder, Dadan catches him by the right ear. In the next shot he is holding Zare's left ear.
- Citations
Matko Destanov: The Bulgarians always say: "Brother, if you can't solve a problem with money... solve it with a lot of money."
- Crédits fousIn the opening credits, the name of the movie isn't spelled out; a picture of a black cat and a white cat is shown instead.
- ConnexionsFeatured in Le cauchemar de Darwin (2004)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Black Cat, White Cat?Alimenté par Alexa
- Where can i watch this movie free?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Black Cat, White Cat
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 351 447 $US
- Montant brut mondial
- 370 787 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Chat noir, chat blanc (1998) officially released in India in English?
Répondre