NOTE IMDb
6,7/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueA lazy postman puts his nose where it doesn't belong.A lazy postman puts his nose where it doesn't belong.A lazy postman puts his nose where it doesn't belong.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 victoires et 3 nominations au total
Ådne Sekkelsten
- Per
- (as Ådne Olav Sekkelsten)
Trond Fausa
- Espen
- (as Trond Fausa Aurvaag)
Geir-Atle Johnsen
- Junkie 1
- (as Geir Johnsen)
Avis à la une
This has got to be one of the most miserable films that I have ever had the fortune to see. Although miserable, there is an abundance of humour contained within. I watched the film a couple of years back after it had been standing on my shelf for a year or so before that, it had me depressed and laughing and then depressed again throughout its hour and a half running time.
Anyone who enjoys low budget, gritty realism type films should make the effort to see this. It's about an Oslo postman who is a little bit too nosey for his own good. His prying about other people lives leads him to trouble of the kind not generally associated with the postal service. I'm not going to tell you everything about the movie because, to be honest, there isn't much to tell. Just go and see it for yourself. In the UK it is available on Tartan Video under the heading 'Junkmail'. If you are lucky enough (and patient enough to watch a Norwegian language film) then you will have stumbled upon one of the greatest dark comedies you're ever likely to see. Norway's greatest gift to an audience which is becoming more and more receptive of non-English language film.
Anyone who enjoys low budget, gritty realism type films should make the effort to see this. It's about an Oslo postman who is a little bit too nosey for his own good. His prying about other people lives leads him to trouble of the kind not generally associated with the postal service. I'm not going to tell you everything about the movie because, to be honest, there isn't much to tell. Just go and see it for yourself. In the UK it is available on Tartan Video under the heading 'Junkmail'. If you are lucky enough (and patient enough to watch a Norwegian language film) then you will have stumbled upon one of the greatest dark comedies you're ever likely to see. Norway's greatest gift to an audience which is becoming more and more receptive of non-English language film.
i'm glad there are a lot of other commentaries this frees me from telling too much about the story. it is about a postman who read the letters he's supposed to deliver and eventually even throws them away. suddenly he finds himself in the middle of a absurd and even a little dangerous story. but in my opinion just needs this story to talk about the relations between people. and what makes this movie so special is the fact that it actually not just shows pictures and sequences you've seen a hundred-times before.
it really has, i can't put it differently, respect for its personal.
this means that the persons keep their own personality for the whole absurd-tragic story of the movie.
it really has, i can't put it differently, respect for its personal.
this means that the persons keep their own personality for the whole absurd-tragic story of the movie.
61001
Junk Mail is a Norweigan movie, and it is as black a comedy as I've seen. But the makers of the movie have stumbled onto a comedic truth that never fails: take an aberrant character trait, and take it to the absolute limit. The lead character is a mailman of monstrously incompetent proportions, a creepy, irredemiably snoopy individual who can't even get mugged right; he would gladly have handed over his mailbag, but he couldn't get it off his shoulder. In the process of sneaking around a deaf girl's apartment whom he fancies, he saves her life after she tries to commit suicide. For this guy, this uncharacteristically unselfish act sets off a disastrous chain of events. This weird movie will NOT work for you if you don't think it's funny. And this movie will only be funny for you to the degree that you're cynical and capricious in your affections. People of good heart, stay away.
A twisty-turny narrative that ultimately leads nowhere, avoiding both exposition and explanation at the end of the day. Like a Nordic Coen Brothers film, this is more concerned with portraying quirky characters and odd scenarios, but despite some nifty camerawork, it is a rather ugly film, revelling in its depressingly squalid milieu without making any real point at the end of the day. The anti-hero remains a complete enigma throughout, but funnily enough, despite my reservations at the beginning, it was rather hard not to be won over at the end of the day. There were some marvellously taut action and suspense sequences, and some hilariously humourous scenes. Rather similar to most Scandinavian films I've seen actually. Dark grey and depressing, but blackly comic.
I was hooked when I sat down (only meaning to sit down for 5 mins), on the TV this girl lamely resorting to saying 'walking' when asked what one of her co-workers is good at. In the film, the main character, a man in his late thirties, not faring too well in life who's just waiting for something to happen, runs into the same woman several times and starts to take an interest in her. When he sees her leave a key in her mailbox while on the job he can't resist; this was the first in many instances that left me saying "what the hell is this guy doing?". Not only does he check out her apartment but he gets the key copied, and even gets trapped there on a return visit, resorting to hiding under the bed when the woman unexpectedly arrives. Like the other reviewers were saying, this film does make Oslo look a bit shabby (not that I've been there). It's is worth watching, just to see what this guy gets up to and it's a memorable viewing experience.
Le saviez-vous
- AnecdotesNorwegian official selection for the 1998's Oscar in the Best Foreign Film category.
- Citations
Line Groberg: Why are you following me?
Roy Amundsen: I don't know.
Line Groberg: Are you going to follow me for a long time?
Roy Amundsen: I think so.
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Détails
Box-office
- Budget
- 2 100 000 $US (estimé)
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