Breaking Up

I'm conflicted about this film.

The two leads have zero chemistry together, which gives their messed-up relationship no credence whatsoever. In real life these two would have never gotten together in the first place. Someone decided two "on their way up" stars should make a movie, and it wasn't a great decision. They do their best, but it fails to carry the movie.

I liked the script though. Sometimes relationships aren't a clean breakup where people just decide that they want to be out. There's indecision, better the devil you know, maybe it's not so bad after all, the uneasy feelings of breaking it off permanently. This film encapsulates all of that. It does feel a bit repetitive for all the breaking up and getting back together, but it's perfectly captured.

Hated the direction! Inexplicable moves from colour to black-and-white, weird camera angles, lighting changes, jumping from one shot to the next. I suppose it was meant to feel jarring and analogous to the relationship being portrayed, but it was super annoying and discombobulating for the viewer. Ultimately this is the thing that made me give this film such a low rating. It felt like the director was trying to be edgy (in a very 90s way) but it did not work at all.

Not a great movie. I wished I liked it a lot more, but unfortunately the pieces just don't fit.

What was the point of making this movie. I can't think of one. The movie stars two big name actors but all that happens is they break up get together break up get together.... We get some silly scenes such as Steve in the tub picturing Monica with a guy at the gym. It was obvious the two didn't belong together, so why should the audience care if they break up. That was part of the problem with it besides it just being a stupid idea for a movie.

FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.

The first time I rented this movie, it seemed a bit annoying because of all the arguing, etc., but it entertained me enough to give it a second look and I ended up buying it. It speaks to the need in all human beings to love and be loved and all those weird things we say and do to somehow keep it from happening to us. I felt like I was in the front row of an off-broadway play and admired the characters so much for having to learn all that dialogue and have no other actors to share the load. My favorite scene is the middle of the night at Monica's place when Steve is quietly trying to leave and the ensuing conversation they have. The very last scene was open to the viewer's own feeling - we know they were each other's one true love but we had to decide what their future held (Personally, I think they ran in to each other in New York - in a taxi - after their children had grown and their first marriages were over and lived happily ever after - unmarried, of course!) Great acting by Salma Hayak and Russell Crowe.

A few technical flaws along the way, but all in all the way the music played with the scenes, a good dose of humor, and the realistic love scenes pretty much rounded out the on again/off again true love relationship Monica & Steve aspired to. *** out of ****

This is not a mainstream movie. This is the film of a play. And its excellent. I rented it because of the cast. I couldn't turn it off because of their truly awesome performances.

Monica is in love with Steve. Steve is in love with Monica. The only problem is, they don't know why. They don't know what questions to ask, of themselves or each other. They struggle with expressing what they believe is honesty. They wound one another raging against unmet expectations they've never admitted, thinking that such admissions would be contrary to their love. They're both too young to handle the intensity of their emotions, to understand what's happening.

This film is billed as a comedy. As a comedy, it fails miserably. Watch it instead as a tragedy, and you'll fall in love with it.

I have always thought that we should fall in love with people for their dreams, and for their efforts to fulfill those dreams--not for their accomplishments. Love a man because he's a brilliant actor and aspires to greatness--not because he can take you to the Oscars when he's nominated for Best Actor.

That philosophy informs my opinion of this movie. It sets out many lofty goals for itself. It wants to demonstrate and lay out for examination the entire plight of heterosexual love/lust. It wants two actors to carry an entire movie virtually by themselves, playing against each other, giving the film a stifled, claustrophobic feeling--where the viewer feels just like Steve and Monica. You love the movie, but you feel breathless and spent, like you've given too much. It wants to tell a story using live on-the-street interviews, black-and-white still photography, slow-mo vignettes, traditional Hollywood-styled cinematography, and a split-screen interview of Steve and Monica post-relationship. It wants to use music and sound to resonate with the storyline. My favorite ten minutes of the film center around the "carrot scene," where Steve criticizes Monica for putting carrots in the pasta. The action stops and moves to b&w stills, with the sounds of their argument carrying over. This technique highlights the alienation that Steve and Monica feel from themselves and their own relationship. Even in the most heated, passionate argument, it's as if they're just going through the motions.

Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. For instance, it doesn't really pull off its attempt at using Freud, Einstein, and Marx to lend some credence to its own conclusions (or inconclusions) about love. Some people say they never do become very attached to Steve and Monica--indeed, as people, the characters kind of suck. I would not want either one of them for a friend. That does not mean that they do not deserve to be loved, however--they very much deserve each other, that much is clear. So, I bawl like a baby every time I watch this. (I've seen it about 6 or so times). And I love this movie for the greatness it strives toward. I would rather watch a film that fails at its grand project than a little movie that has low expectations and meets them. Big whoop, right? More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. Salma's fiery spirit is quite a cinematic match for Russell's own undercurrent of simmering violence (even if Steve is a bit whimpy for my tastes). I love this film. Technically, there is so much going on--the director had so many great ideas, so many dreams, and you see them right there, in the movie. I can't think of another Hollywood movie with such a major confluence of established styles and innovative techniques. Brilliant.

Buy this film. It is absolutely worth it, and fans of Russell and/or Salma should know that there are some beautifully-shot, utterly sensuous and compelling love scenes in this film. Those two have *chemistry*.