Un homme cherche sa femme disparue après que sa voiture soit tombée en panne au milieu du désert.Un homme cherche sa femme disparue après que sa voiture soit tombée en panne au milieu du désert.Un homme cherche sa femme disparue après que sa voiture soit tombée en panne au milieu du désert.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Moira Sinise
- Arleen
- (as Moira Harris)
Alitzah
- Spanish Girl
- (non crédité)
Avis à la une
Kurt Russell is excellent in this taunt, thrilling, non-stop action film. Russell plays Jeff, a husband who has to get his wife back after she's abducted by a trucker after their jeep breaks down and she accepts a ride from him. Every actor is almost pitch perfect for the parts they play and the movie was very enjoyable. J.T. Walsh is suitably menacing as Red,in my mind, but this IS Kurt's movie through and through. Mr. Russell has to be one of my favorite actors working today. And this film has to be one of the best 'Chase for family member' type movie in the last decade..HIGHLY recommended
My Grade: A
Where I saw it: HBO plus
My Grade: A
Where I saw it: HBO plus
"It could happen to you", the tag-line reads: not quite, but it is a white-knuckled ride all the way
Jonathan Mostow, before he went on to helm the big-budget U-571 and the even bigger budgeted Terminator 3, brought out this taut little thriller and cemented a reputation he's yet to really live up to (though some would disagree about that). His film has that tag-line, but it's not entirely accurate, even though it has a very familiar and eerily recognizable threat at the core: the outsiders coming in to a territory that is very close knit and practically inbred, where one wrong step could cost you and/or your loved ones lives. In this case, Kurt Russell and Kathleen Quinlan are the married couple caught in the cross-hairs of kidnapping, blackmail, and ultimately vengeance. They're moving from Massachusets to San Diego, and driving on through the desert they get side-swiped by a car, then later on after a near-altercation at a pit-stop, they move on only for the couple's car to breakdown. Help comes in the form of a trucker, who offers help for to drive the wife to get a tow-truck. No need for the truck, anyway, because the car didn't have much wrong with it...but what about the wife, Amy?
From there on in, Mostow takes Breakdown into the realm of paranoid thriller, then into just full-on chase/action/revenge/chase again picture. One might wonder if there could be a more noirish quality to it if the wife actually left for a reason other than abduction, though the path that Mostow takes the story is fine as it is. He keeps things simple in the story sense, with elements of the Western thrown in, but also makes it very much character-based as well. Russell's performance as Jeff Taylor is kind of the opposite of his recent turn as Stuntman Mike in Grindhouse: starting off as the average-Joe who tries to be polite, albeit from a yuppie background, he gets put to the test by the enormity of the situation, and finally becomes a real take-no-prisoners hero. Towards the very end it almost reaches the point of being TOO much of hitting over the head with payback, and there are little things regarding the nature of Red Barr (JT Walsh, great villainous presence in a real sinister, calm way) and his ties to the town as to whether or not things are really as controlling as they might be (i.e. the bank scene, which is perfectly acted, though not entirely feasible in the paranoid sense).
But all this aside, what Breakdown remains ten years after is a competent, un-pretentious thrill-ride where the dialog is never too heavy, the action is packed with real stunts and few special effects, and some of the brighter moments for Russell in recent years (or rather, the last ten). It knows what it is, and has the professional temerity of a cult effort.
From there on in, Mostow takes Breakdown into the realm of paranoid thriller, then into just full-on chase/action/revenge/chase again picture. One might wonder if there could be a more noirish quality to it if the wife actually left for a reason other than abduction, though the path that Mostow takes the story is fine as it is. He keeps things simple in the story sense, with elements of the Western thrown in, but also makes it very much character-based as well. Russell's performance as Jeff Taylor is kind of the opposite of his recent turn as Stuntman Mike in Grindhouse: starting off as the average-Joe who tries to be polite, albeit from a yuppie background, he gets put to the test by the enormity of the situation, and finally becomes a real take-no-prisoners hero. Towards the very end it almost reaches the point of being TOO much of hitting over the head with payback, and there are little things regarding the nature of Red Barr (JT Walsh, great villainous presence in a real sinister, calm way) and his ties to the town as to whether or not things are really as controlling as they might be (i.e. the bank scene, which is perfectly acted, though not entirely feasible in the paranoid sense).
But all this aside, what Breakdown remains ten years after is a competent, un-pretentious thrill-ride where the dialog is never too heavy, the action is packed with real stunts and few special effects, and some of the brighter moments for Russell in recent years (or rather, the last ten). It knows what it is, and has the professional temerity of a cult effort.
"Breakdown" is a twist of a thriller and a horror-movie. The story is very good, and you keep asking yourself, what will happen next. Russell and Walsh are making stunning performances, and the movie keeps you attracted for every second.
Every time Kurt Russell is in something you can always rely on a solid film. And once again in Breakdown you will not be disappointed. A solid cast with great directing makes this a must see. A great thriller that keeps you second guessing until the end which I love. Russell always puts in the full 100 percent and it shows here again. Why can't actors do what he does like this anymore. Good performances all around make this a tight entertaining watch that you will feel you have not wasted your almost 2 hours. A fast paced thriller that hits the mark at every turn. See this one and you will see how the 90s had great suspenseful films lacking today.
"Breakdown" is a nice little movie that is straightforward, has characters you truly care about, has a simple setup. And it never flags. And it keeps you guessing. Those are good qualities for movies, especially actioners and thrillers, and ones with this kind of premise. And the film has just enough characters (no more than it needs to have) to keep you involved. If the cops were any help, then there wouldn't be much of a story. It also doesn't take itself too seriously. The bad guys here are interesting, but perhaps if there were only one villain, then the movie could have been longer. I recommend this to anyone who enjoys thrillers that accomplishes a lot.
***1/2 out of ****
***1/2 out of ****
Le saviez-vous
- AnecdotesM.C. Gainey said that Earl was the darkest character he ever played in a film and regretted it afterwards.
- GaffesWhen the Jeep quits running, the odometer reads 242 miles. It has already been driven from Massachusetts to the western US desert.
- Versions alternativesThe film originally had a prologue added at the behest of the producers showing Kurt Russell's character as a cameraman in a war zone. He witnesses the death of a young girl and this prompts the cross country trip with his wife to start a new job. Director Jonathan Mostow did not like the opening and asked Paramount to test screen one version with the prologue and one without. After the screenings, the studio executives agreed with Mostow and opted to remove the prologue.
- ConnexionsEdited into Breakdown: Alternate Opening (2021)
- Bandes originalesBurgers & Fries
Written by Ben Peters
Performed by Charley Pride
Courtesy of the RCA Records Label of BMG Entertainment
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- How long is Breakdown?Alimenté par Alexa
Détails
Box-office
- Budget
- 36 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 159 144 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 307 128 $US
- 4 mai 1997
- Montant brut mondial
- 50 159 144 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Breakdown: Point de rupture (1997) officially released in India in Hindi?
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