Ajouter une intrigue dans votre langueMarla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales.... Tout lireMarla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined... Tout lireMarla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't cou... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Kirsty
- (as Jo Farrell)
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The film tells the story of a scheming manager who plots to kill his faded pop star, and in doing so increase her album sales. Years ago, in a rush to complete a first-year Screenwriting assignment I hatched a similar, lazy plot.
I never thought it was particularly astute, because everybody knows that the legends of rock stars are built on their deaths. The makers of this film think it IS astute, even if their execution is excruciatingly sloppy. Worse still, where I made the point in ten minutes, this film runs to ninety.
Ninety minutes. Ninety horrible minutes. Ninety minutes, no jokes.
I could hardly feel angry that I watched this film: it was on television and it was my own fault. I felt no malice or ill-will towards the cast and crew. I foresaw the inevitable lameness of their poorly-made product and yet I watched it anyway.
In the end I just felt like a bit of a loser. Ninety minutes I could have spent stimulating my brain or collecting for the worlds poor, but no. I watched a bad film.
Don't make the same mistake I did. But then again, Sundays make people do strange things.
rick 'im sorry'... this film suffers from the worst failing a film can have. it is so crushingly slow moving....no, sorry. its just plain boring. funny moments are negated by the whole thing being so drawn out. it has appalling pacing.There is also a weirdly misplaced 'accidental' outing that is just plain not funny, succeeds in just padding the film out. padding it really doesn't need. its fitting that in a film that deals with murder, the viewer is constantly losing the will to live.
You have to have seen Rick Mayall in the New Statesman to understand how well he can play a shifty businessman. Jane Horrocks performs very well (Particularly when you realise she does her own singing) and for me seemed very believable. Whilst some of the side plot lines may seem tenuous and dare I say it even a little dry, the whole piece spirals toward the climax of both the tour and the movie with Rick Mayall 's character bouncing in an emotional maelstrom between love and hate. (One of the smaller scenes which is actually very funny is when Mayle is being driven to see the gang boss. in a 30 second piece they manage to put a parody of Pulp Fiction and a very funny gag about answering questions. (In fact when they get to talk the secondary characters (and the thugs in particular) are given some great lines) If you can forgive the straight-to-tv look and like the Rick Mayall of Alan B'Stard instead of the Young ones or Bottom then this will have you laughing out loud.
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- ConnexionsFeatured in Des O'Connor Tonight: Épisode #21.6 (1998)