Southie

It's too bad this independent production didn't have some of the advantages of a major studio. The camera work is mediocre and the sound level is just terrible in spots. I hope that the latter is the result of me having a bad VHS copy.

Southie is not the kind of film that the late Pat O'Brien would have appeared in. It's the story of the South Boston neighborhood, a rugged Irish enclave as seen through the eyes of Danny Quinn and his family. It certainly isn't all Irish charm and blarney.

Donnie Wahlberg, late of New Kids on the Block and older brother of Mark Wahlberg, is Danny Quinn. He's gotten in trouble with the son of one of the two local mob chieftains vying for control of the neighborhood. So he beat it to New York for a while and now he's back.

He tries to go straight, but because of the need for money due to his mom's heart condition, young Quinn gets involved again in illegal activities. His old enemy is still around and leads to a whole lot of tragedy.

This was obviously a labor of love for Wahlberg as that's where he and the other New Kids on the Block sprang from. Too bad his neighborhood wasn't better photographed.

Lawrence Tierney as the old mob boss from South Boston and Anne Meara as Wahlberg's mother give strong performances.

This was all under the direction of John Shea, better known as Lex Luthor, from Lois and Clark. Too bad he didn't have better production values in what could have been a great film.

Let me begin by saying that I have lived in Dorchester and South Boston all of my life, so my opinion may be a bit loaded. Let me also say that I have seen this movie before, 15 different times, all of which with a different title, the first and best version of this story being "Mean Streets" by Martin Scorcese.

The idea of people battling against an urban environment for a better life is hardly anything new to American Cinema. it has been here since the early 70's. It has been done and done again. There are great films built around this theme. Some of which will be very hard to outdo.

What is amazing is that the vast majority of scripts written by young men who grew up in similar surroundings continue to deal with these issues in less resilient and origional ways.

In this film Donnie Wahlberg's 'Danny Quinn' is the ultimate candidate for the phrase, "you can take the boy out of the (insert town here), but you can't take the (insert town here) out of the boy". Arriving home after leaving town for a while Danny is dragged back into the vicious cycle that made him leave in the first place (gee, didn't see that one coming). Try as he might, he can't resist the gravity of his surrounding and is sucked into an blackhole of alcoholism, violence, and abuse. Like I said, nothing original. The film does explore some meaty drama with the Quinn mother played by Anne Meara, then she dies 3/4 of the way though the film, so that's that. The rest of the movie is color by numbers.

I should note that the South Boston presented in this film is nothing like the South Boston of today. Yes, it is a mostly blue collar community, yes, the people there are mostly irish americans, yes it can be a tough place, and yes the people are very parochial (enter "forced bussing" into any search engine). However it is not the type of place where gangsters go around having shotgun fights, it hasn't been remotely like this since the 70's when Whitey Bulger's gang was in its heyday. While all of the negative attributes of the community and its history are examined in "Southie" none of the positive attributes are even touched upon. This does not hold true for the film "Southie" rode into cinemas and film festivals on the laurels of: Good Will Hunting (If ever there was true to life picture of a blue collar boston, this is it).

Take a look at another recent film about a different Boston community, "Monument Ave". Though this movie suffers from the same cliche problems as "Southie", it explores a theme that many of Boston's blue collar residents can identify with. Set in charlestown, a neighborhood which is known for its "code of silence", the characters in this film squirm as they see their once closed off neighborhood become an area of blue chip real estate for young yuppies looking for an upscale urban home. In "Monument Ave." there is a clear juxtaposition between the violent, troubled townies and their new neigbors. This phenomenon holds true for the real South Boston as well, however the film "southie" does not even touch upon it.

In the end it probably does not matter where the setting of the film was. The writers were from boston so they chose southie. It could have been the third moon of Jupiter, but it still wouldn't have made this film any more original, 3/10 stars.

"Southie" is worth a look. We have seen this movie before, only that now instead of being about Italian-Americans, it depicts Irish-Americans in Boston. As directed by John Shea, it misses the mark, but it shows a director who shows a lot of promise, as we already know him as an excellent film actor.

The film has an improvised look, which might have been the case, but we'll never know. The different Boston heavy accents stand in the way for enjoying it much more, in my humble opinion.

Donnie Wahlberg shows his usual intensity. Rose McGowan, as Kathy, shows she has the potential to do bigger and better things. As the Quinn matriarch, it was a pleasure to see Anne Meara, a wonderful actress and a great human being in real life.

Let's hope Mr. Shea will come out with a better film the next time out.

... the Southie that tried so hard from the Garrity era on down to portray themselves as Just Another Heart Of Gold (all-white) Community, or the one that really exists?

This isn't a great movie. The production values are spotty, such plot as exists is threadbare, sound fades in and out, and you won't put the tape back in the box having learned much of anything.

But paintings don't tell stories either; they're evocative mood-setting pieces, and so is this movie. Wahlberg doesn't put phony speeches in the characters' mouths, he doesn't have a happy ending, nothing much is resolved, and no one is any less of a mess than at the beginning. He presents you a moving image of a profane, drunken, violent environment that is a side of Southie the residents and the city of Boston would prefer you not see. It's there nonetheless.

6/10.

After watching 'Southie' I was surprised at its low rating on the IMDb; and somewhat puzzled because almost everyone who took the time to post a comment found it an excellent film. Although in overall effect it is not on the level of 'Mean Streets', it a still a very solid production; on the level of "Monument Avenue" and "The Friends of Eddie Coyle". I suppose that a rather ordinary screenplay and a downbeat ending put some people off.

But this small film did a fine job of presenting a believable (if troubled) family, it utilized some interesting (out of favor) camera techniques to advance the storyline, and it showcased some excellent acting. It is refreshing to watch something without a hint of computer generated crap. If your production fundmentals are sound you don't need that kind of distraction.

There are two diametrically opposite scenes between Donnie Wahlberg and Rose McGowan that work so well that you wonder why they didn't alter the script to expand McGowan's part . One is in an Irish bar where Danny convinces his sister to enter an in-patient alcohol treatment program. The other is a few days later when he visits her in the middle of the program. The contrast between the intensity levels of these two scenes is amazing and McGowan pulls off the dramatic performance of her career. She is great at comedy but in these scenes she shows unexpected dramatic range. 'Southie' would be worth watching for just these two scenes but it is a solid effort from start to finish. Highly recommended.