Un couple qui a un emploi et un appartement à New York décide de s'installer dans la ferme de sa mère, de se marier et d'y avoir un bébé. Ils peuvent également effectuer les changements néce... Tout lireUn couple qui a un emploi et un appartement à New York décide de s'installer dans la ferme de sa mère, de se marier et d'y avoir un bébé. Ils peuvent également effectuer les changements nécessaires pour obtenir un meilleur prix pour l'exploitation. Cependant, quelque chose ne tou... Tout lireUn couple qui a un emploi et un appartement à New York décide de s'installer dans la ferme de sa mère, de se marier et d'y avoir un bébé. Ils peuvent également effectuer les changements nécessaires pour obtenir un meilleur prix pour l'exploitation. Cependant, quelque chose ne tourne pas rond chez sa mère.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
A twisted and thrilling tale about acceptance and skeletons in the closet? You can say that. Gwyneth Paltrow plays the lovable Helen, a successful and beautiful woman, loved by a man who's also both of the fore-mentioned qualities, the great Jackson (Johnathon Schaech) of the powerful Baring family. But he has a mother, the surprising Martha (Jessica Lange) of whom Helen always tries to please to the best since Jackson and his mom has some strong bonds between them and she wants to be part of this quite perfect family. Habitual to flicks of the same caliber, there's secrets, tension between both women and a certain disdain the old lady feels for the younger and it's up to Helen to discover what's the problem with the Baring family. Her only great ally is Jackson's grandmother (Nina Foch, excellent), father of Martha's late husband, and keeper of some family secrets that can storm a big mess in everyone's lives.
There isn't much to be said about "Hush" except that the cast is great, even though they're not at their greatest moment. Except Lange and Foch who are brilliant, and the memorable special appearance of Hal Holbrook as the doctor. But it's Lange who steals the show playing a pitiful villain, sometimes adorable, other times really cruel but most of the time always in control of the situation. The plot should include more characters to make this more tense and less concentrated in those three main characters. The relationship between Jackson and Martha could've go to more controversial ways, cause everything seems to indicate that (the scene where he's covered in mud and she cleans him, they're like pretending it's just a silly joke. There's something going on there).
I know Jonathan Darby has directed better films (like the criminally underrated and almost forgotten "The Enemy Within" with Forest Whitaker) but what he makes here is quite good, never cheap and at the most entertaining to watch for its cast and the beautiful cinematography. 8/10
Its a shame they held back because Jessica and Gwyneth looked amazing. Who cares if their performances weren't great? Their screen presence made up for it. They were ripe for a deliciously violent, twisted older woman/younger woman B-movie and the director blew it. (Check out Piper Laurie and Sissy Spacek in "Carrie." They set the standard for over the top, twisted mother-daughter action.)
Jessica Lange does a lot of eye-rolliing, neck-straining and incessant smoking as the wealthy gargoyle mother who has it in for innocent dumbbell daughter in law Gwyneth Paltrow. Jonathan Schaech plays a piece of wood who occasionally stumbles into a scene with other characters. You know Lange's supposed to be evil because she smokes, drinks and has an inexplicable Southern accent (in upstate New York?). The film sports two endings (don't worry, no spoilers here!!!), the first of which is guffaw-inducing just because it's medically not possible, and a final showdown which is incredibly dull and comes out of nowhere. Lots of bad dialogue and far-fetched plot "developments" carry the viewer to the bitter end.
Allegedly this film was held up for massive re-shoots and edits for a whole year. One hopes for a "director's cut" just so we can see what could have been even worse than this hilarious nonsense. Recommended!!!
So the beginning, the plot absolutely flies by, there's no dithering about and it throws you into the thick of it within minutes. 10 minutes in you know the characters, the plot, her mother's maiden name and what they had for dinner last June. This pace, in my opinion, is a good thing and I thought it would continue this way throughout. Then all of a sudden, it kind of just sticks to a standstill. Very little happens, even the ending is really underwhelming and nothing really of note happens. Between the 15 min mark and an hour all of what happened could genuinely be condensed into a single scene.
As you're watching you are waiting for THAT moment. The twist, the golden moment that makes you go "aghhh". But nothing happens, it's just really boring. You're waiting for something to go down, or even something to be said that kicks the film into gear. But no.
It also just got predictable, you knew what was going to happen in the scene and you knew what was going to happen in the next scene.
The saving grace to this film was the performances. Jessica Lange in particular played her role really well, but ultimately it's not enough to get this film going.
So yeah. Disappointed in this movie and perks ably wouldn't recommend. 4/10
Le saviez-vous
- AnecdotesMany scenes in the trailer did not make the final cut because they re-shot the movie almost two years after it was first finished. The original version had, among other changes, a climatic fight between the two ladies with one dying. It was re-shot following bad feedback from test audiences.
- GaffesMartha attempts to induce Helen's labor by spiking a cake with Oxytocin. We see Helen eat the cake, and then several hours later go into labor. The problem is that Oxytocin is broken down in the gastrointestinal tract and rendered ineffective. It needs to be injected or inhaled to work.
- Citations
Alice Baring: There's something I've always wanted to tell you. You smell like horseshit.
- Bandes originalesHush Little Baby Don't You Cry
Composer unknown
Played during the opening credits
Variations played throughout as part of the score
Meilleurs choix
- How long is Hush?Alimenté par Alexa
Détails
Box-office
- Budget
- 21 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 583 690 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 742 431 $US
- 8 mars 1998
- Montant brut mondial
- 13 605 304 $US